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<div style="color:#000000;">It (spiritual bliss) may present itself first as a yearning for some universal Beauty which we feel in Nature and man and in all that is around us; or we may have the intuition of some transcendent Beauty of which all apparent beauty here is only a symbol. That is how it may come to those in whom the aesthetic being is developed and insistent and the instincts which, when they find form of expression, make the poet and artist, are predominant. </div>
 [<ref>http://incarnateword.in/cwsa/24/the-ananda-brahman#p3 http://incarnateword.in/cwsa/24</the-ananda-brahman#p3]ref>
<div style="color:#000000;">Yes, this beauty of soul that is visible in the face, this kind of dignity, this harmony of integral realisation. When the soul becomes visible in the physical, it gives this dignity, this beauty, this majesty, the majesty that comes from one's being the Tabernacle. Then, even things that have no particular beauty put on a sense of eternal beauty, of it the eternal beauty.</div>
 <span style="background-color:transparent;color:#000000;">(The Mother, 1 July 1958)</span><span style="background-color:transparent;color:#1155cc;"><u><ref>http://incarnateword.in/cwm/15/july-1958-1#p3</ref></u></span>
<span style="background-color:transparent;color:#000000;">That is what the experience of the normal life is meant to lead to by its widening culture of the intellect, the aesthetic and emotional mind and of our parts too of will and active experience. It widens and refines the normal being so that it may open easily to all the truth of That which was preparing it for the temple of its self-manifestation.</span>[<ref>http://incarnateword.in/cwsa/24/the-mystery-of-love#p3 http://incarnateword.in/cwsa/24</the-mystery-of-love#p3]ref>
<span style="background-color:transparent;color:#000000;">Aesthetically, the delight takes the appearance of Rasa and the enjoyment of this Rasa is the mind's and the vital's reaction to the perception of beauty. The spiritual realisation has a sight, a perception, a feeling which is not that of the mind and vital;—it passes beyond the aesthetic limit, sees the universal beauty, sees behind the object what the eye cannot see, feels what the emotion of the heart cannot feel and passes beyond Rasa and Bhoga to pure Ananda—a thing more deep, intense, rapturous than any mental or vital or any physical rasa reaction can be. It sees the One everywhere, the Divine everywhere, the Beloved everywhere, the original bliss of existence everywhere, and all these can create an inexpressible Ananda of beauty—the beauty of the One, the beauty of the Divine, the </span><span style="background-color:transparent;color:#000000;">beauty of the Beloved, the beauty of the eternal Existence in things. It can see also the beauty of forms and objects, but with a seeing other than the mind's, other than that of a limited physical vision—what was not beautiful to the eye becomes beautiful, what was beautiful to the eye wears now a greater, marvellous and ineffable beauty. The spiritual realisation can bring the vision and the rapture of the All-Beautiful everywhere.</span><span style="background-color:transparent;color:#0066cc;"><u><ref>http://incarnateword.in/cwsa/27/art-beauty-and-ananda#p7</ref></u></span>
= <span style="background-color:transparent;color:#000000;">Why is it Important to Have Aesthetic Sense?</span> =