Refining of Senses Compilation
Read Summary of Refining of Senses
- 1 Why Is It Important to Cultivate Senses?
- 2 What Are Senses?
- 3 How Can One Refine One’s Senses?
- 4 Importance of Senses in Yoga
- 4.1 For Acquiring a Higher Consciousness
- 4.2 For Relief from Pain and Illness
- 4.3 Sensory Indicators of Growth in Integral Yoga
- 4.4 Senses In Relation to Other Parts of Being
- 4.5 Advance Mastery Path of Refining Senses
- 4.6 References
Why Is It Important to Cultivate Senses?
Sensations are an excellent instrument of knowledge and education, but to make them serve these ends, they must not be used egoistically for the sake of enjoyment, in a blind and ignorant search for pleasure and self-satisfaction. 
…it is through sensations that you learn: by seeing, observing, hearing. Classes develop your sensations, studies develop your sensations, the mind receives things through sensations. By the education of the sees the growth of one's general education is aided; if you learn to see well, exactly, precisely; if you learn to hear well; if you learn through touch to know the nature of things; if you learn through the see of smell to distinguish between different odours—all these are a powerful means of education. In fact, they should be used for this, as instruments of observation, control and knowledge. If one is sufficiently developed, one can know the nature of things through sight; through the see of smell one may also know the value, the different nature of things; by touch one can recognise things… 
For Accuracy and Precision
When you have trained your eyes to see things with exactness, you can do so; it is an exercise you can quite easily do. For example, you have to put something, an object or a number of things, into a box. An ordinary person will need to take the measure tape and measure the box to find out precisely what is needed. The man who has trained his eyes will see the things which are to be put in and at a glance will see which box is required; or perhaps, if there is a liquid to be poured, he will know the exact size of the bottle, because his eye is used to measuring things and he can, by seeing the thing, know its exact size. For instance, see another example: you have to put a ring on someone’s finger. Ordinary people are obliged to take the rings and try them on one after another till they find one of the right size. He who has trained his eyes looks at the finger and then at the rings; he won’t be deceived and will immediately pick up the ring, which fits exactly, without making a mistake. Well, this kind of training for the eyes can also be given to hearing, in order to distinguish sounds and all the qualities of sound. It can be given to the see of smell, to distinguish odours and the different qualities of odours; for taste, the same thing. 
For example, you are obliged to cook and want to prepare a good dish. Well, if you have not trained your sees you will have to try out a little of this and a little of that and then taste it and again correct, arrange. If you have trained your taste you know very well—the taste and smell at the same time, these two are very close and must complement each other—you know what kind of food you are cooking, you get the smell of the thing you are cooking and then, because of the smell and the nature of the thing you will know exactly what more you can put in to complete the taste, what you must add of this thing or that, all kinds of ingredients, you see, to combine things; combine the different vegetables, for instance, or the different tastes of things, in such a way that they make a homogeneous whole. And then you will have a dish without needing to taste it every three minutes to find out if you have put enough salt or pepper, enough butter or… You will know exactly what should be done and will do it without a mistake. It is the same thing for smell. If you have trained your see of smell, for instance, you can mix things in exact proportions, know the nature… the nature of a perfume, for example, know with which other perfume… Take flowers; you smell them. Well, there are smells, which do not harmonise. If you put them together it makes something that grates, that has no… harmony, unity. But if you have cultivated your see of smell, when you get one particular odour you know exactly what kind of smells can go harmoniously with it. And you will be able to bring close things made to go together. With colours it is the same thing. The education in colours is tremendous—in both detail and complexity. If you learn how to distinguish all the colours, to know to what family of colours each belongs, what kind of harmony it can bring about—you can know, it is the same thing. You can keep the memory of the colour as you keep the memory of the form. You want to match all your things… for example, you want to match two things: you want to match a cloak with a skirt or a… well, anything at all… or maybe one kind of cloth with another. Usually you are obliged to take one and then go and compare it with the others; and finally, after many trials, if you are not too clumsy, you finish by finding it. But if you have the training in colour, you look at the colour once and go straight to what matches with it, without any hesitation, because you remember exactly the nature of this colour and go to a colour that can harmonise with it. But you see, in order to educate yourself you can make lots and lots of… almost games, can’t you? You have a whole series of things, take anything you like: bits of cloth, anything at all, bits of ribbons, little bits of paper, many different colours. And then you arrange them to make a scale, and you see in what order they have to be put. By the side of this one, which should go? By the side of this other, which should go? And so on. And you make an uninterrupted scale in such a way that nothing shouts and you can go from one extreme of colour to the other. There are countless opportunities for doing things like that. One doesn’t use them. But if you look at the problem from the point of view of education, you have constantly an opportunity for educating yourself, constantly. It seems people make terrible mistakes in taste; if you knew, from the point of view of artistic harmony, you simply live in a chaos! Take just the relations of colours—there are many other things, there is the relation of forms which is more complicated still—but the relation of colours: you take a colour and put it beside another; and it happen that these groups of colours don’t go together. Then, if you have no training, sometimes you are not even aware of it. Sometimes you say, “Oh, it is not very pretty.” But you don’t know why, you are not at all conscious of the reason. But when you are trained, when you have trained your eye, first of all you never make a mistake like this, you never bring together two things which don’t go together; and if by chance, on someone else you see things which are not at all made to go together, you don’t have that vague kind of feeling which says, “Oh, it is not pretty, oh, it is not good”, a kind of vague thing… you don’t know why it isn’t pretty, it isn’t pleasant. And it is precisely because one colour belongs to one class and the other to another class of colours, and if you bring together these two different classes without some intermediary colours to harmonise them, they shriek. You can immediately find the remedy because you know where the fault lies. Well, from the point of view of forms it is the same thing, you know. You arrange a room. You place anything at all anywhere at all and then, when entering, someone who has a sense of harmony feels uneasy. He feels he is entering a chaos. But if you have the sense of colour and form, you must add to it the sense of order and organisation; but still, even without this utilitarian see of order and organisation, if you have the true see of form—of forms which can complement and harmonise with one another, and of colours which can complement and harmonise with one another—when you have to arrange a room, even if you have just three pieces of furniture, you will put them in the right place. But most people do not know, it makes no difference to them. They think only of one thing: “Oh, it will be more convenient to have this here and more convenient to have that there!” And then, sometimes they don’t even think of this, they put things anywhere at all. But when they enter their room, the place where they have to live for several hours of the day, they enter a confusion and disorder; and if they are not sensitive they do not become aware of it, they do not feel uneasy. However, this does not help in harmonising them within; while if one has… You have a room like that; in this room which has certain dimensions, you have to put a certain given number of articles of furniture, not more, not less; and you must arrange them in a particular order. For example, there is a harmony of lines, you see; and if you place things without considering this harmony of lines, immediately you get the impression of something shouting aloud. But if you know where a curve is required, where an angle, where something small is needed and where something large, and you put things in order…. Take just four articles of furniture: you can put them in the right place or the wrong one; and it happen that if you truly have good taste and are well trained, your organisation is not only harmonious but the most practical. Some people, you know, pile up a considerable number of things in one small place and put them so clumsily that they can’t even move without knocking against something.
I know people of this kind. They enter their room and spend their time bumping against this and that; and so they have to go round about and make all kinds of extraordinary movements in order to be able to use the things they need. And they don't give it a thought, they don't give it a thought, it happened like that.... Most people are so unconscious that when they are asked, "Why is it like that?"—"It happened like that, it is like that." It happened like that, you see, by chance! And they live all their life "by chance", things happen like that.... Well, this is indeed a lack of the education of the senses. If you really train them in the true way, first of all you escape immediately from this unbearable thing: "It is pleasant, it is unpleasant, this pleases, that displeases.... Oh, what an unpleasant sensation !" One doesn't know why, besides, it is just this. And then, suddenly, "Ah, how pleasant it is ! " 
For Expansion of Consciousness
People have many senses which are asleep. They are terribly tamasic. If all the senses they possess were awake, there are many things they would perceive, which can just pass by without anyone suspecting anything. 
The body provides our consciousness with the gates of the senses through which it can establish the necessary communication and means of observation and action upon the world, upon the not-self outside it… 
We can know infinitely more things than we usually do, simply by using our own senses. And not only from the mental point of view, but also from the vital and even the physical point of view.
[Based on Aphorism 72- The sign of dawning Knowledge is to feel that as yet I know little or nothing; and yet, if I could only know my knowledge, I already possess everything.] 
…if you approach things with this idea—of studying, of wanting to develop exactitude of perception and the relation between things—then, instead of living in sensations for sensations' sake (that is, "Oh, this is pleasant" or "this is unpleasant", "I like this, I don't like that" and all this kind of foolishness), you know the quality of things, their use and their interrelations through this study of the sees. This puts you in contact with the world in a completely conscious way…
…when we go inwards away from the restricted surface consciousness and develop a subtler sense and deeper awareness, we begin to get an intimation of the origin of these movements and are able to watch their action and process, to accept or reject or modify, to allow them passage and use of our mind and will and our life and members or refuse it. In the same way we become aware of larger domains of mind, a play, experience, formation of a greater plasticity, a teeming profusion of all possible mental formulations, and we feel their contacts with us and their powers and influences acting upon our parts of mind in the same occult manner as those others that act upon our parts of life. 
People value visions for one thing because they are one key (there are others) to contact with the other worlds or with the inner worlds and all that is there and these are regions of immense riches which far surpass the physical plane as it is at present. One enters into a larger freer self and a larger more plastic world; of course individual visions only give a contact, not an actual entrance, but the power of vision accompanied with the power of the other subtle senses (hearing, touch, etc.) as it expands does give this entrance. These things have not the effect of a mere imagination (as a poet's or artist's, though that can be strong enough) but if fully followed out bring a constant growth of the being and the consciousness and its richness of experience and its scope. 
To have the perception of the Presence, the participation of feeling is indispensable, and when sensation collaborates, then the perception becomes concrete and tangible. 
For Nobility and Generosity
Certain things, like cruelty, could be called "sin", but I can only see this explanation, that it is a distortion of the taste or need for an extremely strong sensation. I have observed in cruel people that they feel Ananda at that moment; they find an intense joy in it. So that is its justification, only it is in such a state of distortion that it is repugnant.
