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{|class= What is "wikitable" style= "background-color: #EFEFFF; width: 100%;"|Read Summary of '''[[Beauty =Summary|Beauty]]''' |}
== General Understanding of What is Beauty =? =
<span style="background-color: transparent; color: #000000;">The physical world is the world of form and the perfection of form is</span><span style="background-color: transparent; color: #000000;"> </span><span style="background-color: transparent; color: #000000;">beauty</span><span style="background-color: transparent; color: #000000;">'''.'''</span><span style="background-color: transparent; color: #000000;"> </span><span style="background-color: transparent; color: #000000;">Beauty interprets, expresses, manifests the Eternal. Its role is to put all manifested nature in contact with the Eternal through the perfection of form, through harmony and a sense of </span><span style="background-color: transparent; color: #000000;">the ideal which uplifts and leads towards something higher.</span><ref>http://incarnateword.in/cwm/12/arts#p2</ref>
<span style="background-color: transparent; color: #000000;"center>On the physical plane the Divine expresses himself through beauty, on the mental plane through knowledge, on the vital plane through power and on the psychic plane through love. When we rise high enough, we discover that these four aspects unite with each other in a single consciousness, full of love, luminous, powerful, beautiful, containing all, pervading all.~</span><ref>http://incarnateword.in/cwm/15/the-divine-working-in-the-universe#p6</refcenter>
<div style="color: #000000;">For all joy, On the physical plane the expresses himself through beauty, loveon the mental plane through knowledge, peace, delight are out-flowings from on the Ananda Brahman,—all delight of vital plane through power and on the spiritpsychic plane through love. When we rise high enough, the intellectwe discover that these four aspects unite with each other in a single, the imaginationfull of love, aesthetic senseluminous, ethical aspiration and satisfactionpowerful, actionbeautiful, lifecontaining all, the body. And through pervading all ways of our being the Divine can touch us and make use of them to awaken and liberate the spirit. <ref>http://incarnateword.in/cwsacwm/2415/the-anandadivine-working-brahmanin-the-universe#p4p6</ref></div>
<span style="background-color: transparent; color: #000000;"center>Spiritual beauty has a contagious power. Beauty is the joyous offering of Nature.~</span><ref>http://incarnateword.in/cwm/12/arts#p13</refcenter>
<span style="background-color: transparent; color: #000000;">Beauty is Spiritual beauty has a great contagious power. Beauty does not get its full power except when it is surrendered to the Divinejoyous offering of Nature.</span><ref>http://incarnateword.in/cwm/1512/beautyarts#p8p13</ref>
<span style="background-color: transparent; color: #000000;"center>To bring the Divine Love and Beauty and Ananda into the world is, indeed, the whole crown and essence of our Yoga.~</span><ref>http://incarnateword.in/cwsa/29/divine-love-psychic-love-and-human-love#p1</refcenter>
<div style="color: #000000;">There is a psychic world—a sort of Heaven of and beauty and harmony. It is also a place of rest for the soul between two in us which turns always towards Truth, Good it absorbs its past experiences and Beauty, because it is by these things that it itself grows in stature; the rest, their opposites, are a necessary part of experience, but have to be outgrown in the spiritual increase of the beingbecomes ready for another birth.<ref>http://incarnateword.in/cwsa/2128/the-originpsychic-and-remedy-of-falsehood-error-wrong-and-evilbeing#p14p100</ref></div>
<div style="color: #000000;"center>There is this beauty, this dignity of soul—a thing about which I am very sensitive. It is a thing that moves me and evokes in me a great respect always.~</divcenter>
<span style="background-color: transparent; color: #000000;">It [aesthetic conscience] is the consciousness of beauty.Aesthetic means that which concerns beauty, art..this beauty There are people, for example, who move around in life and see landscapes, see people and things and have absolutely no sense of soul that whether it is visible in beautiful or not; and into the bargain, it makes no difference at all to them. They look at the facesky, see whether there are any clouds, this kind of dignitywhether it will rain or be clear, this harmony of integral realisation. When for instance; or whether the soul becomes visible in sun is hot or the physicalwind cold. But there are others—when they raise their eyes and look at a beautiful sky, it gives this dignitythem pleasure, this beautythey say, "Oh! It is fine today, this majestythe sunrise is lovely today, the majesty that comes from one's being sunset is beautiful, the Tabernacleclouds have fine shapes. Then" So, even things that the first kind do not have no particular beauty put on a sense of eternal beautyan aesthetic conscience, of it the eternal beautysecond have.</span><ref>http://incarnateword.in/cwm/1507/july1-1958june-11955#p2p3</ref>
<div style="color: #000000;">Love, Joy and Beauty are the fundamental determinates of the Divine Delight of Existence, and we can see at once that these are of the very stuff and nature of that Delight: they are not alien impositions on the being of the Absolute or creations supported by it but outside it; they are truths of its being, native to its consciousness, powers of its force of existence. <ref>http://incarnateword.in/cwsa/21/indeterminates-cosmic-determinations-and-the-indeterminable#p17</refcenter>~</divcenter>
<div style="color: #000000;">All Beauty in the world is there the beauty aesthetic instinct of the Belovedman, and all forms of beauty have to stand under the light of that eternal Beauty good is his ethical instinct, and submit themselves to the sublimating these two things are very important in human education and transfiguring power of the unveiled Divine Perfectiongrowth... <ref>http://incarnateword.in/cwsacwm/2307/the25-ascentmay-of-the-sacrifice-ii1955#p16p39</ref></div>
<span style="background-color: transparent; color: #000000;"center>Beauty is not sufficient in itself, it wants to become divine. Pure sense of beauty can be acquired only through a great purification.~</span><ref>http://incarnateword.in/cwm/15/beauty#p13</refcenter>
<div style="color: #000000;">Beauty ... there is the aesthetic instinct a beauty of manthought, and the good a beauty of feeling. This is his ethical instinctsomething we perceive very often; when someone has done a very noble deed, and these two things are very important in human education and growth; generous, very unselfish, quite spontaneously we say, "It is beautiful!" And it's true, it gives the sense of beauty. <ref>http://incarnateword.in/cwm/07/251-mayjune-1955#p39p14</ref></div>
<div style="color: #000000;">It [aesthetic conscience] is the consciousness of beauty. Aesthetic means that which concerns beauty, art. There are people, for example, who move around in life and see landscapes, see people and things and have absolutely no sense of whether it is beautiful or not; and into the bargain, it makes no difference at all to them. They look at the sky, see whether there are any clouds, whether it will rain or be clear, for instance; or whether the sun is hot or the wind cold. But there are others—when they raise their eyes and look at a beautiful sky, it gives them pleasure, they say, "Oh! It is fine today, the sunrise is lovely today, the sunset is beautiful, the clouds have fine shapes." So, the first kind do not have an aesthetic conscience, the second have.<ref>http://incarnateword.in/cwm/07/1-june-1955#p3</refcenter>~</divcenter>
<div style="color: #000000;">...from the supramental point of view There is this beauty and harmony are as important as any other expression of the Divine. But they should not be isolated, set up apart from all other relations, taken out from the ensemble; they should be one with the expression this dignity of life as a wholesoul—a thing about which I am very sensitive. People have the habit of saying, "Oh, it It is an artist!" as if an artist should not be a man among other men but must be an extraordinary being belonging to thing that moves me and evokes in me a class by itself, and his art too something extraordinary and apart, not to be confused with the other ordinary things of the worldgreat respect always. <ref>http://incarnateword.in/cwm/0315/28july-july1958-19291#p15p2</ref></div>
== Different Ways of Perceiving Beauty Pre-requisites ==
<span style="background-color: transparent; color: #000000;">He means that Beauty is a great power. Beauty does not get its full power except when it [seeking for beauty] is surrendered to the Divine. </spanref><span style="background-colorhttp: transparent; color: #000000;">instinctive</span><span style="background-color: transparent; color: #000000;">, that it isn't rational, it doesn't depend on the domain of reason, it is something instinctive/incarnateword.<in/cwm/span><span style="background-color: transparent; color: #000000;"> <15/span><span style="background-color: transparent; color: #000000;">We have a sense of beauty and love beauty without even knowing why, and there are things which give the sense of beauty without our knowing why, without our reasoning. It is instinctive. He says that this is the infrarational stage of the aesthetic </span><span style="background-color: transparent; color: #000000;">sense. It is absolutely obvious that a child, who sees a pretty flower and has the feeling of beauty he does not know why, would never be able to tell you that it's because the form is balanced and the colours are lovely; he cannot explain it. Therefore it is not rational, it is altogether instinctive, it is an attraction, an impulse drawing one towards something, a harmony one feels, without being able to define it. But most often it is like that. It is rarely that one is able to say, "This thing is beautiful because of that, because of this," and to give a whole lecture on the beauty of something. Usually, one simply feels that it is beautiful; if later one wonders, "Why did I feel it is beautiful?" then, by making an effort with one's intelligence one may succeed in understanding it; but at the beginning one is not pre-occupied with the why, one feels that it is beautiful, and that's all, one is satisfied with that.p8</spanref>
<span style="background-color: transparent; color: #000000;"center>For example, you enter a historical building, and suddenly you are seized by the sense of a great beauty; how do you explain it? If someone asks you about it you would say, "Well, I feel that it is beautiful." But if an architect enters a building and has the same feeling that it is beautiful, he will immediately tell you, "It's because the lines meet harmoniously, the mass of the volumes is in harmony, the entire structure follows certain laws of beauty, order and rhythm", and he will explain them to you. But that's because he is an architect, and yet you could have felt the beauty as much as he without being able to explain it. Well, your feeling for beauty is what Sri Aurobindo calls infrarational, and his feeling for beauty is what Sri Aurobindo calls rational, because he can explain with his reason why he finds it beautiful. (The Mother, 1 June 1955)~</span><ref>http://incarnateword.in/cwm/07/1-june-1955#p21</ref><span style="background-color: transparent; color: #000000;">It [beauty] is a kind of harmony which you experience much more than think, and the true suprarational relation with beauty is not at all a "reasonable" relation (Sri Aurobindo will tell you this at the end), it completely overpasses reason, it is a contact in a higher realm. But what precisely he tells us in this paragraph is that when it is an instinct it is found mixed with movements of ignorance and a lack of culture and refinement. So this </span><span style="background-color: transparent; color: #000000;">instinct is sometimes very gross and very imperfect in its expression.</span><span style="background-color: transparent; color: #000000;"> </span><span style="background-color: transparent; color: #000000;">One can experience an aesthetic pleasure (let us call it that) in seeing something which is truly beautiful and at the same time something else which is not beautiful, but which gives one some sort of pleasure, because it is mixed, because one's aesthetic instinct is not pure, it is mixed with all kinds of sensations which are very crude and untrained. So it is here, as he says, that reason has its role, that it comes in to explain why a thing is beautiful, to educate the taste; </span><span style="background-color: transparent; color: #000000;">but it is not final, and reason is not the final judge; it can very well make mistakes, only it is a little higher, as judgment, than that of a completely infrarational being who has no reason and no understanding of things. It is a stage. It is a stage, that's what he says, it is a stage. But if you want to realise true beauty, you must go beyond that, very far beyond this stage... At first your sense of beauty is instinctive, impulsive, infrarational, lacking light, wanting reason, simply without any true understanding, and so, because the origin of the aesthetic sense is infrarational, it is understood, one always says this: "There's no disputing tastes and colours." You know, there are all kinds of popular proverbs which say that the appreciation of the beautiful is not a matter of reasoning, everyone likes a particular thing he doesn't know why, he takes pleasure in looking at a thing, and this pleasure cannot be discussed. Well, </span><span style="background-color: transparent; color: #000000;">this is the infrarational stage of the aesthetic sense.</spancenter>
