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The Grace of Krishna consists for him [devotee] in Krishna's very lovableness, in his showing of himself to the devotee, in his call, the cry of his flute. That is enough for the heart or, if there is anything more, it is the yearning that others or all may hear the flute, see the face, feel all the beauty and rapture of this love. <ref>https://incarnateword.in/cwsa/29/bhakti-yoga-and-vaishnavism#p53</ref>

Krishna's Grace calls whom it wills to call without any determining reason for the choice or rejection, his mercy or his withholding or at least delaying of his mercy, or else he calls the hearts that are ready to vibrate and leap up at his call—and even there he waits till the moment has come. To say that it does not depend on outward merit or appearance of fitness is no doubt true; the something that was ready to wake in spite, it may be, of many hard layers in which it was enclosed, may be something visible to Krishna and not to us. It was there perhaps long before the flute began to play, but he was busy melting the hard layers so that the heart in its leap might not be pressed back by them when the awakening notes came. The Gopis heard and rushed out into the forest—the others did not—or did they think it was only some rustic music or some rude cowherd lover fluting to his sweetheart, not a call that learned and cultured or virtuous ears could recognise as the call of the Divine? <ref>https://incarnateword.in/cwsa/29/bhakti-yoga-and-vaishnavism#p54</ref>

Nothing can be more positive than the Gita's statement in this matter. "And by doing also all actions always lodged in Me he attains by my grace the eternal and imperishable status." This liberating action is of the character of works done in a profound union of the will and all the dynamic parts of our nature with the Divine in ourself and the cosmos. <ref>http://incarnateword.in/cwsa/19/towards-the-supreme-secret#p12</ref>