[Based on Aphorism 66—Sin is that which was once in its place, persisting now it is out of place; there is no other sinfulness.] 
For one who has developed a truly refined taste will, because of this very refinement, feel incapable of acting in a crude, brutal or vulgar manner. This refinement, if it is sincere, brings to the being a nobility and generosity which will spontaneously find expression in his behaviour and will protect him from many base and perverse movements. 
There is a tremendous power in sensorial immobility. If you can remain like a wall, absolutely motionless, everything the other person sends you will immediately fall back upon him. And it has an immediate action. It can stop the arm of the assassin, you understand, it has that strength. Only, one must not just appear to be immobile and yet be boiling inside! That's not what I mean. I mean an integral immobility. 
There is always a drawing of vital forces from one to another in all human social mixture; it takes place automatically. Lovemaking is one of the most powerful ways of each drawing up the other's vital force,—or of one drawing the other's, which also often happens in a one-sided way to the great detriment of the "other". In the passage come many things good and bad, elation, feelings of strength, fullness, support or weakness and depletion, infiltration of good and bad qualities, interchange of psychological moods, states and movements, ideas helpful and harmful, depression, exhaustion—the whole gamut. In the ordinary consciousness one is not aware of these things; the effects come into the surface being, but the cause and process remain unknown and unnoticed because the interchange is subtle and covert, it takes place through what is called the subconscient, but is rather a behind-consciousness covered by the surface waking mind. When one gets into a certain Yogic consciousness, one becomes very much aware of this covert movement, very sensitive to all this interchange and action and reaction; but one has this advantage that one can consciously build a wall against them, reject, refuse, accept what helps, throw out or throw back what injures or hinders. Illnesses can also pass in this way from one to another, even those which are not medically regarded as contagious or infectious; one can even by will draw another's illness into oneself as did Antigonus of Macedon accepting death in this way in order to save his son Demetrius. This fact of vital interchange, which seems strange and unfamiliar to you, becomes quite intelligible if one realises that ideas, feelings etc. are not abstract things but in their way quite concrete, not confining their movements to the individual's mind or body but moving out very much like the "waves" of science and communicating themselves to anyone who can serve as a receiver. Just as people are not conscious of the material waves, so it is and still more with these mental or vital waves; but if the subtle mind and senses become active on the surface—and that is what takes place in Yoga—then the consciousness becomes aware in its reception of them and records accurately and automatically their vibrations. 
For Self Transformation
...senses should be used as instruments to approach and study the physical and vital worlds in all their complexity; in this way they will take their true place in the great endeavour towards transformation. 
In truth, a cultivated and illumined vital can be as noble and heroic and disinterested as it is now spontaneously vulgar, egoistic and perverted when it is left to itself without education. It is enough for each one to know how to transform in himself the search for pleasure into an aspiration for the supramental plenitude. If the education of the vital is carried far enough, with perseverance and sincerity, there comes a time when, convinced of the greatness and beauty of the goal, the vital gives up petty and illusory sensorial satisfactions in order to win the divine delight. 
Importance of Educating the Senses
I don't think there's one in a hundred who does things consciously and deliberately and who is in tune with an inner principle of taste or sense of harmony. There are people like that, but not many, not very many. And even those who have an innate taste (there are people with an innate taste, whose senses are refined from birth—they should show some gratefulness to their parents always, for it is something very rare and they must have been born under a lucky star), even these can reach through education an extraordinary perfection… 
To this general education of the senses and their functioning there will be added, as early as possible, the cultivation of discrimination and of the aesthetic sense, the capacity to choose and adopt what is beautiful and harmonious, simple, healthy and pure. For there is a psychological health just as there is a Physical health, a beauty and harmony of the sensations as of the body and its movements. As the capacity of understanding grows in the child, he should be taught, in the course of his education, to add artistic taste and refinement to power and precision. He should be shown, led to appreciate, taught to love beautiful, lofty, healthy and noble things, whether in Nature or in human creation. This should be a true aesthetic culture, which will protect him from degrading influences. For, in the wake of the last wars and the terrible nervous tension which they provoked, as a sign, perhaps, of the decline of civilisation and social decay, a growing vulgarity seems to have taken possession of human life, individual as well as collective, particularly in what concerns aesthetic life and the life of the senses. A methodical and enlightened cultivation of the senses can, little by little, eliminate from the child whatever is by contagion vulgar, commonplace and crude. This education will have very happy effects even on his character. 
It [self-development through sensations] is much in fashion. Now in the schools certain disciplines are invented to develop children's power of observation, the quickness of decision, of choice, the capacity to reckon with the eyes, appreciation, all that. All kinds of games are made for children now, to teach them all that. The sense of hearing can also be developed, the sense of smell, the sense of sight—all these can be methodically developed. If, instead of merely living in one's sensations—this is "pleasant or unpleasant", this is "pleasing or displeasing" and all kinds of things which are perfectly useless—one succeeds in calculating, measuring, comparing, noting, studying in detail all the vibrations.... You see, human beings live like blind men, constantly, absolutely unconscious, and they plunge into sensations and reactions, all the impulses, and so it is pleasant, it is unpleasant, it is pleasing, it is displeasing, all that. What is all that, then? What's the sense in it?—None at all. One ought to be able to appreciate, calculate, judge, compare, note, know exactly and scientifically the full value of the vibrations, the relations between things, study everything, everything—for instance, study all sensations in connection with the reactions they produce, follow the movement from the sensation to the brain, and then follow the movement of response from the brain to the sensations. And in this way one succeeds in controlling one's will, one's sensations completely, to such an extent that if there is something one does not want to feel, it is enough, with one's will, to cut it off: one feels it no longer. There are many disciplines of this kind. Some of them keep you busy for a lifetime, and if they are well followed, you don't waste a moment and are altogether interested. You no longer have time for impulses, this takes away all impulses. When you become scientific in these studies, you are no longer like a cork: one wave sending you here, another sending you there! There is a passing movement of Nature. Nature, oh how she plays with men! Good heavens, when you see how it is, oh! Truly it is enough to make you revolt. I don't understand how they do not revolt.... She sends round a wave of desire, and they are all like sheep running after their desires; she sends round a wave of violence, they are once again like other sheep living in violence, and so on, for everything. Anger—she just does "poof", and everybody gets into a rage. She has but to make a gesture—a gesture of her caprice—and the human mobs follow. Or else it passes from one to another, just like that; they don't know why. They are asked, "Why?"—"Well, suddenly I felt angry. Suddenly I was seized by desire." Oh! It is shameful. 
You see, you can begin the training when quite small, quite small, and you can continue for more than a hundred years. And then, truly, within yourself to begin with, you never grow old because it is always interesting and always you make progress; and finally, after some time, not very long, something like about twenty years—that's not much—you succeed in using your senses in a logical, rational, useful way and this helps you to enter into contact with the world consciously. Otherwise you go like half-blind people groping in the darkness there, like this (gesture), trying to find your way and at every step bumping into something. Or maybe, you mistake the road and then you must begin again. 
…refinement of the senses are the means of curing movements of crude instinct and desire and passion. To obliterate them is not curing them; instead they should be cultivated, intellectualised, refined. That is the surest way of curing them. To give them their maximum growth in view of the progress and development of consciousness, so that one may attain to a sense of harmony and exactitude of perception is a part of culture and education for the human being. 
The education of the senses, again, has several aspects, which are added to one another as the being grows; indeed it should never cease. The sense organs, if properly cultivated, can attain a precision and power of functioning far exceeding what is normally expected of them. 
We have subtle senses; even as we have a physical body, we have other more subtle bodies which also have senses, and much more refined senses, much more precise and much more powerful than our physical senses. But naturally, as it is not customary in modern education to work in these domains, these things generally escape our ordinary knowledge. Yet children spontaneously live a great deal in this domain. They see things which are as real for them as physical things, they speak about them—and they are usually told that they are stupid because they speak of things others don't see but which are as true for them, as tangible and real as what can be seen by everyone. Their dreams have an intensity and a capital importance in their life, and it is only with intensive mental growth that those capacities diminish. Now, there are people who have the good luck to be born with a spontaneous development, with inner senses, and nothing can prevent them from remaining awake. If these people meet in good time someone who can help them in a methodical development, they can become very interesting instruments for the study and discovery of this occult world. 
What Are Senses?
In some ancient initiations it was stated that the number of senses that man can develop is not five but seven and in certain special cases even twelve. Certain races at certain times have, out of necessity, developed more or less perfectly one or the other of these supplementary senses. With a proper discipline persistently followed, they are within the reach of all who are sincerely interested in this development and its results. Among the faculties that are often mentioned, there is, for example, the ability to widen the physical consciousness, project it out of oneself so as to concentrate it on a given point and thus obtain sight, hearing, smell, taste and even touch at a distance. 
…I say the physical being—to be fully developed, it must have twelve senses.It is one of these senses which gives you the kind of perception I was speaking of. You cannot say that it is taste, smell, hearing, etc., but it is something which gives you a very precise impression of the difference of quality. And it is very precise, as distinct as seeing black and white, it is truly a sense perception. 
The Twelve Senses
We are granted five, aren't we? In any case, there is one other which, precisely, has a relation with consciousness. I don't know if you have ever been told this, but a person who is blind, for instance, who does not see, can become aware of an object at some distance through a kind of perception which is not touch for he does not feel it, which is not vision for he does not see, but which is a contact—something that enables him to make a contact without hearing, seeing or touching. This is one of the most developed senses apart from those we habitually use. There is another sense, a sort of sense of proximity: when one comes close to a thing, one feels it as if one had contacted it. Another sense, which is also physical, puts you in touch with events at a great distance; it is a physical sense for it belongs to the physical world, it is not purely mental: there is a sensation. Some people have a sort of sensation of contact with what is happening at a very great distance. You must not forget that in the physical consciousness there are several levels; there is a physical vital and a physical mind which are not solely corporeal. Foresight on the material plane is also one of the physical senses.... We have, then, something that sees at a short distance, something that sees at a long distance and something that sees ahead; this already makes three. These are a sort of improvement of the senses we have; as for instance, hearing at a great distance—there are people who can hear noises at a great distance, who can smell at a great distance. It is a kind of perfecting of these senses. 