<span style="background-color: transparent; color: #000000;">(The MotherAll Beauty in the world is there the beauty of the Beloved, 1 June 1955)</span>and all forms of beauty have to stand under the light of that eternal Beauty and submit themselves to the sublimating and transfiguring power of the unveiled Divine Perfection. <ref>http://incarnateword.in/cwmcwsa/0723/1the-ascent-of-the-junesacrifice-1955ii#p24p16</ref>
<span style="background-color: transparent; color: #000000;"center>The ~</span><span style="background-color: transparent; color: #000000;">higher principle of beauty is a suprarational principle</span><span style="background-color: transparent; color: #000000;"> </span><span style="background-color: transparent; color: #000000;">and therefore reason understands nothing at all about it. If you want to judge art by reason you are sure to say foolish things.</spancenter>
<span style="background-color: transparent; color: #000000;">(The MotherBeauty is not sufficient in itself, 25 May 1955)</span>it wants to become divine. Pure sense of beauty can be acquired only through a great purification. <ref>http://incarnateword.in/cwm/0715/25-may-1955beauty#p37p13</ref>
<span style="background-color: transparent; color: #000000;"center>To understand truly what Sri Aurobindo means here, you must yourself have had the experience of transcending reason and establishing your consciousness in a world higher than the mental intelligence. For from up there you can see, firstly, that everything that exists in the universe is an expression of Sachchidananda (Being-Consciousness-Bliss) and therefore behind any appearance whatever, if you go deeply enough, you can perceive Sachchidananda, which is the principle of Supreme Beauty. Secondly, you see that everything in the manifested universe is relative, so much so that there is no beauty which may not appear ugly in comparison with a greater beauty, no ugliness which may not appear beautiful in comparison with a yet uglier ugliness.<ref>http://incarnateword.in/cwm/10/aphorism-19#p3~</refcenter>
<div style="color: #000000;">...Harmony and beauty of the mind and soul, harmony and beauty of the supramental thoughts and feelings, harmony and beauty is something much higher in every outward act and movement, harmony and more perfect; it is a beauty untainted by any ugliness of the life and it does not need surroundings, this is the proximity demand of ugliness in order to look beautiful. When the supramental forces descend into Matter in order ... Where love and beauty are not or are reluctant to manifestbe born, this perfect beauty will express itself quite naturally and spontaneously she does not come." <ref>http://incarnateword.in all forms./cwm/04/12-may-1951#p1</divref>
<span style="background-color: transparent; color: #000000;"center>(The Mother, 6 March 1933)~</span><ref>http://incarnateword.in/cwm/16/6-march-1933#p4</refcenter>
<span style="background-color: transparent; color: #000000;">And what will be the bliss nature when it manifests in a new supramental race? The fully evolved soul will be one with all beings in the status We must go farther on, we must advance, climb greater heights and dynamic effects of experience of a bliss-consciousness intense and illimitable. And since love is go beyond the effective power arid search for pleasure and soul-symbol personal welfare, not through fear of bliss-oneness he will approach and enter into this oneness by punishment, even punishment after death, but through the gate development of universal love, a sublimation new sense of human love at firstbeauty, a divine love afterwardsthirst for truth and light, at its summits </span><span style="background-color: transparent; color: #000000;">a thing of beautythrough understanding that it is only by widening yourself, illumining yourself, sweetness and splendour now to us inconceivable. He will be one in bliss-consciousness setting yourself ablaze with all the world-play and its powers and happenings and there will be banished ardour for ever the sorrow and fear, the hunger and pain of our poor and darkened mental that you can find both integral peace and vital and physical existenceenduring happiness. He will get that power of the bliss-freedom in which all the conflicting principles of our being shall be unified in their absolute values. All evil shall perforce change itself into good; the universal beauty of the </spanref><span style="background-colorhttp: transparent; color: #000000;">All-beautiful will take possession of its fallen kingdoms</span><span style="background-color: transparent; color: #000000;"><nowiki>; every darkness will be converted into a pregnant glory of light and the discords which the mind creates between Truth and Good and Beauty, Power and Love and Knowledge will disappear on the eternal summit, /incarnateword.in the infinite extensions where they are always one. </nowiki>cwm/03/punishment#p24</spanref>
<span style="background-color: transparent; color: #000000;"center>In the free infinity of the self-delight of Sachchidananda there is a play of the divine Child, a rāsa līlā of the infinite Lover and its mystic soul-symbols repeat themselves in characters of beauty and movements and harmonies of delight in a timeless forever.~</span><ref>http://incarnateword.in/cwsa/23/gnosis-and-ananda#p18</refcenter>
== ...and the heart's call for the Divine have a truth—it is the truth of the divine. The Allwill for has in it a truth—it is the truth of the Spirit's mastery over its members. The musician and poet stand for a truth, it is the truth of the expression of the Spirit through beauty . There is a truth behind the mental Affirmer; even there is a truth behind the mental doubter, the Russellian, though far behind him—the truth of the denial of false forms. Even behind the two vital personalities there is a truth, the truth of the possession of the inner and outer worlds—not by the but by the Divine. That is the harmonisation for which our stands—but it cannot be achieved by any outward arrangement, it can only be achieved by going inside and looking, willing and acting from the psychic and from the spiritual centre. For the truth of the being is there and the secret of Harmony also is there. <ref>http://incarnateword.in/cwsa/29/the-adwaita-of-Beautiful Absolute ==shankaracharya#p25</ref>
<span style="background-color: transparent; color: #000000;"center>The master and Mover of our works is the One, the Universal and Supreme, the Eternal and Infinite. He is the transcendent unknown or unknowable Absolute, the unexpressed and unmanifested Ineffable above us; but he is also the Self of all beings, the Master of all worlds, transcending all worlds, the Light and the Guide, the All-Beautiful and All-Blissful, the Beloved and the Lover. He is the Cosmic Spirit and all-creating Energy around us; he is the Immanent within us. All that is is he, and he is the More than all that is, and we ourselves, though we know it not, are being of his being, force of his force, conscious with a consciousness derived from his; ~</span><span style="background-color: transparent; color: #000000;">'''even our mortal existence is made out of his substance and there is an immortal within us that is a spark of the Light and Bliss that are for ever.'''</span><span style="background-color: transparent; color: #000000;"> </span><span style="background-color: transparent; color: #000000;">No matter whether by knowledge, works, love or any other means, to become aware of this truth of our being, to realise it, to make it effective here or elsewhere is the object of all Yoga.<ref>http://incarnateword.in/cwsa/23/the-master-of-the-work#p1</ref></spancenter>
<span style="background-color: transparent; color: #000000;">... that there is nothing but That—something we cannot name, cannot define, cannot describe, but something we can feel from the point of view beauty and can more and more becomeharmony are as important as any other expression of the Divine. A Something that is </span><span style="background-color: transparent; color: #000000;">'''more perfect than But they should not be isolated, set up apart from all the perfectionsother relations, more beautiful than all taken out from the beauties'''</span><span style="background-color: transparent; color: #000000ensemble;">, more marvellous than all they should be one with the marvels, so that even expression of life as a whole. People have the totality habit of all that exists cannot express saying, "Oh, it. And there is nothing an artist!" as if an artist should not be a man among other men but Thatmust be an extraordinary being belonging to a class by itself, and his art too something extraordinary and apart, not to be confused with the other ordinary things of the world. And it is not a Something floating in nothingness<ref>http: there is nothing but That//incarnateword.in/cwm/03/28-july-1929#p15</spanref>
<span style="background-color: transparent; color: #000000;"center>(The Mother, 8 October 1966)~</span><ref>http://incarnateword.in/cwm/16/8-october-1966#p7</refcenter>
== Beauty There are people who are just like beautiful animals—all their movements are harmonious, their energies are spent harmoniously, their uncalculating efforts call in Love ==energies all the time and they are always happy; but sometimes they have no thoughts in their head, sometimes they have no feelings in their heart, they live an altogether animalish life. I have known people like that: beautiful animals. They were handsome, their gestures were harmonious, their forces quite balanced and they spent without reckoning and received without measure. They were in harmony with the material universal forces and they lived in joy. They could not perhaps have told you that they were happy—joy with them was so spontaneous that it was natural—and they would have been still less able to tell you why, for their intelligence was not very developed. <ref>http://incarnateword.in/cwm/04/13-january-1951#p15</ref>
<span style="background-color= Beauty: transparent; color: #000000;">The general power of Delight is love and the special mould which the joy of love takes is the vision of beauty. The God-lover is the universal lover and he embraces the All-blissful and All-beautiful. When universal love has seized on his heart, it is the decisive sign that the Divine has taken possession of him; and when he has the vision of the All-beautiful everywhere and can feel at all times the bliss of his embrace, that is the decisive sign that he has taken possession of the Divine. Union is the consummation of love, but it is this mutual possession that gives it at once the acme and the largest reach of its intensity. It is the foundation of oneness in ecstasy.</span><ref>http://incarnateword.in/cwsa/24/the-delight-of-the-divine#p8</ref>Stages ==
<span style="background-color: transparent; color: #000000;">Love is a passion and He means that it seeks for two things, eternity and intensity, and in the relation of the Lover and Beloved the [seeking for eternity and for intensity beauty] is instinctive and self-born. Love is a seeking for mutual possession, and that it isn't rational, it is here that doesn't depend on the demand for mutual possession becomes absolute. Passing beyond desire domain of possession which means a differencereason, it is something instinctive. We have a seeking for oneness, sense of beauty and it is here that the idea of onenesslove beauty without even knowing why, of two souls merging into each other and becoming one finds the acme of its longing and there are things which give the utterness sense of its satisfaction. </span><span style="background-color: transparent; color: #000000;">'''Love, too, is a yearning for beautywithout our knowing why,'''</span><span style="background-color: transparent; color: #000000;"> </span><span style="background-color: transparent; color: #000000;">and it without our reasoning. It is here instinctive. He says that the yearning this is eternally satisfied in the vision and the touch and the joy infrarational stage of the All-beautifulaesthetic sense. Love It is absolutely obvious that a child , who sees a pretty flower and a seeker has the feeling of Delightbeauty he does not know why, and it is here would never be able to tell you that it finds 's because the highest possible ecstasy both of the heart-consciousness form is balanced and of every fibre of the beingcolours are lovely; he cannot explain it. MoreoverTherefore it is not rational, this relation it is altogether instinctive, it is that which as between human being and human being demands the most andan attraction, even while reaching the greatest intensitiesan impulse drawing one towards something, is still the least satisfieda harmony one feels, because only in the Divine can without being able to define it find its real and its utter satisfaction. Therefore But most often it is here most like that. It is rarely that one is able to say, "This thing is beautiful because of that the turning , because of human emotion God-wards finds its full meaning this," and discovers all to give a whole lecture on the truth beauty of which love something. Usually, one simply feels that it is the human symbolbeautiful; if later one wonders, all its essential instincts divinised"Why did I feel it is beautiful?" then, raised, satisfied by making an effort with one's intelligence one may succeed in the bliss from which our life was born and towards which by oneness understanding it returns in ; but at the Ananda of beginning one is not pre-occupied with the divine existence where love why, one feels that it is absolutebeautiful, eternal and unalloyed.<ref>http://incarnatewordthat's all, one is satisfied with that.in/cwsa/24/the-godward-emotions#p14</ref></span>
