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Imagination, for instance, is when you begin to picture to yourself an ideal being to whom you apply all your conceptions, and when you tell yourself, "Why, it should be like this, like that, its form should be like this, its thought like that, its character like that," when you see all the details and build up the being. Now, writers do this all the time because when they write a novel, they imagine. There are those who take things from life but there are those who are imaginative, creators; they create a character, a personage and then put him in their book later. This is to imagine. To imagine, for example, a whole concurrence of circumstances, a set of events, this is what I call telling a story to oneself. But it can be put down on paper, and then one becomes a novelist. There are very different kinds of writers. Some imagine everything, some gather all sorts of observations from life and construct their book with them. There are a hundred ways of writing a book. But indeed some writers imagine everything from beginning to end. It all comes out of their head and they construct even their whole story without any support in things physically observed. This truly is imagination. But as I say, if they are very powerful and have a considerable capacity for creation, it is possible that one day or other there will be a physical human being who realises their creation. This too is true. <ref>http://incarnateword.in/cwm/07/6-july-1955#p32</ref>
= Yogic Level Advanced Understanding of Imagination =
All human imaginations indeed correspond to some reality or real possibility, though they may in themselves be a quite inaccurate representation or couched in too physical images and therefore inapt to express the truth of supraphysical realities. <ref>http://incarnateword.in/cwsa/23/the-planes-of-our-existence#p10</ref>
Imagination itself is in its nature a substitute for a truer consciousness's faculty of intuition of possibility: as the mind ascends towards the truth-consciousness, this mental power becomes a truth imagination which brings the colour and light of the higher truth into the limited adequacy or inadequacy of the knowledge already achieved and formulated and, finally, in the transforming light above it gives place wholly to higher truth-powers or itself turns into intuition and inspiration; the Mind in that uplifting ceases to be a creator of delusions and an architect of error. Mind then is not a sovereign creator of things non-existent or erected in a void: it is an ignorance trying to know; its very illusions start from a basis of some kind and are the results of a limited knowledge or a half-ignorance. <ref>http://incarnateword.in/cwsa/21/the-cosmic-illusion-mind-dream-and-hallucination#p25</ref>
 
The vital mind is that part of the vital being which builds, plans, imagines. <ref>http://incarnateword.in/cwsa/28/the-vital-being-and-vital-consciousness#p16</ref>
Our mind is an observer and user of actualities, a diviner or recipient of truths not yet known or actualised, a dealer in possibilities that mediate between the truth and actuality. But it has not the omniscience of an infinite Consciousness; it is limited in knowledge and has to supplement its restricted knowledge by imagination and discovery. It does not, like the infinite Consciousness, manifest the known, it has to discover the unknown; it seizes the possibilities of the Infinite, not as results or variations of forms of a latent Truth, but as constructions or creations, figments of its own boundless imagination. It has not the omnipotence of an infinite conscious Energy; it can only realise or actualise what the cosmic Energy will accept from it or what it has the strength to impose or introduce into the sum of things because the secret Divinity, superconscient or subliminal, which uses it intends that that should be expressed in Nature. <ref>http://incarnateword.in/cwsa/21/the-cosmic-illusion-mind-dream-and-hallucination#p22</ref>
Thus the mind's imaginations are not purely and radically illusory: they proceed on the basis of its experience of actualities or at least set out from that, are variations upon actuality, or they figure the "may-be"s or "might-be"s of the Infinite, what could be if other truths had manifested, if existing potentials had been otherwise arranged or other possibilities than those already admitted became potential. Moreover, through this faculty forms and powers of other domains than that of the physical actuality communicate with our mental being. Even when the imaginations are extravagant or take the form of hallucinations or illusions, they proceed with actuals or possibles for their basis. The mind creates the figure of a mermaid, but the phantasy is composed of two actualities put together in a way that is outside the earth's normal potentiality; angels, griffins, chimeras are constructed on the same principle: some times the imagination is a memory of former actualities as in the mythical figure of the dragon, sometimes it is a figure or a happening that is real or could be real on other planes or in other conditions of existence… Again, when we look into the origin of mental error, we find normally that it is a miscombination, misplacement, misuse, misunderstanding or misapplication of elements of experience and knowledge. <ref>http://incarnateword.in/cwsa/21/the-cosmic-illusion-mind-dream-and-hallucination#p2</ref>
 