[Summary of 12 senses: 1.Physical sight, 2.Physically hearing, 3.Physically smelling, 4.Physical Touch, 5.Physical/Material tasting, 6.Physical contact at distance without touch/seeing/hearing, 7.Sense of proximity, 8.Sensing events at a great distance, 9.Foresight on the material plane sees at a short distance, 10.Foresight sees at a long distance,11.Foresight sees ahead, 12.More perfection of other senses ]
There is a kind of extension of the physical senses. Red Indians, for example, possess a sense of hearing and smell with a far greater range than our own—and dogs! I knew an Indian—he was my friend when I was eight or ten years old. He had come with Buffalo Bill, at the time of the Hippodrome—was a long time ago, I was eight years old—and he would put his ear to the ground and was so clever that he knew how far away... according to the intensity of the vibration, he knew how far away someone's footsteps were. After that, the children would immediately say, "I wish I knew how to do that!"
[Based on Aphorism 72—The sign of dawning Knowledge is to feel that as yet I know little or nothing; and yet, if I could only know my knowledge, I already possess everything.] 
Actually, as soon as one is not totally, totally tied down by the physical sense organs... For example, I am more and more frequently experiencing changes in the quality of vision. Quite recently, yesterday or the day before, I was sitting in the bathroom drying my face before going out and I raised my eyes (I was sitting before a mirror, although I don't usually look at myself); I raised my eyes and looked, and I saw many things (Mother laughs, greatly amused).... At that moment, I had an experience which made me say to myself, 'Ah! That's why, from the physical, purely material standpoint, my vision seems to be a bit blurred.' Because what I was seeing was MUCH clearer and infinitely more expressive than normal physical sight. And I recalled that it is with these clearer eyes that I see and recognize all my people at balcony darshan. (From the balcony I recognize all my people.) And it's that vision (but with open eyes!) which.... It is of another order. 
I do not know if you have noticed that the air you breathe is not always the same, that there are different vibrations in the air of one country and in the air of another, in the air of one place and in the air of another. If indeed you are accustomed to have this perception of the subtle physical, you can say immediately, "Ah! This air is as in France" or "This is the air of Japan." It is something indefinable like taste or smell. But in this instance it is not that, it is a perception of another sense. It is a physical sense, it is not a vital or mental sense; it is a sense of the physical world, but there are other senses than the five that we usually have at our disposal—there are many others. 
…the sex-impulse exists for its own sake and it uses the person as an instrument and hooks him on to another—whenever it can throw the hook, it throws it and once the connection is there holds on for some time at least. This is the physical vital and subtle physical action—for if it is the gross physical that dominates, there is no choice—any woman will serve the fun. The sensation you feel is physical vital + subtle physical, that is why it is so concrete. Naturally these sensations do not stop by enjoyment—they are recurrent and so long as the pressure lasts they continue. It is only by rejection or by the domination of a contrary force that they cease. 
The sexual sensations do not "become" a principle of the physical consciousness—they are there in the physical nature already—wherever there is conscious life, the sex-force is there. It is physical Nature's main means of reproduction and it is there for that purpose. 
Sex-sensation may begin anywhere. As vital love it begins in the vital centre, heart or navel—many romantic boys have this and it starts a love affair (often at the age of 10 or even 8) before they know anything about sex-connection. With others it begins with the nerves or with that and the sex-organ itself. There are others who do not have it. Many girls would not have it at all throughout life if they were not taught and excited by men. Some even then hate it and tolerate only under a sort of social compulsion or for the sake of having children. 
It ["inhibition of the sex-impulse"] would not be permanently effective in itself, because the seed would always be there unless removed by a transformation of the sex-impulse; but the inhibition can help towards this transformation. It is now being recognised in Europe by the doctors—who used formerly to say that sex was to be inhibited at the risk of complications in the body, that on the contrary there is part of the seminal force that is used for health, strength, youth etc. (turned into "ojas", as the Yogins say), another that serves for sex purposes; if a man is perfectly chaste, the latter turns more and more into the former. Only of course the external inhibition does not help this change, if the mind indulges in sex-thought or the vital or body in the unsatisfied sex-desire or sex-sensation. But if all these are stopped then the inhibition is useful. 
The sex-trouble is serious only so long as it can get the consent of the mind and the vital will. If it is driven from the mind, that is, if the mind refuses its consent, but the vital part responds to it, it comes as a large wave of vital desire and tries to sweep the mind away by force along with it. If it is driven also from the higher vital, from the heart and the dynamic possessive life force, it takes refuge in the lower vital and comes in the shape of smaller suggestions and urges there. Driven from the lower vital level, it goes down into the obscure inertly repetitive physical and comes as sensations in the sex-centre and a mechanical response to suggestion. Driven from there too, it goes down into the subconscient and comes up as dreams or night-emissions even without dreams. But to wherever it recedes, it tries still for a time from that base or refuge to trouble and recapture the assent of the higher parts—until the victory is complete and it is driven even out of the surrounding or environmental consciousness which is the extension of ourselves into the general or universal Nature. 
The senses should be capable of enduring everything without disgust or displeasure, but at the same time they must acquire and develop more and more the power of discerning the quality, origin and effect of the various vital vibrations in order to know whether they are favourable to harmony, beauty and good health or whether they are harmful to the balance and progress of the physical being and the vital… 
Only one who is above all likes and dislikes, all desires and preferences, can regard all things with perfect impartiality; the purely objective perception of his senses becomes like that of an extremely delicate and faultless mechanism which benefits from the light of a living consciousness. 
It [the true activity of the senses] is to record the divine or true appearance of things and return to them the reaction of an equal Ananda without dislike or desire. 
Are Sensations Constant?
Let us take the example of a river following its course: it is never the same water which flows. What is a river? There is not a drop that ever is the same, no stability is there, then where is the river? (Some take this example to prove that there is no personality—they are very anxious to prove that there is no personality.) For beings it is the same thing: the consciousness changes, ideas change, sensations change... 
He [Sri Aurobindo] says there comes a time when the senses change—it's not that you employ the senses proper to another plane (we have always known we had senses on all the different planes); it's quite different from that: the senses THEMSELVES change. He foretells this change—he says it will occur. And I believe it begins in the way I am experiencing it now. 
…pleasure which is simply a pleasing sensation―if it lasts, not only does it lose its edge, but it ends up by being unpleasant; one can't bear it long. So, quite naturally it comes and goes. That is to say, the very thing that gives you pleasure―exactly the same vibration―after a short while, doesn't give it to you any longer. And if it persists, it becomes unpleasant for you. That is why you can't have pleasure for a long time. 
Not as far as the most material plane; as far as the perceptible subtle physical—perceptible by the intermediary senses, between the physical senses and those of the subtle physical; for instance, like a breath felt as a gentle breeze, like certain perceptions of smell, like subtle perfumes. Naturally, those who have an inner vision can see, but for the most material senses there is not—how shall I put it?—not the permanence given by the physical body as we know it materially. There are phenomena, yes, that can even be seen, but they are fleeting. There is no stability, the stability in matter, the "fixity" has not been acquired. I mean there is a contact, there is even the contact of touch, there is a perception, but there isn't the permanence given by the material body. They are transient phenomena which, naturally, don't give you the same feeling of an altogether tangible reality. Still, the influence is constant, the intervention is constant, the perception is constant, but there is not the stability of a body which... well, which, when it goes out of the room and returns, it comes back the same as it went out, you understand? Or when you sit down in a certain place, it occupies that place in a very concrete way. 
Senses In Relation to Other Parts of the Being
In the surface consciousness knowledge represents itself as a truth seen from outside, thrown on us from the object, or as a response to its touch on the sense, a perceptive reproduction of its objective actuality. Our surface mind is obliged to give to itself this account of its knowledge, because the wall between itself and the outside world is pierced by the gates of sense and it can catch through these gates the surface of outward objects though not what is within them, but there is no such ready-made opening between itself and its own inner being: since it is unable to see what is within its deeper self or observe the process of the knowledge coming from within, it has no choice but to accept what it does see, the external object, as the cause of its knowledge. 
Manas, the sense mind, depends in our ordinary consciousness on the physical organs of receptive sense for knowledge and on the organs of the body for action directed towards the objects of sense. The superficial and outward action of the senses is physical and nervous in its character, and they may easily be thought to be merely results of nerve-action; they are sometimes called in the old books prāṇas, nervous or life activities. But still the essential thing in them is not the nervous excitation, but the consciousness, the action of the chitta, which makes use of the organ and of the nervous impact of which it is the channel. Manas, sense-mind, is the activity, emerging from the basic consciousness, which makes up the whole essentiality of what we call sense. Sight, hearing, taste, smell, touch are really properties of the mind, not of the body; but the physical mind which we ordinarily use, limits itself to a translation into sense of so much of the outer impacts as it receives through the nervous system and the physical organs. But the inner Manas has also a subtle sight, hearing, power of contact of its own which is not dependent on the physical organs. And it has, moreover, a power not only of direct communication of mind with object—leading even at a high pitch of action to a sense of the contents of an object within or beyond the physical range,—but direct communication also of mind with mind. Mind is able too to alter, modify, inhibit the incidence, values, intensities of sense impacts. These powers of the mind we do not ordinarily use or develop; they remain subliminal and emerge sometimes in an irregular and fitful action, more readily in some minds than in others, or come to the surface in abnormal states of the being. They are the basis of clairvoyance, clairaudience, transference of thought and impulse, telepathy, most of the more ordinary kinds of occult powers,—so called, though these are better described less mystically as powers of the now subliminal action of the Manas. The phenomena of hypnotism and many others depend upon the action of this subliminal sense-mind; not that it alone constitutes all the elements of the phenomena, but it is the first supporting means of intercourse, communication and response, though much of the actual operation belongs to an inner Buddhi. Mind physical, mind supraphysical,—we have and can use this double sense mentality. 
This brings us quite naturally to vital austerity, the austerity of the sensations, the tapasya of power. For the vital being is the seat of power, of effective enthusiasm. It is in the vital that thought is transformed into will and becomes a dynamism for action. 
Sensations belong to the vital domain and to that part of it which is expressed through the nerves of the body. It is sentiments and emotions which are characteristic of the heart… 
In fact, the vital has three sources of subsistence. The one most easily accessible to it comes from below, from the physical energies through the sensations.