<span style=For example, you enter a historical building, and suddenly you are seized by the sense of a great beauty; how do you explain it? If someone asks you about it you would say, "Well, I feel that it is beautiful." But if an architect enters a building and has the same feeling that it is beautiful, he will immediately tell you, "background-color: transparent; color: #000000;It's because the lines meet harmoniously, the mass of the volumes is in harmony, the entire structure follows certain laws of beauty, order and rhythm">Psychic love , and he will explain them to you. But that's because he is quite satisfyingan architect, and yet you could have felt the beauty as much as he without being able to explain it . Well, your feeling for beauty is what Sri Aurobindo calls infrarational, and his feeling for beauty is what Sri Aurobindo calls rational, because he can change even the vital love into something great and explain with his reason why he finds it beautiful.</span><ref>http://incarnateword.in/cwsacwm/2907/divine-love-psychic-love-and1-humanjune-love1955#p15p21</ref>
== Beauty in Psychic == <center>~</center>
<span style=It [beauty] is a kind of harmony which you experience much more than think, and the true suprarational relation with beauty is not at all a "background-color: transparent; color: #000000;reasonable">What relation (Sri Aurobindo will tell you this at the end), it completely overpasses reason, it is meant a contact in a higher realm. But what precisely he tells us in the terminology this paragraph is that when it is an instinct it is found mixed with movements of ignorance and a lack of the Yoga by the psychic culture and refinement. So this instinct is the soul element sometimes very gross and very imperfect in its expression. One can experience an aesthetic pleasure (let us call it that) in seeing something which is truly beautiful and at the naturesame time something else which is not beautiful, the pure psyche or divine nucleus but which stands behind mindgives one some sort of pleasure, life and body (because it is mixed, because one's aesthetic instinct is not the ego) but pure, it is mixed with all kinds of sensations which we are only dimly awarevery crude and untrained. It So it is here, as he says, that reason has its role, that it comes in to explain why a portion of thing is beautiful, to educate the Divine taste; but it is not final, and permanent from life to lifereason is not the final judge; it can very well make mistakes, only it is a little higher, as judgment, taking the experience than that of a completely infrarational being who has no reason and no understanding of life through its outer instrumentsthings. It is a stage. As this experience grows It is a stage, that's what he says, it manifests is a developing psychic personality which insisting always on the goodstage. But if you want to realise true beauty, you must go beyond that, very far beyond this stage... At first your sense of beauty is instinctive, impulsive, infrarational, lacking light, wanting reason, simply without any true understanding, and beautifulso, finally becomes ready and strong enough to turn because the origin of the </span><span style="background-color: transparent; coloraesthetic sense is infrarational, it is understood, one always says this: #000000;">nature towards the DivineThere's no disputing tastes and colours. It can then come entirely forward" You know, breaking through there are all kinds of popular proverbs which say that the mentalappreciation of the beautiful is not a matter of reasoning, vital and physical screeneveryone likes a particular thing he doesn't know why, he takes pleasure in looking at a thing, govern the instincts and transform the naturethis pleasure cannot be discussed. Nature no longer imposes itself on the soulWell, but this is the soul, the Purusha, imposes its dictates on infrarational stage of the natureaesthetic sense.</span><ref>http://incarnateword.in/cwsacwm/3007/the-psychic-being-and-its1-role-injune-sadhana1955#p1p24</ref>
<span style="background-color: transparent; color: #000000;"center>...the psychic entity in us persists and is fundamentally the same always: it contains all essential possibilities of our manifestation but is not constituted by them; it is not limited by what it manifests, not contained by the incomplete forms of the manifestation, not tarnished by the imperfections and impurities, the defects and depravations of the surface being. It is an ever-pure flame of the divinity in things and nothing that comes to it, nothing that enters into our experience can pollute its purity or extinguish the flame. This spiritual stuff is immaculate and luminous and, because it is perfectly luminous, it is immediately, intimately, directly aware of truth of being and truth of nature;~</span><span style="background-color: transparent; color: #000000;"> </span><span style="background-color: transparent; color: #000000;">'''it is deeply conscious of truth and good and beauty because truth and good and beauty are akin to its own native character,'''</span><span style="background-color: transparent; color: #000000;"> </span><span style="background-color: transparent; color: #000000;">forms of something that is inherent in its own substance. It is aware also of all that contradicts these things, of all that deviates from its own native character, of falsehood and evil and the ugly and the unseemly; but it does not become these things nor is it touched or changed by these opposites of itself which so powerfully affect its outer instrumentation of mind, life and body. For the soul, the permanent being in us, puts forth and uses mind, life and body as its instruments, undergoes the envelopment of their conditions, but it is other and greater than its members.<ref>http://incarnateword.in/cwsa/22/the-triple-transformation#p3</ref> </spancenter>
<span style="background-color: transparent; color: #000000;">The plants are very psychic, but they can express higher principle of beauty is a suprarational principle and therefore reason understands nothing at all about it only . If you want to judge art by silence and beautyreason you are sure to say foolish things. Form, colour, scent + something else which is indefinable [constitute the beauty of flowers].<ref>http://incarnateword.in/cwsacwm/2807/science25-andmay-yoga1955#p78p37</ref>
<span style="background-color: transparent; color: #000000;"center>There is a psychic world—a sort of Heaven of peace and beauty and harmony. It is also a place of rest for the soul between two incarnations in which it absorbs its past experiences and becomes ready for another birth.~</span><ref>http://incarnateword.in/cwsa/28/the-psychic-being#p100</refcenter>
== To understand truly what Sri Aurobindo means here, you must yourself have had the experience of transcending reason and establishing your consciousness in a world higher than the mental intelligence. For from up there you can see, firstly, that everything that exists in the universe is an expression of Sachchidananda (Being-Consciousness-Bliss) and therefore behind any appearance whatever, if you go deeply enough, you can perceive Sachchidananda, which is the principle of Supreme Beauty . Secondly, you see that everything in the manifested universe is relative, so much so that there is no beauty which may not appear ugly in comparison with a greater beauty, no ugliness which may not appear beautiful in comparison with a yet uglier ugliness. <ref>http://incarnateword.in Art ==/cwm/10/aphorism-19#p3</ref>   <center>~</center>
<span style="background-color: transparent...the supramental beauty is something much higher and more perfect; color: #000000;">'''True art means it is a beauty untainted by any ugliness and it does not need the expression proximity of beauty ugliness in order to look beautiful. When the material worldsupramental forces descend into [https://ie.'''<auroville.org.in/span><span style="background-color: transparent; color: #000000;"> <index.php/span><span style="background-color: transparent; color: M#000000;">In a world wholly converted, that is Matter Matter ] in order to say, expressing integrally the divine realitymanifest, art must serve as the revealer and teacher of this divine perfect beauty will express itself quite naturally and spontaneously in lifeall forms.</span> <ref>http://incarnateword.in/cwm/1216/arts6-march-1933#p15p4</ref>
<span style="background-color: transparent; color: #000000;">True art is intended to express the beautiful, but in close intimacy with the universal movement. The greatest nations and the most cultured races have always considered art as </span><span style="background-color: transparent; color: #000000;">a part of life and made it subservient to life. Art was like that Beauty in Japan in its best moments; it was like that in all the best moments in the history of art. But most artists are like parasites growing on the margin of life; they do not seem to know that </span><span styleVital ="background-color: transparent; color: #000000;">'''art should be the expression of the Divine in life and through life'''</span><span style="background-color: transparent; color: #000000;">. In everything, everywhere, in all relations truth must be brought out in its all-embracing rhythm and every movement of life should be an expression of beauty and harmony. Skill is not art, talent is not art. </span><span style="background-color: transparent; color: #000000;">'''Art is a living harmony and beauty that must be expressed in all the movements of existence.'''</span><span style="background-color: transparent; color: #000000;"> </span><span style="background-color: transparent; color: #000000;">This manifestation of beauty and harmony is part of the Divine realisation upon earth, perhaps even its greatest part.<ref>http://incarnateword.in/cwm/03/28-july-1929#p14</ref></span>
<span style="background-color: transparent; color: #000000;">...an artist should be capable of entering into communion with Perhaps not the Divine and highest sense of receiving inspiration about what form or forms ought to be used to express the divine beauty , but in matter. And thus, if it does that, art can be the vital one finds a means of realisation complete sense of beauty, and at the same time a teacher of what harmony. The beauty ought to bewhich is fundamental, profound, that isuniversal, </span><span style="background-color: transparent; color: #000000;">'''art should be an element in constant belongs only to the education of men's taste'''</span><span style="background-color: transparent; color: #000000;">psychic, but the sense of young and old, and it is the teaching beauty of true beautyform, that isof appearance, the essential beauty which expresses the divine truth. This is the raison d'être of art. Nowcolour, between this and what is done there is a great differencethe educated, but this is the true raison d'être of artrefined vital fully possesses. <ref>http://incarnateword.in/cwm/04/1-march-1951#p30</spanref>
<span style="background-color: transparent; color: #000000;">(The Mother, 28 October 1953)<ref>http://incarnateword.in/cwm/05/28-october-1953#p4</refcenter>~</spancenter>
== Beauty As soon as there is organic life, the vital element comes in Vital ==, and it is this vital element which gives to flowers the sense of beauty. It is not perhaps individualised in the sense we understand it, but it is a sense of the species and the species always tries to realise it. <ref>http://incarnateword.in/cwm/04/1-march-1951#p34 http://incarnateword.in/cwm/04/1-march-1951#p34</ref>
<div style="color: #000000;">Perhaps not the highest sense of beauty, but in the vital one finds a complete sense of beauty and harmony. The beauty which is fundamental, profound, universal, constant belongs only to the psychic, but the sense of the beauty of form, of appearance, of colour, the educated, refined vital fully possesses.<span style="background-color: transparent; color: #000000;">(The Mother, 1 March 1951)</span><ref>http://incarnateword.in/cwm/04/1-march-1951#p30</refcenter>~</divcenter>
<div style="color''Q: #000000;">As soon as there is organic life, the vital element comes in, and it is this vital element which gives to flowers the Can those who have a sense of beauty. It is not perhaps individualised in the sense we understand it, but it is a sense of the species and the species always tries to realise it.<div style="color: #000000;">(The Mother, 1 March 1951)<ref>http://incarnateword.in/cwm/04/1-march-1951#p34 http://incarnateword.in/cwm/04/1-march-1951#p34</ref></div></div>also become cruel?''