This at once raises the question of the nature of Mind, the parent of these illusions, and its relation to the original Existence. Is mind the child and instrument of an original Illusion, or is it itself a primal miscreating Force or Consciousness? or is the mental ignorance a misprision of the truths of Existence, a deviation from an original Truth-Consciousness which is the real world-builder? Our own mind, at any rate, is not an original and primary creative power of Consciousness; it is, and all mind of the same character must be, derivative, an instrumental demiurge, an intermediary creator. It is likely then that analogies from the errors of mind, which are the outcome of an intermediate Ignorance, may not truly illustrate the nature or action of an original creative Illusion, an all-inventing and all-constructing Maya. Our mind stands between a superconscience and an inconscience and receives from both these opposite powers: it stands between an occult subliminal existence and an outward cosmic phenomenon; it receives inspirations, intuitions, imaginations, impulsions to knowledge and action, figures of subjective realities or possibilities from the unknown inner source; it receives the figures of realised actualities and their suggestions of further possibility from the observed cosmic phenomenon. What it receives are truths essential, possible or actual; it starts from the realised actualities of the physical universe and it brings out from them in its subjective action the unrealised possibilities which they contain or suggest or to which it can arrive by proceeding from them as a starting-point: it selects some out of these possibilities for a subjective action and plays with imagined or inwardly constructed forms of them; it chooses others for objectivisation and attempts to realise them. But it receives inspirations also from above and within, from invisible sources and not only from the impacts of the visible cosmic phenomenon; it sees truths other than those suggested by the actual physicality around it, and here too it plays subjectively with transmitted or constructed forms of these truths or it selects for objectivisation, attempts to realise. <ref>http://incarnateword.in/cwsa/21/the-cosmic-illusion-mind-dream-and-hallucination#p21</ref>
 
 
== Role of Vital Mind in Imagination ==
 
The vital mind is that part of the vital being which builds, plans, imagines. <ref>http://incarnateword.in/cwsa/28/the-vital-being-and-vital-consciousness#p16</ref>
… an unbalanced vital and a weak nervous system apt to follow its own imaginations and unruled impulses without any true mental will or strong vital will to steady or restrain it, and so at the mercy of the imaginations. <ref>http://incarnateword.in/cwsa/31/accidents-possession-madness#p32</ref>
The source from which these imaginations come has nothing to do with the reason and does not care for any rational objections. They come either from the vital mind, the same source from which come all the fine imaginations and long stories which men tell themselves in which they are the heroes and do great things or they come from little entities attached to the physical mind which pick up any random suggestion anywhere and present it to the mind just to see whether it will be accepted. If one watches oneself closely one can find the most queer and extraordinary or nonsensical things crossing the mind or peeping in on it in this way. Usually one laughs or hardly notices and the thing falls back to the world of incoherent thought from which it came. <ref>http://incarnateword.in/cwsa/28/the-vital-being-and-vital-consciousness#p20</ref>
 
This at once raises the question of the nature of Mind, the parent of these illusions, and its relation to the original Existence. Is mind the child and instrument of an original Illusion, or is it itself a primal miscreating Force or Consciousness? or is the mental ignorance a misprision of the truths of Existence, a deviation from an original Truth-Consciousness which is the real world-builder? Our own mind, at any rate, is not an original and primary creative power of Consciousness; it is, and all mind of the same character must be, derivative, an instrumental demiurge, an intermediary creator. It is likely then that analogies from the errors of mind, which are the outcome of an intermediate Ignorance, may not truly illustrate the nature or action of an original creative Illusion, an all-inventing and all-constructing Maya. Our mind stands between a superconscience and an inconscience and receives from both these opposite powers: it stands between an occult subliminal existence and an outward cosmic phenomenon; it receives inspirations, intuitions, imaginations, impulsions to knowledge and action, figures of subjective realities or possibilities from the unknown inner source; it receives the figures of realised actualities and their suggestions of further possibility from the observed cosmic phenomenon. What it receives are truths essential, possible or actual; it starts from the realised actualities of the physical universe and it brings out from them in its subjective action the unrealised possibilities which they contain or suggest or to which it can arrive by proceeding from them as a starting-point: it selects some out of these possibilities for a subjective action and plays with imagined or inwardly constructed forms of them; it chooses others for objectivisation and attempts to realise them. But it receives inspirations also from above and within, from invisible sources and not only from the impacts of the visible cosmic phenomenon; it sees truths other than those suggested by the actual physicality around it, and here too it plays subjectively with transmitted or constructed forms of these truths or it selects for objectivisation, attempts to realise. <ref>http://incarnateword.in/cwsa/21/the-cosmic-illusion-mind-dream-and-hallucination#p21</ref>
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