The second is on its own plane, when it is sufficiently vast and receptive, by contact with the universal vital forces. The third, to which it usually opens only in a great aspiration for progress, comes to it from above by the infusion and absorption of spiritual forces and inspiration. 
...if we do not wish to starve our vital, sensations must not be rejected or diminished in number and intensity. Neither should we avoid them; rather we must make use of them with wisdom and discernment. 
It is by enlightening, strengthening and purifying the vital, and not by weakening it, that one can contribute to the true progress of the being. To deprive oneself of sensations is therefore as harmful as depriving oneself of food. But just as the choice of food must be made wisely and solely for the growth and proper functioning of the body, so too the choice of sensations and their control should be made with a very scientific austerity and solely for the growth and perfection of the vital, of this highly dynamic instrument, which is as essential for progress as all the other parts of the being. 
Vital honesty: not to allow our sensations and desires to falsify our judgement and determine our action. 
Effects of Insufficiently Developed Vital on Sensations
This craving for strong experiences belongs to the vital; it is a very frequent tendency in those whose vital is insufficiently developed and seeks violent sensations in the hope of escaping from its heaviness and inertia. But it is an ignorant movement, for violent sensations can never be a remedy; on the contrary, they increase the confusion and obscurity. 
It is also true that the vital is the seat of desires and passions, of violent impulses and equally violent reactions, of revolt and depression. The normal remedy is to strangle and starve the vital by depriving it of all sensation; sensations are indeed its main sustenance and without them it falls asleep, grows sluggish and starves to death. 
Ah! You know there are ascetics who sleep on nails. Have you never seen them? I have seen some photographs myself. This sort of thing is done; they sleep upon a nail-bed. Even quite recently I saw a photograph like that. Well, they do that for... I don't know if it is to prove their saintliness. You know, when they do this in public, one always suspects that it is a bit of histrionics. But still there are those who can do it sincerely, in the see that they don't do it for display. And so these, if they are asked why they do it, say that it is to prove to themselves that they are detached from the body. And there are others who go still farther: they say that the body must be made to suffer in order to liberate the spirit. Well, if you ask me, I would say that behind this there is a vital taste for suffering which imposes suffering on the body because the vital takes a very perverse pleasure in suffering. I have known children who had hurt themselves somewhere or other and who pressed as hard as they could on the injury to make it hurt still more! And they took pleasure in it. I have known grown-ups also. Morally, it is a very well known fact. I spend my time telling people, "If you are unhappy, it is because you want to be. If you suffer, it is because you like suffering, otherwise you would not suffer." This sort of thing I call unhealthy, for it is against harmony and beauty, it is a kind of morbid need for strong sensations.
I don't know if you know that China is a country where the most frightful tortures have been invented, unthinkable things. When I was in Japan I asked a Japanese, who liked the Chinese very much (which is very rare) and always spoke very highly about China, why this was so. He told me, "It is because all the peoples of the Far East, including the Japanese themselves, have a very blunted sensitivity. They feel very little; unless the suffering is extremely strong, they feel nothing. And so this has compelled them to use their intelligence to invent extremely acute sufferings." Well, all these people who are unconscious, the more unconscious they are, the more tamasic they are; the more blunted their sensibility, the more do they need strong sensations to feel something. And usually this is what makes people cruel, for cruelty gives very strong sensations. That kind of nervous tension obtained through suffering imposed upon somebody, that gives a sensation, and they need it in order to feel; otherwise they feel nothing. And that is why entire races are particularly cruel. They are very unconscious—vitally unconscious. They may not be unconscious mentally or otherwise, but they are unconscious vitally or physically—above all, physically. 
Sensations are so linked to the body that it is very difficult to distinguish them, they are so tied to our senses, and the senses are instruments of the body… 
Man‘s initial mentality is not at all a thing of reason and will; it is an animal, physical or sense mentality which constitutes its whole experience from the impressions made on it by the external world and by its own embodied consciousness which responds to the outward stimulus of this kind of experience. The buddhi only comes in as a secondary power which has in the evolution taken the first place, but is still dependent on the inferior instrument it uses; it depends for its workings on the sense mind and does what it can on its own higher range by a difficult, elaborate and rather stumbling extension of knowledge and action from the physical or sense basis. A half-enlightened physical or sense mentality is the ordinary type of the mind of man. …
… What we call the physical senses have a double element, the physical-nervous impression of the object and the mental-nervous value we give to it, and the two together make up our seeing, hearing, smell, taste, touch with all those varieties of sensation of which they, and the touch chiefly, are the starting-point or first transmitting agency. But the manas is able to receive sense impressions and draw results from them by a direct transmission not dependent on the physical organ. This is more distinct in the lower creation. Man, though he has really a greater capacity for this direct sense, the sixth sense in the mind, has let it fall into abeyance by an exclusive reliance on the physical senses supplemented by the activity of the buddhi. 
But if it is a physical instinct (that is possible, it happens very often that there is a kind of physical instinct), in that case you must listen to it, for the instinct of the body is a very sure thing, if it is not disturbed by thought or vital will. The body left to itself knows very well what it can and what it cannot do. And not only that but even a thing that one can do and does usually, if one day you feel a sort of repulsion, as if you were shrinking back, you must definitely not do it; it is an indication that for some reason or other—a purely material reason of a disorder in the functioning of the body—you are not fit to do the thing at that time. Then you must not do it. In that case, it is not even a fear, it is something that shrinks, that withdraws, there is nothing in the head, it does not correspond to any kind of thought like: “What is going to happen?” When the head starts working and you say: “What is going to happen?”, you must sweep it away because it is worth nothing; you must use all the means of reason and good sense you have to drive that away. But if it is a purely physical sensation, as though something were contracting, a kind of physical repugnance, if the body itself is refusing, so to say, you should never force it... 
Sensation in Plants and Animals
But plants are perfectly conscious and yet they do not think. They have very precise sensations which are the expression of a consciousness, but they do not think. Animals begin to think and their reactions are much more complex. But both plants and animals are conscious. One can be conscious of a sensation without having the least thought. 
Q. Each flower has its special significance, hasn’t it?
A. Not as we understand it mentally. There is a mental projection when one gives a precise meaning to a flower. It may answer, vibrate to the touch of this projection, accept the meaning, but a flower has no equivalent of the mental consciousness. In the vegetable kingdom there is a beginning of the psychic, but there is no beginning of the mental consciousness. In animals it is different; mental life begins to form and for them things have a meaning. But in flowers it is rather like the movement of a little baby—it is neither a sensation nor a feeling, but something of both; it is a spontaneous movement, a very special vibration. So, if one is in contact with it, if one feels it, one gets an impression which may be translated by a thought. That is how I have given a meaning to flowers and plants—there is a kind of identification with the vibration, a perception of the quality it represents and, little by little, through a kind of approximation (sometimes this comes suddenly, occasionally it takes time), there is a coming together of these vibrations (which are of a vital-emotional order) and the vibration of the mental thought, and if there is a sufficient harmony, one has a direct perception of what the plant may signify. 
Animals have much more perfect senses than those of men. I challenge you to track a man as a dog does, for instance! 
...all animals—feel it if one is afraid, even if one doesn't show it. They feel it extraordinarily, with an instinct which human beings don't have. They feel that you are afraid, your body produces a vibration which arouses an extremely unpleasant sensation in them. If they are strong animals this makes them furious; if they are weak animals, this gives them a panic. But if you have no fear at all, you see, if you go with an absolute trustfulness, a great trust, if you go in a friendly way to them, you will see that they have no fear; they are not afraid, they do not fear you and don't detest you; also, they are very trusting. 
How Can One Refine One’s Senses?
By Intent and Discipline
For each thing there is a method. And the first method is to want it, to begin with, that is, to take a decision. Then you are given a description of all these senses and how they work—that takes some time. You take one sense or several, or the one which is easiest for you to start with, and you decide. Then you follow the discipline. It is the equivalent of exercises for developing the muscles. You can even succeed in creating a will in yourself. [Based on Aphorism 72—The sign of dawning Knowledge is to feel that as yet I know little or nothing; and yet, if I could only know my knowledge, I already possess everything.] 
By Concentration and Observation
I wonder whether you remember the exercises you used to do when you were very young in order to walk, to drink, to talk, to hear, to feel. You used to do many exercises. All children do exercises without knowing it, but they do them. So you have to do something on the same lines. You must build up senses and develop them, make them conscious, independent and precise in their perceptions. ...It may take time, it may come quickly, it depends on the degree of development of your inner being.
After that—this is only a beginning—after that, you must learn to isolate yourself from all the other parts of the being, to concentrate on the one where you want to have the experience and concentrate in such a way that you come into contact with the corresponding outer world. I don't mean that it is an exteriorisation that leaves your body in a state of coma. No, a very intense concentration is enough, a power to isolate yourself from everything except the place where you are concentrating. And then you come into contact with the corresponding world. You must want that and little by little you learn how to do it. And there you have the exercise required to improve the senses you have gradually developed and give them a field of action. At first, you may be rather lost in this outer world, you won't feel quite at ease. But little by little you will get used to it and start moving about there in the way that is appropriate to each of these worlds. 
To develop the faculty of observation, nowadays they do—it is in fashion—they do exercises. I think… I don’t know, perhaps you are made to do them also, all kinds of exercises of all types; as for example, putting a certain number of objects on a table, like that. And then the students are called in—certain objects are put in certain places: they come in, stay for a few seconds and go out again. And then they are asked what was on the table. Now it is interesting to see who has looked. They know, of course, that they have to see something; they are informed beforehand, not even taken by surprise. They are informed, they are told, “You are to look.”
And so, those who can tell exactly how many objects there were and where they were, these are first-class ones. But you can do it for yourself as an exercise, it is very interesting. You go somewhere… you go to a friend’s and then come out after a while and ask yourself, “Where was the furniture? How was it arranged? What were the objects on the table?” You will see whether you can remember and have observed clearly or not. What was the colour of the curtains? What was the colour of the cushions? All kinds of things; it is an interminable field.
When one of the organs fails?
Well, you must train it.
I mean when it is not very good.