= Relatable Experiences =''A:'' That's a psychological problem. It depends on where their sense of beauty is located. One may have a physical see of beauty, a vital sense of beauty, a mental sense of beauty. If one has a moral sense of beauty—a sense of moral beauty and nobility—one will never be cruel. One will always be generous and magnanimous in all circumstances. But as men are made of many different pieces.... For instance, I was thinking about all the artists I knew—I knew all the greatest artists of the last century or the beginning of this century, and they truly had a sense of beauty, but morally, some of them were very cruel. When the artist was seen at his work, he lived in a magnificent beauty but when you saw the gentleman at home, he had only a very limited contact with the artist in himself and usually he became someone very vulgar, very ordinary. Many of them did, I am sure of it. But those who were unified, in the sense that they truly lived their art—those, no; they were generous and good. <ref>http://incarnateword.in/cwm/06/17-march-1954#p33</ref>
<div style="color: #000000;"center>...one feels such a deep detachment for all things in the world, such a great need to find something else, an imperious need to find something which is truly beautiful, truly fresh, truly good... then, quite naturally, this brings you to a spiritual aspiration.~</divcenter>
But for one who has more inner sensitivity, appearances are no longer deceptive and he can perceive the ugliness hidden beneath a pretty face and the beauty concealed beneath a mask of ugliness. <div style="colorref>http: //incarnateword.in/cwm/10/aphorism-297-298#000000;">(The Mother, 9 April 1951)p6</divref>
<ref>http://incarnateword.== Beauty in/cwm/04/9-april-1951#p18</ref>Art ==
<div style="color: #000000;">.True art means the expression of beauty in the material world..if the seeking is In a lasting and major drive in Natureworld wholly converted, then all these objections and recommendations are futile. For this drive will fulfil itselfthat is to say, this hidden expressing integrally the divine reality will draw and draw us till we achieve it. Those who feel its call, cannot do otherwise than follow and strive, even if need be leave all else for it, hold all other greatness, splendour, nobility, beauty art must serve as cheaper minor things compared with this other Light the revealer and Greatness and Beauty teacher of which they have had the vision, the intimation, the formless attraction or else the passing touch or glimpsethis divine beauty in life. <ref>http://incarnateword.in/cwm/12/arts#p15</divref>
<refcenter>http://incarnateword.in/cwsa/28/morality-and-yoga#p23~</refcenter>
<span style="background-color: transparent; color: #000000;">...this spiritual bliss The aesthetic mind is here also in our hearts. It is hidden perfected in proportion as it detaches itself from all its cruder pleasures and from the toil outward conventional canons of the surface mind which catches only at weak aesthetic reason and discovers a self-existent self and flawed translations spirit of it into various mental, vital pure and physical forms of the joy of existence. But if the mind has once grown sufficiently subtle infinite Beauty and pure in Delight which gives its receptions own light and not limited by joy to the grosser nature material of our outward responses to existence, we can take a reflection of it which will wear perhaps wholly or predominantly the hue of whatever is strongest in our natureaesthesis. It may present itself first as a yearning for some universal Beauty which we feel in Nature and man and in all that is around us; or </spanref><span style="background-colorhttp: transparent; color: #000000;">'''we may have the intuition of some transcendent Beauty of which all apparent beauty here is only a symbol'''</span><span style="background-color: transparent; color: #000000;">/incarnateword. That is how it may come to those in whom the aesthetic being is developed /cwsa/24/purification-intelligence-and insistent and the instincts which, when they find form of expression, make the poet and artist, are predominant. -will#p10</spanref>
<refcenter>http://incarnateword.in/cwsa/24/the-ananda-brahman#p3~</refcenter>
<span style="background-color: transparent; color: #000000;">It True art is when you feel intended to express the beautiful, but in close intimacy with the universal or divine beauty or presence movement. The greatest nations and the most cultured races have always considered art as a part of life and made it subservient to life. Art was like that in Japan in things its best moments; it was like that in all the senses best moments in the history of art. But most artists are open like parasites growing on the margin of life; they do not seem to know that art should be the expression of the Divinein life and through life. In everything, everywhere, in all relations truth must be brought out in its all-embracing rhythm and every movement of life should be an expression of beauty and harmony. Skill is not art, talent is not art. Art is a living harmony and beauty that must be expressed in all the movements of existence. This manifestation of beauty and harmony is part of the Divine realisation upon earth, perhaps even its greatest part.<ref>http://incarnateword.in/cwsacwm/3003/the-universal-or28-cosmicjuly-consciousness1929#p56p14</ref>
<div style="color: #000000;">... there Why is a beauty of thought, a beauty of feeling. This is something we perceive very often; when someone has done a very noble deed, very generous, very unselfish, quite spontaneously we say, "It is beautiful!" And it's true, it gives the sense of beauty.</div>Beauty Important? =
<span style="background-color: transparentIt is the soul in us which turns always towards, Good and Beauty, because it is by these things that it itself grows in stature; color: #000000;">(The Motherthe rest, their opposites, are a necessary part of experience, 1 June 1955)</span>but have to be outgrown in the spiritual increase of the being. <ref>http://incarnateword.in/cwmcwsa/0721/1the-origin-and-remedy-of-falsehood-error-wrong-juneand-1955evil#p14</ref>
<span style="background-color: transparent; color: #000000;"center>If you compare the human body as it now is with a higher ideal of beauty, obviously very few would pass the examination. In almost everyone there is a sort of unbalance in the ~</span><span style="background-color: transparent; color: #000000;">proportions; we are so accustomed to it that we do not notice it, but if we look from the standpoint of the higher beauty, it becomes visible; very few bodies would bear comparison with perfect beauty. There are a thousand reasons for this unbalance but only one remedy, to instil into the being this instinct, this sense of true beauty, a supreme beauty which will gradually act on the cells and make the body capable of expressing beauty. This is still a thing which is not known: the body is infinitely more plastic than you believe. You must have surely noticed (perhaps very vaguely) </span><span style="background-color: transparent; color: #000000;">'''that those who live in an inner peace, in an inner beauty, a light, and perfect goodwill, have an expression which is not quite the same as of people who live in bad thoughts, in the lower part of their nature. '''</span><span style="background-color: transparent; color: #000000;">When the human being is at his best, above his base animality, he reflects something which is not there when he lives in a state of bestiality.</spancenter>
<span style="background-color: transparent; color: #000000;">(The Mother...this beauty of soul that is visible in the face, this kind of dignity, this harmony of integral realisation. When the soul becomes visible in the physical, it gives this dignity, this beauty, this majesty, the majesty that comes from one's being the Tabernacle. Then, even things that have no particular beauty put on a sense of eternal beauty, 25 January 1951)</span>of it the eternal beauty. <ref>http://incarnateword.in/cwm/0415/25july-january1958-19511#p27p2</ref>
<div style="color: #000000;"center>Usually one feels pleasure or joy or enjoyment due to this thing or due to that—from the most material things to things psychological or even mental. For example, to take a mental thing, you read a sentence which gives you a great joy, for it brings you a light, a new understanding; so that joy is a joy which has an object, it is because you read that sentence that you feel this joy, if you had not read the sentence, you would not have felt the joy. In the same way, when you hear beautiful music or when you see a beautiful picture or a beautiful landscape, that brings you joy; without those things you would not have felt that joy; it is these which brought you the joy. It is a joy which has an object, which has a cause.~</divcenter>
<span style="background-color: transparentUsually one feels pleasure or joy or enjoyment due to this thing or due to that—from the most material things to things psychological or even mental. For example, to take a mental thing, you read a sentence which gives you a great joy, for it brings you a light, a new understanding; so that joy is a joy which has an object, it is because you read that sentence that you feel this joy, if you had not read the sentence, you would not have felt the joy. In the same way, when you hear beautiful music or when you see a beautiful picture or a beautiful landscape, that brings you joy; color: #000000without those things you would not have felt that joy;">(The Motherit is these which brought you the joy. It is a joy which has an object, 5 December 1956)</span>which has a cause.