Well, you develop it, you can develop it. Everything can be developed, methodically. This is again something else, this kind of submission to fate. “Oh, my eyes are bad! Oh, my nose does not work! Oh, my ears are of no use!” And what’s more, one spends his time repeating, “My eyes are bad”, so this becomes worse and worse. Unless there is, you see—yes, of course, there can be people who from their birth have no eyes at all. But then that is hopeless, one cannot mend them. But those who have just… most people have one organ which is bad because they did not know how to use it, because from their very childhood they have not made good use of it; and in every case one can improve it so much—by education—so much that it becomes quite sufficient. 
But for more subtle things, the method is to make for yourself an exact image of what you want, to come into contact with the corresponding vibration, and then to concentrate and do exercises—such as to practise seeing through an object or hearing through a sound, or seeing at a distance. For example, once, for a long time, for several months, I was confined to bed and I found it rather boring—I wanted to see. I was in a room and at one end there was another little room and at the end of the little room there was a kind of bridge; in the middle of the garden the bridge became a staircase leading down into a very big and very beautiful studio, standing in the middle of the garden. I wanted to go and see what was happening in the studio, for I was feeling bored in my room. So I would remain very quiet, close my eyes and send out my consciousness, little by little, little by little, little by little. And day after day—I chose a fixed time and did the exercise regularly. At first you make use of your imagination and then it becomes a fact. After some time I really had the physical sensation that my vision was moving; I followed it and then I could see things downstairs which I knew nothing about. I would check afterwards. In the evening I would ask, "Was this like that? And was that like this?"
But for each one of these things you must practise for months with patience, with a kind of obstinacy. You take the senses one by one, hearing, sight, and you can even arrive at subtle realities of taste, smell and touch. [Based on Aphorism 72—The sign of dawning Knowledge is to feel that as yet I know little or nothing; and yet, if I could only know my knowledge, I already possess everything.] 
Nobody can prevent you from having your body with you, your thought and your feelings, your sensations; it is the field of work which is always there, it is very convenient—no need to seek outside. One has all that is necessary. And so what must be acquired is the power of observation and the capacity for concentrating and for pursuing a little continuously a certain movement in one's being; as when you have some very strong feeling which takes hold of you, seizes you, then you must look at it, so to say, and concentrate upon it and manage to find out where it comes from, what has brought you this. Just this work of concentrating in order to succeed in finding this out is enough to lead you straight to an experience. And then if, for example, you want to do something practical, if in your feelings you are completely upset, agitated, if there's a kind of storm within, then by concentrating you can try to find out the cause of all that, you see, the inner cause, the real cause, and at the same time you can aspire to bring peace, quietude, a kind of inner immobility into your feelings, because without that you can't see clearly. When everything is in a whirlwind one sees nothing; as when you are in a great tempest and the wind is blowing from all sides and there are clouds of dust, you cannot see; it is the same thing. To be able to see, all must become quiet. So you must aspire and then draw into this storm... draw peace, quietude, immobility, like this; and then if you succeed it is still another experience, it is the beginning. 
…one remedy: that signpost must always be there, a mirror well placed in one's feelings, impulses, all one's sensations. One sees them in this mirror. There are some which are not very beautiful or pleasant to look at; there are others which are beautiful, pleasant, and must be kept. This one does a hundred times a day if necessary. And it is very interesting. One draws a kind of big circle around the psychic mirror and arranges all the elements around it. If there is something that is not all right, it casts a sort of grey shadow upon the mirror: this element must be shifted, organised. It must be spoken to, made to understand, one must come out of that darkness. If you do that, you never get bored. When people are not kind, when one has a cold in the head, when one doesn't know one's lessons, and so on, one begins to look into this mirror. It is very interesting, one sees the canker. "I thought I was sincere!"—not at all. 
The habit of outer silence proves of valuable help. For when one is assailed by a wave of sensations or feelings, this habitual silence gives you time to reflect and, if necessary, to regain possession of yourself before projecting the sensation or feeling in words. How many quarrels can be avoided in this way; how many times one will be saved from one of those psychological catastrophes which are only too often the result of uncontrolled speech. 
...it is this, these reactions which you must elucidate in yourself and if you could tell me one day, “Why! I felt like that, what does it mean, this sensation? Why did I think like that?” These surely are the questions! For then it would be the opportunity to elucidate something in your consciousness.Well, this is what you should note and ask: "When I heard that sentence, why did I suddenly feel like this? When that was said, why did it make me think of this?" These would be interesting questions. 
By Rejection of Undesirable Sensation
…when you have undesirable feelings or sensation: if you pay attention to them, concentrate on them or even look at them with a certain indulgence, they will never stop. But if you absolutely refuse to receive and express them, after some time they stop. You must be patient and very persistent. 
…the working of the senses is warped: one does not see, hear, taste, feel things as they are in reality as long as one has a preference. So long as there are things which please you and others which don't, so long as you are attracted by certain things, and repulsed by others, you cannot see things in their reality; you see them through your reaction, your preference or your repulsion. The senses are instruments which get out of order, in the same way as sensations, feelings and thoughts. Therefore, to be sure of what you see, what you feel, what you experience and think, you must have a complete detachment; and this is obviously not an easy task. But until then your perception cannot be wholly true, and so it is not sincere. 
...detachment from one's physical being, saying, "I am not the body", then detachment from one's sensations, "I am not my sensations", then from one's feelings, saying, "I am not my feelings", and so on. One detaches oneself from thought and goes more and more within until one finds something which is the Eternal and Infinite. 
By Offering to the Divine
...the least detail of life and action, each movement of thought, even of sensation, of feeling, which is normally of little importance, becomes different the moment you look at it asking yourself, “Did I think this as an offering to the Divine, did I feel this as an offering to the Divine?…” If you recall this every moment of your life, the attitude becomes quite different from what it was before. It becomes very wide; it is a chain of innumerable little things each having its own place, whilst formerly you used to let them go by without being aware of them. That widens the field of consciousness. If you take a half-hour of your life and think of it, putting to yourself this question: “Is it a consecration to the Divine?” you will see that the small things become a big thing and you will have the impression that life becomes rich and luminous. 
Importance of Senses in Yoga
…this larger application of the Yoga of Devotion may be so used as to lead to the elevation of the whole range of human emotion, sensation and aesthetic perception to the divine level, its spiritualisation and the justification of the cosmic labour towards love and joy in our humanity. 
For Acquiring a Higher Consciousness
Through Physical Senses
The supramentalising of the physical sense brings with it a result similar in this field to that which we experience in the transmutation of the thought and consciousness. As soon as the sight, for example, becomes altered under the influence of the supramental seeing, the eye gets a new and transfigured vision of things and of the world around us. Its sight acquires an extraordinary totality and an immediate and embracing precision in which the whole and every detail stand out at once in the complete harmony and vividness of the significance meant by Nature in the object and its realisation of the idea in form, executed in a triumph of substantial being. It is as if the eye of the poet and artist had replaced the vague or trivial unseeing normal vision, but singularly spiritualised and glorified,—as if indeed it were the sight of the supreme divine Poet and Artist in which we were participating and there were given to us the full seeing of his truth and intention in his design of the universe and of each thing in the universe. There is an unlimited intensity which makes all that is seen a revelation of the glory of quality and idea and form and colour. The physical eye seems then to carry in itself a spirit and a consciousness which sees not only the physical aspect of the object but the soul of quality in it, the vibration of energy, the light and force and spiritual substance of which it is made. Thus there comes through the physical sense to the total sense consciousness within and behind the vision a revelation of the soul of the thing seen and of the universal spirit that is expressing itself in this objective form of its own conscious being. 
There is at the same time a subtle change which makes the sight see in a sort of fourth dimension, the character of which is a certain internality, the seeing not only of the superficies and the outward form but of that which informs it and subtly extends around it. The material object becomes to this sight something different from what we now see, not a separate object on the background or in the environment of the rest of Nature, but an indivisible part and even in a subtle way an expression of the unity of all that we see. And this unity that we see becomes not only to the subtler consciousness but to the mere sense, to the illumined physical sight itself, that of the identity of the Eternal, the unity of the Brahman. For to the supramentalised seeing the material world and space and material objects cease to be material in the sense in which we now on the strength of the sole evidence of our limited physical organs and of the physical consciousness that looks through them receive as our gross perception and understand as our conception of matter. It and they appear and are seen as spirit itself in a form of itself and a conscious extension. The whole is a unity—the oneness unaffected by any multitudinousness of objects and details—held in and by the consciousness in a spiritual space and all substance there is conscious substance. This change and this totality of the way of seeing comes from the exceeding of the limitations of our present physical sense, because the power of the subtle or psychical eye has been infused into the physical and there has again been infused into this psycho-physical power of vision the spiritual sight, the pure sense, the supramental saṁjñāna. 
Through Subtle Senses
But the subliminal being has also a larger direct contact with the world; it is not confined like the surface Mind to the interpretation of sense-images and sense-vibrations supplemented by the mental and vital intuition and the reason. There is indeed an inner sense in the subliminal nature, a subtle sense of vision, hearing, touch, smell and taste; but these are not confined to the creation of images of things belonging to the physical environment,—they can present to the consciousness visual, auditory, tactual and other images and vibrations of things beyond the restricted range of the physical senses or belonging to other planes or spheres of existence. This inner sense can create or present images, scenes, sounds that are symbolic rather than actual or that represent possibilities in formation, suggestions, thoughts, ideas, intentions of other beings, image forms also of powers or potentialities in universal Nature; there is nothing that it cannot image or visualise or turn into sensory formations. It is the subliminal in reality and not the outer mind that possesses the powers of telepathy, clairvoyance, second sight and other supernormal faculties whose occurrence in the surface consciousness is due to openings or rifts in the wall erected by the outer personality's unseeing labour of individualisation and interposed between itself and the inner domain of our being. It should be noted, however, that owing to this complexity the action of the subliminal sense can be confusing or misleading, especially if it is interpreted by the outer mind to which the secret of its operations is unknown and its principles of sign construction and symbolic figure-languages foreign; a greater inner power of intuition, tact, discrimination is needed to judge and interpret rightly its images and experiences. It is still the fact that they add immensely to our possible scope of knowledge and widen the narrow limits in which our sense-bound outer physical consciousness is circumscribed and imprisoned. 