<ref>http://incarnateword.in/cwm/08/5-december-1956#p17</ref>
<div style="color: #000000;"center>There are people who are just like beautiful animals—all their movements are harmonious, their energies are spent harmoniously, their uncalculating efforts call in energies all the time and they are always happy; but sometimes they have no thoughts in their head, sometimes they have no feelings in their heart, they live an altogether animalish life. I have known people like that: beautiful animals. They were handsome, their gestures were harmonious, their forces quite balanced and they spent without reckoning and received without measure. They were in harmony with the material universal forces and they lived in joy. They could not perhaps have told you that they were happy—joy with them was so spontaneous that it was natural—and they would have been still less able to tell you why, for their intelligence was not very developed.~</divcenter>
<span style="background-color: transparent; color: #000000;">(The Motherplants are very psychic, 13 January 1951)</span>but they can express it only by silence and beauty. Form, colour, scent + something else which is indefinable [constitute the beauty of flowers]. <ref>http://incarnateword.in/cwmcwsa/0428/13science-januaryand-1951yoga#p15p78</ref>
<div style="color: #000000;">''Can those who have a sense of beauty also become cruel= Why is it Important for Progress in Yoga?''</div>==
<span style="background-color: transparent; color: #000000;">That's a psychological problem. It depends on where their sense of beauty is located. One may To do this yoga, one must have a physical see of beauty, at least a vital sense of beautylittle, a mental the sense of beauty. If one has a moral sense does not, one misses one of beauty—a sense the most important aspects of moral beauty and nobility—one will never be cruelthe physical world. </spanref><span style="background-colorhttp: transparent; color: #000000;">One will always be generous and magnanimous in all circumstances. But as men are made of many different pieces//incarnateword.... For instance, I was thinking about all the artists I knew—I knew all the greatest artists of the last century or the beginning of this century, and they truly had a sense of beauty, but morally, some of them were very cruel. When the artist was seen at his work, he lived in a magnificent beauty but when you saw the gentleman at home, he had only a very limited contact with the artist in himself and usually he became someone very vulgar, very ordinary. Many of them did, I am sure of it. But those who were unified, in the sense that they truly lived their art—those, no; they were generous and good./cwm/15/july-1958-1#p1</spanref>
<refcenter>http://incarnateword.in/cwm/06/17-march-1954#p33~</refcenter>
<span style="background-color: transparent; color: #000000;">But for one who has more inner sensitivityTo bring the Divine Love and Beauty and Ananda into the world is, indeed, appearances are no longer deceptive and he can perceive the ugliness hidden beneath a pretty face whole crown and the beauty concealed beneath a mask essence of uglinessour Yoga.</span><ref>http://incarnateword.in/cwmcwsa/1029/aphorismdivine-love-psychic-love-and-297human-298love#p6p1</ref>
= Effects of Growing in Beauty = <center>~</center>
== Turning Inwards ==It is when you feel the universal or divine beauty or presence in things that the senses are open to the Divine. <ref>http://incarnateword.in/cwsa/30/the-universal-or-cosmic-consciousness#p56</ref>
<div style="color:#000000;"center>...the joy and happiness and satisfaction of beauty that comes from the perception of the Divine everywhere. It plunges the nature inward towards its meeting with the immanent Divine in the heart's secret centre and, while that call is there, no reproach of egoism, no mere outward summons of altruism or duty or philanthropy or service will deceive or divert it from its sacred longing and its obedience to the attraction of the Divinity within it. ~</divcenter>
Love, Joy and Beauty are the fundamental determinates of the Divine Delight of Existence, and we can see at once that these are of the very stuff and nature of that Delight: they are not alien impositions on the being of the or creations supported by it but outside it; they are truths of its being, native to its consciousness, powers of its force of existence. <ref>http://incarnateword.in/cwsa/2321/theindeterminates-cosmic-ascentdeterminations-ofand-the-sacrifice-iindeterminable#p23p17</ref>
<center>~</center>
<span style="background-color:transparent;color:#000000;">A philosophic statement about If you compare the Atman human body as it now is with a mental formula, not knowledge, not experience: yet sometimes the Divine takes it as a channel higher ideal of touch; strangelybeauty, a barrier in obviously very few would pass the mind breaks down, something examination. In almost everyone there is seen, a profound change operated in some inner part, there enters into the ground sort of the nature something calm, equal, ineffable. One stands upon a mountain ridge and glimpses or mentally feels a wideness, a pervasiveness, a nameless Vast unbalance in Nature; then suddenly there comes the touch, a revelation, </span><span style="background-color:transparentproportions;color:#000000;">'''a floodingwe are so accustomed to it that we do not notice it, but if we look from the mental loses itself in standpoint of the spiritualhigher beauty, one bears the first invasion of the Infiniteit becomes visible; very few bodies would bear comparison with perfect beauty.'''</span><span style="background-color:transparent;color:#000000;"> </span><span style="background-color:transparent;color:#000000;">Or you stand before There are a temple of Kali beside a sacred river and see what?—a sculpture, a gracious piece of architecture, thousand reasons for this unbalance but in a moment mysteriouslyonly one remedy, unexpectedly there is instead a Presence, a Power, a Face that looks to instil into yours, an inner sight in you has regarded the World-Mother. Similar touches can come too through artbeing this instinct, music, poetry to their creator or to one who feels the shock this sense of the wordtrue beauty, the hidden significance of a form, a message in supreme beauty which will gradually act on the sound that carries more perhaps than was consciously meant by cells and make the composer. All things in the Lila can turn into windows that open on the hidden Realitybody capable of expressing beauty. </span><span style="background-color:transparent;color:#000000;">Still so long as one This is satisfied with looking through windows, the gain still a thing which is only initial; one day one will have to take up the pilgrim's staff and start out to journey there where not known: the Reality body is for ever manifest and presentinfinitely more plastic than you believe. Still less can it be spiritually satisfying to remain with shadowy reflections; a search imposes itself for the Light which they strive to figure. But since this Reality and this Light are You must have surely noticed (perhaps very vaguely) that those who live in ourselves no less than in some high region above the mortal planean inner peace, we can in the seeking for it use many of the figures and activities of Life; as one offers a flower, a prayer, an act to the Divine, one can offer too a created form of inner beauty, a song, a poem, an image, a strain of musiclight, and gain through it a contactperfect goodwill, a response or have an experience. And when that divine Consciousness has been entered or when it grows within, then too its expression in life through these things which is not excluded from Yoga; these creative activities can still have their placequite the same as of people who live in bad thoughts, though not intrinsically a greater place than any other that can be put to divine use and service. Art, poetry, music, as they are in the lower part of their ordinary functioningnature. When the human being is at his best, create mental and vitalabove his base animality, he reflects something which is not spiritual values; but they can be turned to there when he lives in a higher end, and then, like all things that are capable state of linking our consciousness to the Divine, they are transmuted and become spiritual and can be admitted as part of a life of Yogabestiality.</span><ref>http://incarnateword.in/cwsacwm/2804/the25-intellect-andjanuary-yoga1951#p26p27</ref>
== Perfection == <center>~</center>
<div style="colorA philosophic statement about the is a mental formula, not knowledge, not experience:#000000yet sometimes the Divine takes it as a channel of touch;">The aesthetic strangely, a barrier in the mind breaks down, something is perfected seen, a profound change operated in some inner part, there enters into the ground of the nature something calm, equal, ineffable. One stands upon a mountain ridge and glimpses or mentally feels a wideness, a pervasiveness, a nameless Vast in Nature; then suddenly there comes the touch, a revelation, a flooding, the mental loses itself in proportion the spiritual, one bears the first invasion of the Infinite. Or you stand before a temple of Kali beside a sacred river and see what?—a sculpture, a gracious piece of architecture, but in a moment mysteriously, unexpectedly there is instead a Presence, a Power, a Face that looks into yours, an inner sight in you has regarded the World-Mother. Similar touches can come too through art, music, poetry to their creator or to one who feels the shock of the word, the hidden significance of a form, a message in the sound that carries more perhaps than was consciously meant by the composer. All things in the can turn into windows that open on the hidden. Still so long as one is satisfied with looking through windows, the gain is only initial; one day one will have to take up the pilgrim's staff and start out to journey there where the Reality is for ever manifest and present. Still less can it detaches be spiritually satisfying to remain with shadowy reflections; a search imposes itself from all its cruder pleasures for the Light which they strive to figure. But since this Reality and from outward conventional canons this Light are in ourselves no less than in some high region above the mortal plane, we can in the seeking for it use many of the aesthetic reason figures and discovers activities of Life; as one offers a flower, a prayer, an act to the Divine, one can offer too a self-existent self created form of beauty, a song, a poem, an image, a strain of music, and spirit of pure gain through it a contact, a response or an experience. And when that divine Consciousness has been entered or when it grows within, then too its expression in life through these things is not excluded from Yoga; these creative activities can still have their place, though not intrinsically a greater place than any other that can be put to divine use and infinite Beauty service. Art, poetry, music, as they are in their ordinary functioning, create mental and Delight which gives its own light vital, not spiritual values; but they can be turned to a higher end, and joy then, like all things that are capable of linking our consciousness to the material Divine, they are transmuted and become spiritual and can be admitted as part of a life of Yoga. <ref>http://incarnateword.in/cwsa/28/the aesthesis.-intellect-and-yoga#p26</divref>
<refcenter>http://incarnateword.in/cwsa/24/purification-intelligence-and-will#p10~</refcenter>
== Widening ...the Consciousness ==joy and happiness and satisfaction of beauty that comes from the perception of the Divine everywhere. It plunges the nature inward towards its meeting with the immanent Divine in the heart's secret centre and, while that call is there, no reproach of egoism, no mere outward summons of altruism or duty or philanthropy or service will deceive or divert it from its sacred longing and its obedience to the attraction of the Divinity within it. <ref>http://incarnateword.in/cwsa/23/the-ascent-of-the-sacrifice-i#p23</ref>
<span style="background-color:transparent;color:#000000;">We must go farther on, we must advance, climb greater heights and go beyond the arid search for pleasure and personal welfare, not through fear of punishment, even punishment after death, but through the development of a new sense of beauty, a thirst for truth and light, through understanding that it is only by widening yourself, illumining yourself, setting yourself ablaze with the ardour for progress, that you can find both integral peace and enduring happiness.</span><ref>http://incarnateword.= Relatable Experiences in/cwm/03/punishment#p24</ref>Yoga ==
...one feels such a deep detachment for all things in the world, such a great need to find something else, an imperious need to find something which is truly beautiful, truly fresh, truly good... then, quite naturally, this brings you to a spiritual aspiration. <ref>http://incarnateword.in/cwm/04/9-april-1951#p18</ref>
<div style="color:#000000;"center>... if one deeply feels the beauty of Nature and communes with her, that can help in widening the consciousness.~</divcenter>
<span style="background-color:transparent;color:#000000;">(The Mother...if the seeking is a lasting and major drive in Nature, then all these objections and recommendations are futile. For this drive will fulfil itself, this hidden reality will draw and draw us till we achieve it. Those who feel its call, cannot do otherwise than follow and strive, even if need be leave all else for it, hold all other greatness, splendour, nobility, beauty as cheaper minor things compared with this other Light and Greatness and Beauty of which they have had the vision, the intimation, 9 &nbsp;November 1969)</span>the formless attraction or else the passing touch or glimpse. <ref>http://incarnateword.in/cwmcwsa/1628/9morality-novemberand-1969yoga#p4p23</ref>
== Transformation of the Vital == <center>~</center>
<span style="background-color:transparent;color:#000000;">...this vital spiritual bliss is a strange creaturehere also in our hearts. It is a being hidden in from the toil of passion, enthusiasm the surface mind which catches only at weak and naturally flawed translations of desire; butit into various mental, for example, it is quite capable vital and physical forms of getting enthusiastic over something beautiful, the joy of admiring, sensing anything greater and nobler than itselfexistence. And But if really anything very beautiful occurs the mind has once grown sufficiently subtle and pure in its receptions and not limited by the beinggrosser nature of our outward responses to existence, if there is we can take a movement having an exceptional value, well, reflection of it may get enthusiastic and it is capable which will wear perhaps wholly or predominantly the hue of giving itself with complete devotion—with a generosity that whatever is not found, for example, strongest in the mental domain nor in the physicalour nature. It has that fullness may present itself first as a yearning for some universal Beauty which we feel in action that comes precisely from its capacity to get enthused Nature and throw itself wholly without reserve into what it does. Heroes are always people who have a strong vital, man and </span><span style="background-color:transparentin all that is around us;color:#000000;">'''when or we may have the vital becomes passionate about something, it intuition of some transcendent Beauty of which all apparent beauty here is no longer only a reasonable symbol . That is how it may come to those in whom the aesthetic being but a warrior'''</span><span style="background-color:transparent;color:#000000;"><nowiki>; it is wholly involved in its action developed and insistent and can perform exceptional things because it does not calculatethe instincts which, does not reasonwhen they find form of expression, does not say "One must take precautionsmake the poet and artist, one must not do this, must not do thatare predominant." It becomes reckless, it gets carried away, as people say, it gives itself totally<ref>http://incarnateword. Therefore, it can do magnificent things if it is guided in /cwsa/24/the right way.</nowiki>-ananda-brahman#p3</spanref>
<span style="background-color:transparent;color:#000000;">(The Mother, 9 September 1953)</span><ref>http://incarnateword.in/cwm/05/9-september-1953#p19</ref>How to Cultivate Beauty? =
Let beauty be your constant ideal.
The beauty of the soul
The beauty of sentiments
The beauty of thoughts
The beauty of the action
The beauty in the work
so that nothing comes out of your hands which is not an expression of pure and harmonious beauty. <ref>http://incarnateword.in/cwm/12/arts#p3</ref>
<div style="color:#000000;"center>A converted vital is an all-powerful instrument. And sometimes it gets converted by something exceptionally beautiful, morally or materially. When it witnesses, for example, a scene of total self-abnegation, of uncalculating self-giving one—of those things so exceedingly rare but splendidly beautiful—it can be carried away by it, it can be seized by an ambition to do the same thing. It begins by an ambition, it ends with a consecration.~</divcenter>
<span style=From beauty to greater beauty, from joy to intenser joy, by an especial adjustment of the senses"background-color:transparent;color:#000000;">(The Mother—yes, that would be the normal course of a divine manifestation, however gradual, 9 September 1953)</span>in Matter. <ref>http://incarnateword.in/cwmcwsa/0528/9spiritual-evolution-and-septemberthe-1953supramental#p20p34</ref>
<center>~</center>
= Steps There is, behind all things, a divine beauty, a divine harmony: it is with this that we must come into contact; it is this that we must express. <ref>http://incarnateword.in Transformation Leading to Beauty =/cwm/12/arts#p60</ref>
<div style="color:#000000;"center>From beauty to greater beauty, from joy to intenser joy, by an especial adjustment of the senses"—yes, that would be the normal course of a divine manifestation, however gradual, in Matter.~</divcenter>
The beginning of the heart's attraction to the Divine may be impersonal, the touch of an impersonal joy in something universal or transcendent that has revealed itself directly or indirectly to our emotional or our aesthetic being or to our capacity of spiritual felicity. That which we thus grow aware of is the Ananda Brahman, the bliss existence. There is an adoration of an impersonal Delight and Beauty, of a pure and an infinite perfection to which we can give no name or form, a moved attraction of the soul to some ideal and infinite Presence, Power, existence in the world or beyond it, which in some way becomes psychologically or spiritually sensible to us and then more and more intimate and real. That is the call, the touch of the bliss existence upon us. Then to have always the joy and nearness of its presence, to know what it is, so as to satisfy the intellect and the intuitional mind of its constant reality, to put our passive and, so far as we can manage it, our active, our inner immortal and even our outer mortal being into perfect harmony with it, grow into a necessity of our living. And to open ourselves to it is what we feel to be the one true happiness, to live into it the sole real perfection. <ref>http://incarnateword.in/cwsa/2824/spiritualthe-evolution-and-theananda-supramentalbrahman#p34p2</ref>
<center>~</center>
<div style="color:#000000;">The beginning of the heart's attraction to the Divine may be impersonal, the touch of an impersonal joy in something universal or transcendent that has revealed itself directly or indirectly to our emotional or our aesthetic being or to our capacity of spiritual felicity. That which we thus grow aware of is the Ananda Brahman, the bliss existence. There is an adoration of an impersonal Delight and Beauty, of a pure and an infinite perfection to which we can give no name or form, a moved attraction of the soul to some ideal Be sincere and infinite Presence, Power, existence in the world or beyond it, which absolute in some way becomes psychologically or spiritually sensible your consecration to us and then more and more intimate and real. That is the call, the touch of the bliss existence upon us. Then to have always the joy and nearness of its presence, to know what it is, so as to satisfy the intellect Divine and the intuitional mind of its constant reality, to put our passive your life will become harmonious and, so far as we can manage it, our active, our inner immortal and even our outer mortal being into perfect harmony with it, grow into a necessity of our livingbeautiful. And to open ourselves to it is what we feel to be the one true happiness, to live into it the sole real perfection<ref>http://incarnateword.in/cwm/14/sincerity#p9</divref>
<refcenter>http://incarnateword.in/cwsa/24/the-ananda-brahman#p2~</refcenter>
One must be very much higher on the scale to see that what one does is ugly. One must already have at the core of oneself a kind of foreknowledge of what beauty, nobility, generosity are, to be able to suffer from the fact that one doesn't carry them within oneself. <ref>http://incarnateword.in/cwm/03/conjugate-verses#p103</ref>
<div style="color:#000000;"center>On this ignorant surface we become dimly aware of something that can be called a soul as distinct from mind, life or body; we feel it not only as our mental idea or vague instinct of ourselves, but as a sensible influence in our life and character and action. A certain sensitive feeling for all that is true and good and beautiful, fine and pure and noble, a response to it, a demand for it, a pressure on mind and life to accept and formulate it in our thought, feelings, conduct, character is the most usually recognised, the most general and characteristic, though not the sole sign of this influence of the psyche.~</divcenter>
... if one deeply feels the beauty of Nature and communes with her, that can help in widening the consciousness. <ref>http://incarnateword.in/cwsacwm/2216/the9-triplenovember-transformation1969#p5p4</ref>
<center>~</center>
<div style="color:#000000;">To come into contact with ...one must have a universal consciousness in order to see and recognise it [beauty]. For instance, if your consciousness is limited to one place, that is, it is a national consciousness (the higher mind consciousness of any one country), what is beautiful for one country is not enough, it beautiful for another. The sense of beauty is only an indispensable stagedifferent. There must be For example (I could make you laugh with a descent story), I knew in Paris the son of the Divine Force from yet loftier king of Dahomey (he was a negro—the king of Dahomey was a negro) and more powerful reachesthis boy had come to Paris to study Law. He used to speak French like a Frenchman. A transformation of the higher consciousness into But he had remained a supramental light and powernegro, a transformation you understand. And he was asked (he used to tell us all kinds of the vital and its stories about his life-force into as a purestudent), widesomeone asked him in front of me: "Well, calmwhen you marry, intense and powerful instrument of the Divine Energywhom will you marry?"—"Ah! a girl from my country, a transformation of the physical itself into a form of divine lightnaturally, divine actionthey alone are beautiful...." (Laughter) Now, strengthfor those who are not negroes, negro beauty and joy are impossible without is a little difficult to see! And yet, this descending Force from the now invisible summitswas quite spontaneous. That is why in this Yoga the ascent to the Divine which He was fully convinced it has in common with other paths of Yoga is not enough; there must be too a descent of the Divine was impossible for anyone to transform all think otherwise.... "Only the energies women of the mind, life and body.</div>my country are beautiful!"
Only those who have developed a little artistic taste, have travelled much and seen many things have widened their consciousness and they are no longer so sectarian. But it is very difficult to pull a person out of the specialised tastes of his race—I am not even speaking now of the country, I am speaking of the race. It is very difficult. It is there, you know, hidden right at the bottom, in the subconscious, and it comes back without your even noticing it, quite spontaneously, quite naturally. Even on this very point: the woman of your race is always much more beautiful than the woman of other races—spontaneously, it is the spontaneous taste. That's what I mean. So, you must rise above that. I am not even speaking of those who find everything that's outside their own family or caste very ugly and bad. I am not speaking at all of these people. I am not even speaking of those for whom one country is much more beautiful than another. And yet, these people have already risen above the altogether ordinary way of thinking. I am not even speaking of a question of race.... It is very difficult, one must go right down, right down within oneself into the subconscious—and even farther—to discover the root of these things. Therefore, if you want to have the sense of beauty in itself which is quite independent of all these tastes, the taste of the race— you must have a universal consciousness . Otherwise how can you have it? You will always have preferences. Even if these are not active and conscious preferences, they are subconscious preferences, instincts. So, to know true beauty independent of all form, one must rise above all form . And once you have known it beyond every form, you can recognise it in any form whatsoever, indifferently. And that becomes very interesting. <ref>http://incarnateword.in/cwsacwm/3105/the-vital-and-other-levels21-ofoctober-being1953#p8p61</ref>
<center>~</center>
<div style="color:#000000;">At a certain stage in the Yoga when the mind is sufficiently quieted and no longer supports itself at every step on the sufficiency of its mental certitudesYou can hear poor music, when the vital has been steadied and subdued and is no longer constantly insistent on its own rash willeven music from which one would like to run away, demand and desireyet you can, when the physical has been sufficiently altered not to bury altogether the inner flame under the mass of for its outwardness, obscurity or inertia, an inmost being, long hidden within and felt only in its rare influences, is able to come forward and illumine the rest and take up the lead outward self but because of the Sadhana. Its character what is a one-pointed orientation towards the Divine or the Highestbehind, one-pointed and yet plastic in action and movement; enjoy it does . You do not create a rigidity of direction like the one-pointed intellect or a bigotry of the regnant idea or impulse like lose the one-pointed vital force; it is at every moment distinction between good music and with a supple sureness bad music, but you pass through either into that which it points the way to the Truth, automatically distinguishes the right step from the false, extricates the divine or Godward movement from the clinging mixture of the undivineexpresses. Its action For there is like a searchlight showing up all that has to be changed nothing in the nature; it world which has not its ultimate truth and support in it a flame of will insistent on perfection, on an alchemic transmutation of all the inner and outer existenceDivine. It sees And if you are not stopped by the divine essence everywhere but rejects the mere mask and the disguising figure. It insists on Truthappearance, on will and strength and masteryphysical or moral or aesthetic, on Joy but get behind and Love and Beauty, but on a Truth of abiding Knowledge that surpasses are in touch with the mere practical momentary truth of the Ignorance, on an inward joy and not on mere vital pleasure,—for it prefers rather a purifying suffering and sorrow to degrading satisfactionsSpirit,—on love winged upward and not tied to the stake of egoistic craving or with its feet sunk Divine Soul in the mirethings, on you can reach beauty restored to its priesthood of interpretation of and delight even through what affects the Eternalordinary sense only as something poor, on strength and will and mastery as instruments not of the ego but of the Spiritpainful or discordant. Its will is for the divinisation of life, the expression through it of a higher Truth, its dedication to the Divine and the Eternal<ref>http://incarnateword.in/cwm/03/28-april-1929#p18</divref>
<refcenter>http://incarnateword.in/cwsa/23/the-ascent-of-the-sacrifice-i#p22~</refcenter>
...to be positively conscious of the supreme Good and supreme Beauty behind all things, which sustains all things and enables them to exist. When you see Him, you are able to perceive Him behind this mask and this distortion; even this ugliness, this wickedness, this evil is a disguise of Something which is essentially beautiful or good, luminous, pure. <ref>http://incarnateword.in/cwm/10/aphorism-49#p9</ref>
<span style="background-color:transparent;color:#000000;"center>...the discovery of the soul, not the outer soul of thought and emotion and desire, but the secret psychic entity, the divine element within us. When that becomes dominant over the nature, when we are consciously the soul and when mind, life and body take their true place as its instruments, we are aware of a guide within that knows the truth, the good, the true delight and beauty of existence, controls heart and intellect by its luminous law and leads our life and being towards spiritual completeness. Even within the obscure workings of the Ignorance we have then a witness who discerns, a living light that illumines, a will that refuses to be misled and separates the mind's truth from its error, the heart's intimate response from its vibrations to a wrong call and wrong demand upon it, the life's true ardour and plenitude of movement from vital passion and the turbid falsehoods of our vital nature and its dark self seekings. This is the first step of self-realisation, to enthrone the soul, the divine psychic individual in the place of the ego.~</span><span style="background-color:transparent;color:#999999;"> </spancenter>