…but it can to a certain extent forecast or see ahead their farther action; there is a greater power in our subliminal parts to overcome the time barrier, to have the sense or feel the vibration of coming events, of distant happenings, even to look into the future. It is true that this knowledge proper to the subliminal being is not complete; for it is a mixture of knowledge and ignorance and it is capable of erroneous as well as of true perception, since it works not by knowledge by identity, but by a knowledge through direct contact and this is also a separative knowledge, though more intimate even in separation than anything that is commanded by our surface nature. But the mixed capacity of the inner mental and vital nature for a greater ignorance as well as a greater knowledge can be cured by going still deeper behind it to the psychic entity which supports our individual life and body. 
But the subliminal self has not at all this subconscious character: it is in full possession of a mind, a life-force, a clear subtle-physical sense of things. It has the same capacities as our waking being, a subtle sense and perception, a comprehensive extended memory and an intensive selecting intelligence, will, self-consciousness; but even though the same in kind, they are wider, more developed, more sovereign… 
In the cognition of external things, our knowledge has an entirely separative basis; its whole machinery and process are of the nature of an indirect perception. We do not identify ourselves with external objects, not even with other men though they are beings of our own nature; we cannot enter into their existence as if it were our own, we cannot know them and their movements with the directness, immediateness, intimacy with which we know—even though incompletely—ourselves and our movements. But not only identification lacks, direct contact also is absent; there is no direct touch between our consciousness and their consciousness, our substance and their substance, our self of being and their self-being. The only seemingly direct contact with them or direct evidence we have of them is through the senses; sight, hearing, touch seem to initiate some kind of a direct intimacy with the object of knowledge: but this is not so really, not a real directness, a real intimacy, for what we get by our sense is not the inner or intimate touch of the thing itself, but an image of it or a vibration or nerve message in ourselves through which we have to learn to know it. These means are so ineffective, so exiguous in their poverty that, if that were the whole machinery, we could know little or nothing or only achieve a great blur of confusion. But there intervenes a sense-mind intuition which seizes the suggestion of the image or vibration and equates it with the object, a vital intuition which seizes the energy or figure of power of the object through another kind of vibration created by the sense contact, and an intuition of the perceptive mind which at once forms a right idea of the object from all this evidence. Whatever is deficient in the interpretation of the image thus constructed is filled up by the intervention of the reason or the total understanding intelligence. If the first composite intuition were the result of a direct contact or if it summarised the action of a total intuitive mentality master of its perceptions, there would be no need for the intervention of the reason except as a discoverer or organiser of knowledge not conveyed by the sense and its suggestions: it is, on the contrary, an intuition working on an image, a sense document, an indirect evidence, not working upon a direct contact of consciousness with the object. But since the image or vibration is a defective and summary documentation and the intuition itself limited and communicated through an obscure medium, acting in a blind light, the accuracy of our intuitional interpretative construction of the object is open to question or at least likely to be incomplete. Man has had perforce to develop his reason in order to make up for the deficiencies of his sense instrumentation, the fallibility of his physical mind's perceptions and the paucity of its interpretation of its data. 
The Supraphysical Sense
Not only are there physical realities which are suprasensible, but, if evidence and experience are at all a test of truth, there are also senses which are supraphysical and can not only take cognisance of the realities of the material world without the aid of the corporeal sense-organs, but can bring us into contact with other realities, supraphysical and belonging to another world—included, that is to say, in an organisation of conscious experiences that are dependent on some other principle than the gross Matter of which our suns and earths seem to be made. 
The Supramental Sense
All the other senses undergo a similar transformation. All that the ear listens to, reveals the totality of its sound body and sound significance and all the tones of its vibration and reveals also to the single and complete hearing the quality, the rhythmic energy, the soul of the sound and its expression of the one universal spirit. There is the same internality, the going of the sense into the depths of the sound and the finding there of that which informs it and extends it into unity with the harmony of all sound and no less with the harmony of all silence, so that the ear is always listening to the infinite in its heard expression and the voice of its silence. All sounds become to the supramentalised ear the voice of the Divine, himself born into sound, and a rhythm of the concord of the universal symphony. And there is too the same completeness, vividness, intensity, the revelation of the self of the thing heard and the spiritual satisfaction of the self in hearing. The supramentalised touch also contacts or receives the touch of the Divine in all things and knows all things as the Divine through the conscious self in the contact: and there is too the same totality, intensity, revelation of all that is in and behind the touch to the experiencing consciousness. There comes a similar transformation of the other senses. 
There is at the same time an opening of new powers in all the senses, an extension of range, a stretching out of the physical consciousness to an undreamed capacity. The supramental transformation extends too the physical consciousness far beyond the limits of the body and enables it to receive with a perfect concreteness the physical contact of things at a distance. And the physical organs become capable of serving as channels for the psychic and other senses so that we can see with the physical waking eye what is ordinarily revealed only in the abnormal states and to the psychical vision, hearing or other sense knowledge. It is the spirit or the inner soul that sees and senses, but the body and its powers are themselves spiritualised and share directly in the experience. The entire material sensation is supramentalised and it becomes aware, directly and with a physical participation and, finally, a unity with the subtler instrumentation, of forces and movements and the physical, vital, emotional, mental vibrations of things and beings and feels them all not only spiritually or mentally but physically in the self and as movements of the one self in these many bodies. The wall that the limitations of the body and its senses have built around us is abolished even in the body and the senses and there is in its place the free communication of the eternal oneness. All sense and sensation becomes full of the divine light, the divine power and intensity of experience, a divine joy, the delight of the Brahman. And even that which is now to us discordant and jars on the senses takes its place in the universal concord of the universal movement, reveals its rasa, meaning, design and, by delight in its intention in the divine consciousness and its manifestation of its law and dharma, its harmony with the total self, its place in the manifestation of the divine being, becomes beautiful and happy to the soul experience. All sensation becomes Ananda. 
The embodied mind in us is ordinarily aware only through the physical organs and only of their objects and of subjective experiences which seem to start from the physical experience and to take them alone, however remotely, for their foundation and mould of construction. All the rest, all that is not consistent with or part of or verified by the physical data, seems to it rather imagination than reality and it is only in abnormal states that it opens to other kinds of conscious experience. But in fact there are immense ranges behind of which we could be aware if we opened the doors of our inner being. These ranges are there already in action and known to a subliminal self in us, and much even of our surface consciousness is directly projected from them and without our knowing it influences our subjective experience of things. There is a range of independent vital or pranic experiences behind, subliminal to and other than the surface action of the vitalised physical consciousness. And when this opens itself or acts in any way, there are made manifest to the waking mind the phenomena of a vital consciousness, a vital intuition, a vital sense not dependent on the body and its instruments, although it may use them as a secondary medium and a recorder. It is possible to open completely this range and, when we do so, we find that its operation is that of the conscious life force individualised in us contacting the universal life force and its operations in things, happenings and persons. The mind becomes aware of the life consciousness in all things, responds to it through our life consciousness with an immediate directness not limited by the ordinary communication through the body and its organs, records its intuitions, becomes capable of experiencing existence as a translation of the universal Life or Prana. The field of which the vital consciousness and the vital sense are primarily aware is not that of forms but, directly, that of forces: its world is a world of the play of energies, and form and event are sensed only secondarily as a result and embodiment of the energies. The mind working through the physical senses can only construct a view and knowledge of this nature as an idea in the intelligence, but it cannot go beyond the physical translation of the energies, and it has therefore no real or direct experience of the true nature of life, no actual realisation of the life force and the life spirit. It is by opening this other level or depth of experience within and by admission to the vital consciousness and vital sense that the mind can get the true and direct experience. Still, even then, so long as it is on the mental level, the experience is limited by the vital terms and their mental renderings and there is an obscurity even in this greatened sense and knowledge. The supramental transformation supravitalises the vital, reveals it as a dynamics of the spirit, makes a complete opening and a true revelation of all the spiritual reality behind and within the life force and the life spirit and of all its spiritual as well as its mental and purely vital truth and significance. 
The first result is that the limitations of our individual life being break down and we live no longer with a personal life force, or not with that ordinarily, but in and by the universal life energy. It is all the universal Prana that comes consciently streaming into and through us, keeps up there a dynamic constant eddy, an unseparated centre of its power, a vibrant station of storage and communication, constantly fills it with its forces and pours them out in activity upon the world around us. This life energy, again, is felt by us not merely as a vital ocean and its streams, but as the vital way and form and body and outpouring of a conscious universal Shakti, and that conscient Shakti reveals itself as the Chit Shakti of the Divine, the Energy of the transcendent and universal Self and Purusha of which—or rather of whom—our universalised individuality becomes an instrument and channel. As a result we feel ourselves one in life with all others and one with the life of all Nature and of all things in the universe. There is a free and conscious communication of the vital energy working in us with the same energy working in others. We are aware of their life as of our own or, at the least, of the touch and pressure and communicated movements of our life being on them and theirs upon us. The vital sense in us becomes powerful, intense, capable of bearing all the small or large, minute or immense vibrations of this life world on all its planes physical and supraphysical, vital and supravital, thrills with all its movement and Ananda and is aware of and open to all forces. The supermind takes possession of all this great range of experience, and makes it all luminous, harmonious, experienced not obscurely and fragmentarily and subject to the limitations and errors of its handling by the mental ignorance, but revealed, it and each movement of it, in its truth and totality of power and delight, and directs the great and now hardly limitable powers and capacities of the life dynamis on all its ranges according to the simple and yet complex, the sheer and spontaneous and yet unfalteringly intricate will of the Divine in our life. It makes the vital sense a perfect means of the knowledge of the life forces around us, as the physical of the forms and sensations of the physical universe, and a perfect channel too of the reactions of the active life force through us working as an instrument of self-manifestation. 
The range of the psychic consciousness and its experiences is almost illimitable and the variety and complexity of its phenomena almost infinite. Only some of the broad lines and main features can be noted here. The first and most prominent is the activity of the psychic senses of which the sight is the most developed ordinarily and the first to manifest itself with any largeness when the veil of the absorption in the surface consciousness which prevents the inner vision is broken. But all the physical senses have their corresponding powers in the psychical being, there is a psychical hearing, touch, smell, taste: indeed the physical senses are themselves in reality only a projection of the inner sense into a limited and externalised operation in and through and upon the phenomena of gross matter. 