It is one of the greatest weapons of the Asura at work when you are taught to shun beauty. It has been the ruin of India. The Divine manifests in the psychic as love, in the mind as knowledge, in the vital as power and in the physical as beauty. If you discard beauty it means that you are depriving the Divine of this manifestation in the material and you hand over that part to the Asura. <ref>http://incarnateword.in/cwsacwm/2113/the-origin-and-remedy-of-falsehood-error-wrong-and-evilindia#p36p224</ref>
<center>~</center>
<div style="color:#000000;">A first condition of When the soul's complete emergence is a direct contact in the surface being adverse forces are dealt with the spiritual Reality. Because it comes from that, the psychic element in us turns always towards whatever in phenomenal Nature seems to belong to a higher Reality and can be accepted as its sign and character. At first, it seeks this Reality through the good, the true, the beautifulright way, through all that is pure ugly and fine and high and noble: but although this touch through outer signs and characters can modify and prepare the nature, it cannot entirely or most inwardly and profoundly change it. For such an inmost change the direct contact with the Reality itself false disappears to leave place only for what is indispensable since nothing else can so deeply touch the foundations of our being true and stir it or cast the nature by its stir into a ferment of transmutationbeautiful. Mental representations, emotional and dynamic figures have their use and value; Truth, Good and Beauty are in themselves primary and potent figures of the Reality, and even in their forms as seen by the mind, as felt by the heart, as realised in the life can be lines of an ascent<ref>http: but it is //incarnateword.in a spiritual substance and being of them and of itself that That which they represent has to come into our experience. /cwm/15/adverse-forces#p28</divref>
<span style="background-color:transparent;color:#000000;"center>The soul may attempt to achieve this contact mainly through the thinking mind as intermediary and instrument; it puts a psychic impression on the intellect and the larger mind of insight and intuitional intelligence and turns them in that direction. At its highest ~</span><span style="background-color:transparent;color:#000000;">the thinking mind is drawn always towards the impersonal; in its search it becomes conscious of a spiritual essence, an impersonal Reality which expresses itself in all these outward signs and characters but is more than any formation or manifesting figure. It feels something of which it becomes intimately and invisibly aware,—a supreme Truth, a supreme Good, a supreme Beauty, a supreme Purity, a supreme Bliss; it bears the increasing touch, less and less impalpable and abstract, more and more spiritually real and concrete, the touch and pressure of an Eternity and Infinity which is all this that is and more. There is a pressure from this Impersonality that seeks to mould the whole mind into a form of itself; at the same time the impersonal secret and law of things becomes more and more visible. The mind develops into the mind of the sage, at first the high mental thinker, then the spiritual sage who has gone beyond the abstractions of thought to the beginnings of a direct experience. As a result the mind becomes pure, large, tranquil, impersonal; there is a similar tranquillising influence on the parts of life: but otherwise the result may remain incomplete; for the mental change leads more naturally towards an inner status and an outer quietude, but, poised in this purifying quietism, not drawn like the vital parts towards a discovery of new life-energies, does not press for a full dynamic effect on the nature.</span><ref>http://incarnateword.in/cwsa/22/the-triple-transformation#p12</refcenter>
To accept the uglinesses of the lower nature under the pretext that they exist―if this is what is meant by realism―does not form part of the sadhana. Our aim is not to accept these things and enjoy them, but to get rid of them and create a life of spiritual beauty and perfection. That cannot be done as long as we accept these uglinesses. <ref>http://incarnateword.in/cwm/14/desires-impulses-and-self-control#p8</ref>
<div style="color:#000000;"center>A second approach made by the soul to the direct contact is through the heart: this is its own more close and rapid way because its occult seat is there, just behind in the heart-centre, in close contact with the emotional being in us; it is consequently through the emotions that it can act best at the beginning with its native power, with its living force of concrete experience. It is through a love and adoration of the All-beautiful and All-blissful, the All-Good, the True, the spiritual Reality of love, that the approach is made; the aesthetic and emotional parts join together to offer the soul, the life, the whole nature to that which they worship. This approach through adoration can get its full power and impetus only when the mind goes beyond impersonality to the awareness of a supreme Personal Being: then all becomes intense, vivid, concrete; the heart's emotion, feeling, spiritualised sense reach their absolute; an entire self-giving becomes possible, imperative. The nascent spiritual man makes his appearance in the emotional nature as the devotee, the bhakta; if, in addition, he becomes directly aware of his soul and its dictates, unites his emotional with his psychic personality and changes his life and vital parts by purity, God-ecstasy, the love of God and men and all creatures into a thing of spiritual beauty, full of divine light and good, he develops into the saint and reaches the highest inner experience and most considerable change of nature proper to this way of approach to the Divine Being. But for the purpose of an integral transformation this too is not enough; there must be a transmutation of the thinking mind and all the vital and physical parts of consciousness in their own character.~</divcenter>
...to be in such a state of purity and beauty that you do not perceive ugliness and evil—it is like something that does not touch you because it does not exist in you. <ref>http://incarnateword.in/cwsacwm/2210/the-tripleaphorism-transformation49#p15p5</ref>
<center>~</center>
<div style="color:#000000;">...in love for the Divine or for one whom one feels to be divinerealisation that everything is a manifestation of the Supreme, the Bhakta feels an intense reverence for Eternal, the LovedInfinite, a sense of something of immense greatnessimmutable in his total perfection and in his absolute reality. That is why, beauty or value by conquering our mind and for himself a strong impression of his own comparative unworthiness its ignorant and a passionate desire to grow false perceptions we can, through all things, enter into likeness contact with that this Supreme Truth which one adores. What does come very often with is also the Supreme Beauty and the inrush of Supreme Love is an exaltation, a feeling beyond all our mental and vital notions of a greatening within, of new powers beauty and high or beautiful possibilities in one's nature or of an intensification of the nature; but that is not exactly self-reverence. There is a deeper self reverence possible, a true emotionugliness, a sense of the value good and even the sacredness of the soulbad. Even when we say "Supreme Truth, even the mindSupreme Beauty, lifeSupreme Love", body as an offering or itself we should give to these words a meaning other than the temple for the inner presence of the Belovedone which is attributed to them by our intellect. <ref>http://incarnateword.in/cwm/10/aphorism-48#p3</divref>
<refcenter>http://incarnateword.in/cwsa/28/philosophical-thought-and-yoga#p31~</refcenter>
For the spiritual man the mind's dream of perfect beauty is realised in an eternal love, beauty and delight that has no dependence and is equal behind all objective appearances... <ref>http://incarnateword.in/cwsa/23/the-threefold-life#p20</ref>
= Attitude to Grow in Beauty = <center>~</center>
== Philosophic Practices ==...a girl who had no education whatever; she was a dancer and danced tolerably well. After she took up Yoga, she danced only for friends; but her dancing attained a depth of expression and beauty which was not there before. And although she was not educated, she began to write wonderful things; for she had visions and expressed them in the most beautiful language. But there were ups and downs in her Yoga, and when she was in a good condition, she wrote beautifully, but otherwise was quite dull and stupid and uncreative. (The Mother, 28 July 1929) <ref>http://incarnateword.in/cwm/03/28-july-1929#p7</ref>
<span style="background-color:transparent;color:#000000;"center>Be sincere and absolute in your consecration to the Divine and your life will become harmonious and beautiful.~</span><ref>http://incarnateword.in/cwm/14/sincerity#p9</refcenter>
...the close and vivid discovery of soul or self, the straining towards that which is behind life and above mind, the passion for the Eternal or the Infinite, the hunger for a freedom and wideness of consciousness and existence not limited by the narrow moulds of intellect, character and the past life-aims of humanity, the thirst for union with the Divine or for the pure bliss and beauty of spiritual existence not tied down to mental and vital values must be dismissed as a superfluous dream for which there is neither place nor necessity here. <ref>http://incarnateword.in/cwsa/28/morality-and-yoga#p20</ref>
<span style="background-color:transparent;color:#000000;"center>...the realisation that everything is a manifestation of the Supreme, the Eternal, the Infinite, immutable in his total perfection and in his absolute reality. That is why, by conquering our mind and its ignorant and false perceptions we can, through all things, enter into contact with this Supreme Truth which is also the Supreme Beauty and the Supreme Love, beyond all our mental and vital notions of beauty and ugliness, the good and the bad. Even when we say "Supreme Truth, Supreme Beauty, Supreme Love", we should give to these words a meaning other than the one which is attributed to them by our intellect. ~</span><ref>http://incarnateword.in/cwm/10/aphorism-48#p3</refcenter>
...this vital is a strange creature. It is a being of passion, enthusiasm and naturally of desire; but, for example, it is quite capable of getting enthusiastic over something beautiful, of admiring, sensing anything greater and nobler than itself. And if really anything very beautiful occurs in the being, if there is a movement having an exceptional value, well, it may get enthusiastic and it is capable of giving itself with complete devotion—with a generosity that is not found, for example, in the mental domain nor in the physical. It has that fullness in action that comes precisely from its capacity to get enthused and throw itself wholly without reserve into what it does. Heroes are always people who have a strong vital, and when the vital becomes passionate about something, it is no longer a reasonable being but a warrior; it is wholly involved in its action and can perform exceptional things because it does not calculate, does not reason, does not say "One must take precautions, one must not do this, must not do that." It becomes reckless, it gets carried away, as people say, it gives itself totally. Therefore, it can do magnificent things if it is guided in the right way. <ref>http://incarnateword.in/cwm/05/9-september-1953#p19</ref>
<span style="background-color:transparent;color:#000000;"center>For the spiritual man the mind's dream of perfect beauty is realised in an eternal love, beauty and delight that has no dependence and is equal behind all objective appearances...~</span><ref>http://incarnateword.in/cwsa/23/the-threefold-life#p20</refcenter>
A converted vital is an all-powerful instrument. And sometimes it gets converted by something exceptionally beautiful, morally or materially. When it witnesses, for example, a scene of total self-abnegation, of uncalculating self-giving one—of those things so exceedingly rare but splendidly beautiful—it can be carried away by it, it can be seized by an ambition to do the same thing. It begins by an ambition, it ends with a consecration. <ref>http://incarnateword.in/cwm/05/9-september-1953#p20</ref>
<span style="background-color:transparent;color:#000000;"center>To do this yoga, one must have, at least a little, the sense of beauty. If one does not, one misses one of the most important aspects of the physical world.<ref>http://incarnateword.in/cwm/15/july-1958-1#p1~</refcenter>