These and other phenomena create an indirect, a representative range of psychical experience; but the psychical sense has also the power of putting us in a more direct communication with earthly or supraterrestrial beings through their psychical selves or their psychical bodies or even with things, for things also have a psychical reality and souls or presences supporting them which can communicate with our psychical consciousness. The most notable of these more powerful but rarer phenomena are those which attend the power of exteriorisation of our consciousness for various kinds of action otherwise and elsewhere than in the physical body, communication in the psychical body or some emanation or reproduction of it, oftenest, though by no means necessarily, during sleep or trance and the setting up of relations or communication by various means with the denizens of another plane of existence. 
For Relief from Pain and Illness
Body yielding to habitual sensations, illnesses etc. etc. Often sadhaks write, "But I don't want these things, even my vital and body feel uncomfortable and wish them away, then why do they come?" It is because of this long established habit of response which is too strong for the yet too quiescent and passive will (if it can be called will) of rejection in the part affected. It is especially true of the physical parts because a passive quiescence, a habit of being driven by forces is their very nature, unless they are controlled from above or made to share in the idea and will of the higher parts. 
In regard to physical pleasure and pain, it is more difficult to apply the universal truth; for this is the very domain of the nerves and the body, the centre and seat of that in us whose nature is to be dominated by external contact and external pressure. Even here, however, we have glimpses of the truth. We see it in the fact that according to the habit the same physical contact can be either pleasurable or painful, not only to different individuals, but to the same individual under different conditions or at different stages of his development. We see it in the fact that men in periods of great excitement or high exaltation remain physically indifferent to pain or unconscious of pain under contacts which ordinarily would inflict severe torture or suffering. In many cases it is only when the nerves are able to reassert themselves and remind the mentality of its habitual obligation to suffer that the sense of suffering returns. But this return to the habitual obligation is not inevitable; it is only habitual. We see that in the phenomena of hypnosis not only can the hypnotised subject be successfully forbidden to feel the pain of a wound or puncture when in the abnormal state, but can be prevented with equal success from returning to his habitual reaction of suffering when he is awakened. The reason of this phenomenon is perfectly simple; it is because the hypnotiser suspends the habitual waking consciousness which is the slave of nervous habits and is able to appeal to the subliminal mental being in the depths, the inner mental being who is master, if he wills, of the nerves and the body. But this freedom which is effected by hypnosis abnormally, rapidly, without true possession, by an alien will, may equally be won normally, gradually, with true possession, by one's own will so as to effect partially or completely a victory of the mental being over the habitual nervous reactions of the body.  This elimination is possible because pain and pleasure themselves are currents, one imperfect, the other perverse, but still currents of the delight of existence. The reason for this imperfection and this perversion is the self-division of the being in his consciousness by measuring and limiting Maya and in consequence an egoistic and piecemeal instead of a universal reception of contacts by the individual. For the universal soul all things and all contacts of things carry in them an essence of delight best described by the Sanskrit aesthetic term, rasa, which means at once sap or essence of a thing and its taste. It is because we do not seek the essence of the thing in its contact with us, but look only to the manner in which it affects our desires and fears, our cravings and shrinkings that grief and pain, imperfect and transient pleasure or indifference, that is to say, blank inability to seize the essence, are the forms taken by the Rasa. If we could be entirely disinterested in mind and heart and impose that detachment on the nervous being, the progressive elimination of these imperfect and perverse forms of Rasa would be possible and the true essential taste of the inalienable delight of existence in all its variations would be within our reach. We attain to something of this capacity for variable but universal delight in the aesthetic reception of things as represented by Art and Poetry, so that we enjoy there the Rasa or taste of the sorrowful, the terrible, even the horrible or repellent; and the reason is because we are detached, disinterested, not thinking of ourselves or of self-defence (jugupsā), but only of the thing and its essence. Certainly, this aesthetic reception of contacts is not a precise image or reflection of the pure delight which is supramental and supra-aesthetic; for the latter would eliminate sorrow, terror, horror and disgust with their cause while the former admits them: but it represents partially and imperfectly one stage of the progressive delight of the universal Soul in things in its manifestation and it admits us in one part of our nature to that detachment from egoistic sensation and that universal attitude through which the one Soul sees harmony and beauty where we divided beings experience rather chaos and discord. The full liberation can come to us only by a similar liberation in all our parts, the universal aesthesis, the universal standpoint of knowledge, the universal detachment from all things and yet sympathy with all in our nervous and emotional being. 
Sensory Indicators of Growth in Integral Yoga
A sensation of coolness indicates usually some touch or descent of peace. It is felt as very cold by the human vital because the latter is always in a fever of restlessness. 
What you saw was indeed a sun,—the sun of blue light which is the light of a higher mind than the ordinary human mind. The sun is the symbol of Light and Truth. This higher spiritual Mind is trying to wake in you, but at the beginning there is always a difficulty because the consciousness is not habituated to receive, so there is the sense of pressure deepening sometimes into a feeling of headache or this feeling of the head preparing to split. It is nothing but a sensation in the physical created by the inner mind (this part of the head is the seat of the inner mind) trying to open under the touch from above. 
Pain in the head and physical strain are due to resistance, but pressure and throbbing and electric sensation are only signs of the Force working, not of resistance. The sensation of coolness is a very good sign. 
Senses In Relation to Other Parts of Being
At the outset man lives in his physical mind which perceives the actual, the physical, the objective and accepts it as fact and this fact as self-evident truth beyond question; whatever is not actual, not physical, not objective it regards as unreal or unrealised, only to be accepted as entirely real when it has succeeded in becoming actual, becoming a physical fact, becoming objective: its own being too it regards as an objective fact, warranted to be real by its existence in a visible and sensible body; all other subjective beings and things it accepts on the same evidence in so far as they can become objects of our external consciousness or acceptable to that part of the reason which builds upon the data supplied by that consciousness and relies upon them as the one solid basis of knowledge. Physical Science is a vast extension of this mentality: it corrects the errors of the sense and pushes beyond the first limitations of the sense-mind by discovering means of bringing facts and objects not seizable by our corporeal organs into the field of objectivity; but it has the same standard of reality, the objective, the physical actuality; its test of the real is possibility of verification by positive reason and objective evidence. 
In fact the manas is a development from the external chitta; it is a first organising of the crude stuff of the consciousness excited and aroused by external contacts, bāhya-sparśa. What we are physically is a soul asleep in matter which has evolved to the partial wakefulness of a living body pervaded by a crude stuff of external consciousness more or less alive and attentive to the outward impacts of the external world in which we are developing our conscious being. In the animal this stuff of externalised consciousness organises itself into a well-regulated mental sense or organ of perceiving and acting mind. Sense is in fact the mental contact of the embodied consciousness with its surroundings. This contact is always essentially a mental phenomenon; but in fact it depends chiefly upon the development of certain physical organs of contact with objects and with their properties to whose images it is able by habit to give their mental values. What we call the physical senses have a double element, the physical-nervous impression of the object and the mental-nervous value we give to it, and the two together make up our seeing, hearing, smell, taste, touch with all those varieties of sensation of which they, and the touch chiefly, are the starting-point or first transmitting agency. But the manas is able to receive sense impressions and draw results from them by a direct transmission not dependent on the physical organ. This is more distinct in the lower creation. Man, though he has really a greater capacity for this direct sense, the sixth sense in the mind, has let it fall into abeyance by an exclusive reliance on the physical senses supplemented by the activity of the buddhi. 
This sensational thought-mind which is based upon sense, memory, association, first ideas and resultant generalisations or secondary ideas, is common to all developed animal life and mentality. Man indeed has given it an immense development and range and complexity impossible to the animal, but still, if he stopped there, he would only be a more highly effective animal. He gets beyond the animal range and height because he has been able to disengage and separate to a greater or less extent his thought action from the sense mentality, to draw back from the latter and observe its data and to act on it from above by a separated and partially freed intelligence. The intelligence and will of the animal are involved in the sense-mind and therefore altogether governed by it and carried on its stream of sensations, sense-perceptions, impulses; it is instinctive. Man is able to use a reason and will, a self-observing, thinking and all-observing, an intelligently willing mind which is no longer involved in the sense-mind, but acts from above and behind it in its own right, with a certain separateness and freedom. He is reflective, has a certain relative freedom of intelligent will. He has liberated in himself and has formed into a separate power the buddhi. 
The movement of the buddhi to exceed the limits of the sense-mind is an effort already half accomplished in the human evolution; it is part of the common operation of Nature in man. The original action of the thought-mind, the intelligence and will in man, is a subject action. It accepts the evidence of the senses, the commands of the life-cravings, instincts, desires, emotions, the impulses of the dynamic sense-mind and only tries to give them a more orderly direction and effective success. But the man whose reason and will are led and dominated by the lower mind, is an inferior type of human nature, and the part of our conscious being which consents to this domination is the lowest part of our manhood. The higher action of the buddhi is to exceed and control the lower mind, not indeed to get rid of it, but to raise all the action of which it is the first suggestion into the nobler plane of will and intelligence. The impressions of the sense-mind are used by a thought which exceeds them and which arrives at truths they do not give, ideative truths of thought, truths of philosophy and science; a thinking, discovering, philosophic mind overcomes, rectifies and dominates the first mind of sense impressions. The impulsive reactive sensational mentality, the life-cravings and the mind of emotional desire are taken up by the intelligent will and are overcome, are rectified and dominated by a greater ethical mind which discovers and sets over them a law of right impulse, right desire, right emotion and right action. The receptive, crudely enjoying sensational mentality, the emotional mind and life mind are taken up by the intelligence and are overcome, rectified and dominated by a deeper, happier aesthetic mind which discovers and sets above them a law of true delight and beauty. All these new formations are used by a general Power of the intellectual, thinking and willing man in a soul of governing intellect, imagination, judgment, memory, volition, discerning reason and ideal feeling which uses them for knowledge, self-development, experience, discovery, creation, effectuation, aspires, strives, inwardly attains, endeavours to make a higher thing of the life of the soul in Nature. The primitive desire-soul no longer governs the being. It is still a desire-soul, but it is repressed and governed by a higher power, something which has manifested in itself the godheads of Truth, Will, Good, Beauty and tries to subject life to them. The crude desire-soul and mind is trying to convert itself into an ideal soul and mind, and the proportion in which some effect and harmony of this greater conscious being has been found and enthroned, is the measure of our increasing humanity. 
The vital physical on the other hand is the vehicle of the nervous responses of our physical nature; it is the field and instrument of the smaller sensations, desires, reactions of all kinds to the impacts of the outer physical and gross material life. This vital physical part (supported by the lowest part of the vital proper) is therefore the agent of most of the lesser movements of our external life; its habitual reactions and obstinate pettinesses are the chief stumbling-block in the way of the transformation of the outer consciousness by the Yoga. It is also largely responsible for most of the suffering and disease of mind or body to which the physical being is subject in Nature. 
Advance Mastery Path of Refining Senses
It is only in silence that a true progress can be made; it is only in silence that one can rectify a wrong movement; it is only in silence that one can be of help to somebody else. 
Q. Sweet Mother, What is meant by the “silence of the physical consciousness”1 and how can one remain in this silence?
A: The physical consciousness is not only the consciousness of our body, but of all that surrounds us as well all that we perceive with our senses. It is a sort of apparatus for recording and transmission which is open to all the contacts and shocks coming from outside and responds to them by reactions of pleasure and pain which welcome or repel. This makes in our outer being a constant activity and noise that we are only partially aware of, because we are so accustomed to them.
But if through meditation or concentration we turn inward or upward, we can bring down into ourselves or raise up from the depths calm, quiet, peace and finally silence. It is a concrete, positive silence (not the negative silence of the absence of noise), immutable so long as it remains, a silence one can experience even in the outer tumult of a hurricane or battlefield. This silence is synonymous with peace and it is all-powerful; it is the perfectly effective remedy for the fatigue, tension and exhaustion arising from that internal over-activity and noise which generally escape our control and cease neither by day nor night.
This is why the first thing required when one wants to do Yoga is to bring down and establish in oneself the calm, the peace, the silence. 
The immobile self in us is found only when the outer mental and vital activities are quieted; for since it is seated deep within and is represented on the surface only by the intuitive sense of self-existence and misrepresented by the mental, vital, physical ego-sense, its truth has to be experienced in the mind's silence. 
To rid the prana of desire and incidentally to reverse the ordinary poise of our nature and turn the vital being from a troublesomely dominant power into the obedient instrument of a free and unattached mind, is then the first step in purification. As this deformation of the psychical prana is corrected, the purification of the rest of the intermediary parts of the antaḥkaraṇa is facilitated, and when that correction is completed, their purification too can be easily made absolute. These intermediary parts are the emotional mind, the receptive sensational mind and the active sensational mind or mind of dynamic impulse. They all hang together in a strongly knotted interaction. The deformation of the emotional mind hinges upon the duality of liking and disliking, 'rāga-dveṣa, emotional attraction and repulsion. All the complexity of our emotions and their tyranny over the soul arise from the habitual responses of the soul of desire in the emotions and sensations to these attractions and repulsions. Love and hatred, hope and fear, grief and joy all have their founts in this one source. We like, love, welcome, hope for, joy in whatever our nature, the first habit of our being, or else a formed (often perverse) habit, the second nature of our being, presents to the mind as pleasant, priyam; we hate, dislike, fear, have repulsion from or grief of whatever it presents to us as unpleasant, apriyam. 
Therefore the mental Purusha has to separate himself from association and self-identification with this desire-mind. He has to say "I am not this thing that struggles and suffers, grieves and rejoices, loves and hates, hopes and is baffled, is angry and afraid and cheerful and depressed, a thing of vital moods and emotional passions. All these are merely workings and habits of Prakriti in the sensational and emotional mind." The mind then draws back from its emotions and becomes with these, as with the bodily movements and experiences, the observer or witness. There is again an inner cleavage. There is this emotional mind in which these moods and passions continue to occur according to the habit of the modes of Nature and there is the observing mind which sees them, studies and understands but is detached from them. It observes them as if in a sort of action and play on a mental stage of personages other than itself, at first with interest and a habit of relapse into identification, then with entire calm and detachment, and, finally, attaining not only to calm but to the pure delight of its own silent existence, with a smile at their unreality as at the imaginary joys and sorrows of a child who is playing and loses himself in the play. Secondly, it becomes aware of itself as master of the sanction who by his withdrawal of sanction can make this play to cease. When the sanction is withdrawn, another significant phenomenon takes place; the emotional mind becomes normally calm and pure and free from these reactions, and even when they come, they no longer rise from within but seem to fall on it as impressions from outside to which its fibres are still able to respond; but this habit of response dies away and the emotional mind is in time entirely liberated from the passions which it has renounced. Hope and fear, joy and grief, liking and disliking, attraction and repulsion, content and discontent, gladness and depression, horror and wrath and fear and disgust and shame and the passions of love and hatred fall away from the liberated psychic being. 
As with action and inaction, so it is with this dual possibility of indifference and calm on the one side and active joy and love on the other. Equality, not indifference is the basis. Equal endurance, impartial indifference, calm submission to the causes of joy and grief without any reaction of either grief or joy are the preparation and negative basis of equality; but equality is not fulfilled till it takes its positive form of love and delight. The sense-mind must find the equal rasa of the All-Beautiful, the heart the equal love and Ananda for all, the psychic Prana the enjoyment of this rasa, love and Ananda. This, however, is the positive perfection that comes by liberation; our first object on the path of knowledge is rather the liberation that comes by detachment from the desire-mind and by the renunciation of its passions. 
There are always two methods of living in the Supreme. One is to draw away the participation of the consciousness from things altogether and go so much inwards as to be separated from existence and live in contact with that which is beyond it. The other is to get to that which is the true Essence of all things, not allowing oneself to be absorbed and entangled by the external forms. Desire, attachment, slavery to the attractions of the external sense are the chief obstacles to this movement—so in either way they have to be got rid of. But it is quite possible to see the Supreme before the attraction of external sense is gone—only one cannot live securely in It if there is desire and external attachment because that is always taking one away from the inner poise. 
By Eliminating the Falsity of the Being
The traditional Way of Knowledge proceeds by elimination and rejects successively the body, the life, the senses, the heart, the very thought in order to merge into the quiescent Self or supreme Nihil or indefinite Absolute. The way of integral knowledge supposes that we are intended to arrive at an integral self-fulfilment and the only thing that is to be eliminated is our own unconsciousness, the Ignorance and the results of the Ignorance. Eliminate the falsity of the being which figures as the ego; then our true being can manifest in us. Eliminate the falsity of the life which figures as mere vital craving and the mechanical round of our corporeal existence; our true life in the power of the Godhead and the joy of the Infinite will appear. Eliminate the falsity of the senses with their subjection to material shows and to dual sensations; there is a greater sense in us that can open through these to the Divine in things and divinely reply to it. Eliminate the falsity of the heart with its turbid passions and desires and its dual emotions; a deeper heart in us can open with its divine love for all creatures and its infinite passion and yearning for the responses of the Infinite. Eliminate the falsity of the thought with its imperfect mental constructions, its arrogant assertions and denials, its limited and exclusive concentrations; a greater faculty of knowledge is behind that can open to the true Truth of God and the soul and Nature and the universe. An integral self-fulfilment,—an absolute, a culmination for the experiences of the heart, for its instinct of love, joy, devotion and worship; an absolute, a culmination for the senses, for their pursuit of divine beauty and good and delight in the forms of things; an absolute, a culmination for the life, for its pursuit of works, of divine power, mastery and perfection; an absolute, a culmination beyond its own limits for the thought, for its hunger after truth and light and divine wisdom and knowledge. Not something quite other than themselves from which they are all cast away is the end of these things in our nature, but something supreme in which they at once transcend themselves and find their own absolutes and infinitudes, their harmonies beyond measure. 
By Substantial and Dynamic Realization in All the Being
Perception is not enough to transform the nature. Paśyataḥ in the spiritual language does not mean only perception. Perception is of the mind and a mental perception is not enough—a substantial and dynamic realisation in all the being is necessary. Otherwise one of three things may happen. (1) The mind perceives oneness but the vital is not affected, it goes on with its impulses, for the vital is governed not by thought or reason but by tendency, impulse, desire-force—it uses reason only as a justification for its tendencies. Or even the vital may say, "All is one so it does not matter what I do. Why should not I seek oneness with others in my own way?" (2) If the mind has a realisation, but the vital does not share in it or distorts it, then also the vital can insist on its own way or even carry the mind along with it. As the Gita says, the senses (vital) carry away the mind even of the sage who sees, as the wind carries away a ship on a stormy sea. (3) The inner being may have the realisation strongly and live in the oneness, calm, peace, but the interior parts of the outer may feel the reactions of desire etc. In this case the reactions are more superficial; but even so rejection is needed till they cease. When all the being lives in the solid realisation of calm, peace, liberation, oneness, then the desires fall away and the necessity of rejection ceases, because there is nothing to reject any longer. 
Man is in his principle a mental being, but not one living in a mind world, but in a dominantly physical existence; his is a mind cased in Matter and conditioned by Matter. Therefore he has to start with the action of the physical senses which are all channels of material contact; he does not start with the mind-sense. But even so he does not and cannot make free use of anything conveyed by these physical organs until and unless they are taken hold of by the mind-sense and turned into stuff and value of his intelligent being. What is in the lower subhuman submental world a pranic, a nervous, a dynamic action and reaction that proceeds very well without any need of translation into mind-terms or government by mind, has in him to be raised and offered to some kind of intelligence. In order to be characteristically human it has to become first a sense of force, sense of desire, sense of will, sense of intelligent will-action or mentally conscious sense of force-action. His lower delight of being translates itself into a sense of mental or mentalised vital or physical pleasure and its perversion pain, or into a mental or mentalised feeling-sensation of liking and disliking, or into an intelligence of delight and failure of delight,—all phenomena of the intelligent mind-sense. So too that which is above him and that which is around him and in which he lives,—God, the universal being, the cosmic Forces,—are non-existent and unreal to him until his mind awakes to them and gets, not yet their true truth, but some idea, observation, inference, imagination of things supersensuous, some mental sense of the Infinite, some intelligent interpreting consciousness of the forces of the super-self above and around him. 
Content curated by Smrati Humar
Read Summary of Refining of Senses
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