That [feeling the Mother's Presence, Love, Joy, Beauty] is one part of the psychic experience—the other is a complete self-giving, absence of demand, a prominence of the psychic being by which all that is false, wrong, egoistic, contrary to the Divine Truth, Divine Will, Divine Purity and Light is shown, falls away, cannot prevail in the nature. With all that the increase of the psychic qualities, gratitude, obedience, unselfishness, fidelity to the true perception, true impulse etc. that comes from the Mother or leads to the Mother. When this side grows, then the other, the Presence, Love, Joy, Beauty, can develop and be permanently there. <ref>http://incarnateword.in/cwsa/30/the-psychic-being-and-its-role-in-sadhana#p5</ref>
<span style="background-color:transparent;color:#000000;">Let </span><span style="background-color:transparent;color:#000000;">'''beauty'''</span><span stylePractices ="background-color:transparent;color:#000000;"> </span><span style="background-color:transparent;color:#000000;">be your constant ideal.The </span><span style="background-color:transparent;color:#000000;">'''beauty'''</span><span style="background-color:transparent;color:#000000;"> </span><span style="background-color:transparent;color:#000000;">of the soulThe </span><span style="background-color:transparent;color:#000000;">'''beauty'''</span><span style="background-color:transparent;color:#000000;"> </span><span style="background-color:transparent;color:#000000;">of sentimentsThe </span><span style="background-color:transparent;color:#000000;">'''beauty'''</span><span style="background-color:transparent;color:#000000;"> </span><span style="background-color:transparent;color:#000000;">of thoughtsThe </span><span style="background-color:transparent;color:#000000;">'''beauty'''</span><span style="background-color:transparent;color:#000000;"> </span><span style="background-color:transparent;color:#000000;">of the action</span><span style="background-color:transparent;color:#000000;">The </span><span style="background-color:transparent;color:#000000;">'''beauty'''</span><span style="background-color:transparent;color:#000000;"> </span><span style="background-color:transparent;color:#000000;">in the workso that nothing comes out of your hands which is not an expression of pure and harmonious </span><span style="background-color:transparent;color:#000000;">'''beauty'''</span><span style="background-color:transparent;color:#000000;">.</span><ref>http://incarnateword.in/cwm/12/arts#p3</ref>
All those who have been able to create something beautiful or useful have always been persons who have known how to discipline themselves.<ref>http://incarnateword.in/cwm/16/23-june-1934#p3</ref>
<span style="background-color:transparent;color:#000000;"center>"Harmony and beauty of the mind and soul, harmony and beauty of the thoughts and feelings, harmony and beauty in every outward act and movement, harmony and beauty of the life and surroundings, this is the demand of Mahalakshmi.... Where love and beauty are not or are reluctant to be born, she does not come."(The Mother, 12 May 1951)~</spancenter>
The man of genius may use anything at all and make something beautiful because he has genius; but give this genius a perfect instrument and he will make something wonderful. Take a great musician; well, even with a wretched piano and missing notes, he will produce something beautiful; but give him a good piano, well-tuned, and he will do something still more beautiful. The consciousness is the same in either case but for expression it needs a good instrument—a body with mental, vital, psychic and physical capacities. <ref>http://incarnateword.in/cwm/04/1215-mayjanuary-1951#p1p11</ref>
<center>~</center>
<span style="background-color:transparent;color:#000000;If you said to yourself, my children, ">When We want to be as perfect instruments as possible to express the spirit divine Will in us is freethe world", then what was behind for this soul-force comes out in all its lightinstrument to be perfect, it must be cultivated, educated, beauty and greatnesstrained. It must not be left like a shapeless piece of stone. When you want to build with a stone you chisel it; when you want to make a formless block into a beautiful diamond, the Spirityou chisel it. Well, it is the Godhead who makes same thing. When with your brain and body you want to make a beautiful instrument for the nature and soul of man his foundation and living representative in cosmic being and mindDivine, you must cultivate it, sharpen it, refine it, complete what is missing, action and lifeperfect what is there.</span> <ref>http://incarnateword.in/cwsacwm/2405/soul-force-and-the13-fourfoldmay-personality1953#p2p18</ref>
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<span style="background-color:transparent;color:#000000;">Bhakti and the heart's call for the Divine have a truth—it is the truth of the divine Love There must be order and Ananda. The will for Tapasya has harmony in it a truth—it is the truth of the Spirit's mastery over its memberswork. </span><span style="background-color:transparent;color:#000000;">'''The musician and poet stand for a truth, it Even what is apparently the truth of the expression of the Spirit through beauty'''</span><span style="background-color:transparent;color:#000000;">. There is a truth behind the mental Affirmer; even there is a truth behind the mental doubtermost insignificant thing must be done with perfect perfection, the Russellian, though far behind him—the truth of the denial of false forms. Even behind the two vital personalities there is with a truth, the truth sense of the possession of the inner and outer worlds—not by the ego but by the Divine. That is the harmonisation for which our Yoga stands—but it cannot be achieved by any outward arrangementcleanliness, it can only be achieved by going inside and lookingbeauty, willing harmony and acting from the psychic and from the spiritual centreorder. For the truth of the being is there and the secret of Harmony also is there.</span><ref>http://incarnateword.in/cwsacwm/2914/theprogress-and-adwaitaperfection-ofin-shankaracharyawork#p25p26</ref>
<center>~</center>
<span style="background-color:transparent;color:#000000;">It is, thenFor the work simply aspire for the Force to use you, put yourself inwardly in relation with the </span><span style="background-color:transparent;color:#000000;">'''highest mind of thought Mother when doing it and light and will or make it is in the inner heart of deepest feeling and emotion that we must first centre our consciousness,'''</span><span style="background-color:transparent;color:#000000;">—</span><span style="background-color:transparent;color:#000000;">in either of them or, if we are capable, in both together,—and use that as our leverage your aim to lift the nature wholly towards the Divine. The concentration of an enlightened thought, will and heart turned in unison towards one vast goal of our knowledge, one luminous and infinite source of our action, one imperishable object of our emotion is the starting-point of the Yoga. And the object of our seeking must be the very fount of the Light which is growing in us, instrument for the very origin expression of the Force which we are calling beauty without regard to move our members. Our one objective must be personal fame or the Divine himself to whom, knowingly or unknowingly, something always aspires in our secret naturepraise and blame of others. </spanref><span style="background-colorhttp:transparent;color:#000000;">'''There must be a large, many-sided yet single concentration of the thought on the idea, the perception, the vision, the awakening touch, the soul's realisation of the one Divine//incarnateword.'''<in/cwsa/31/span><span style="backgroundmental-color:transparent;color:#000000;"> </span><span style="backgrounddevelopment-color:transparent;color:#000000;">There must be a flaming concentration of the heart on the seeking of the All and </span><span style="background-color:transparent;color:sadhana#000000;">Eternal and, when once we have found him, a deep plunging and immersion in the possession and ecstasy of the All-Beautiful. There must be a strong and immovable concentration of the will on the attainment and fulfilment of all that the Divine is and a free and plastic opening of it to all that he intends to manifest in us. This is the triple way of the Yoga.p18</spanref>
<refcenter>http://incarnateword.in/cwsa/23/self-consecration#p18~</refcenter>
Beautiful conduct—not politeness which is an outer thing, however valuable,—but beauty founded upon a spiritual realisation of unity and harmony projected into life, is certainly part of the perfect perfection. <ref>http://incarnateword.in/cwsa/31/imperfections-and-periods-of-arrest#p12</ref>
<span style="background-color:transparent;color:#000000;"center>There is, behind all things, a divine beauty, a divine harmony: it is with this that we must come into contact; it is this that we must express.~</span><ref>http://incarnateword.in/cwm/12/arts#p60</refcenter>
<span style="background-color:transparent;color:#000000;">One must be very much higher on To think constantly of the harmony of the body, of the beauty of the scale to see movements, of not doing anything that what one does is uglyungraceful and awkward. One must already have at the core of oneself You can obtain a kind rhythm of foreknowledge of what beauty, nobility, generosity are, to be able to suffer from the fact that one doesn't carry them within oneselfmovement and gesture which is very exceptional.</span><ref>http://incarnateword.in/cwm/0309/conjugate17-july-verses1957#p103p11</ref>
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<span style="background-color:transparentOne can always try little experiments. I have said that one must use a torch, a strong light;color:#000000then one must take a round within one's being. If one is very attentive, one can very easily find these ugly corners. Suppose you have a beautiful experience, that suddenly in answer to your aspiration a great light comes;you feel all flooded with joy, force, light, beauty, and have the impression that you are on the point of being transfigured... and then, it passes away—it always passes away, doesn't it? especially at the beginning—suddenly, it stops. Then you tell yourself, when you are not vigilant, "There, it came and it has gone! Poor me! It came and has gone, it just gave me a taste of the thing and then let me fall." Well, that's foolish. What you should tell yourself is, "Look, I was not able to keep it, and why was I not able to keep it?">When So, you take your torch and go on a round within yourself trying to find a very close relation between the change of consciousness and the movements accompanying the cessation of the adverse forces experience. And if you are dealt with very, very attentive, and make your round very scrupulously, you will find that suddenly some part of the vital or some part of the mind or of the body, something has not kept up, in this sense that mentally, instead of being immobile and attentive, something has begun to ask, "Wait a minute, what is this experience? What does it mean?", begun to try to find an explanation (what it calls an "understanding"). Or maybe in the vital something has begun to enjoy the experience: "How pleasant it is, how I would like it to grow, how good if it were constant, how...." Or something in the right wayphysical has said, "Oh! It is a bit hard to endure that, how long am I going to be able to keep it?" It is perhaps not as obvious as all this, but it is a wee bit hidden like this, somewhere. You will always find one of these three things or others analogous. Then, it is there the lantern is needed: where is the weak point? where is the egoism? where is the desire? where is that old dirt we do not want any longer? where is ugly and false disappears that thing which turns back upon itself instead of giving itself, opening itself, losing itself? which turns back upon itself, tries to leave place only for take advantage of what has happened, wants to appropriate to itself the fruit of the experience? Or rather which is too weak, too hard, too rigid to be able to follow the movement?... It is that, you are now on the track, you begin precisely to put the light you have just acquired upon it; it is true and beautifulthat you must do, focus the light upon it, turn it in such a way that the thing cannot resist it.</span> <ref>http://incarnateword.in/cwm/1504/adverse26-april-forces1951#p28p29</ref>
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<span style="background-color:transparentOne may seek within oneself, one may remember, may observe;color:#000000;">To accept the uglinesses of the lower nature under the pretext that they exist―if this is one must notice what is meant by realism―does not form part going on, one must pay attention, that's all. Sometimes, when one sees a generous act, hears of something exceptional, when one witnesses heroism or generosity or greatness of the sadhana. Our aim is not to accept these things soul, meets someone who shows a special talent or acts in an exceptional and enjoy thembeautiful way, but to get rid there is a kind of them enthusiasm or admiration or gratitude which suddenly awakens in the being and create opens the door to a state, a life new state of spiritual beauty and perfectionconsciousness, a light, a warmth, a joy one did not know before. That cannot too is a way of catching the guiding thread. There are a thousand ways, one has only to be done as long as we accept these uglinessesawake and to watch.</span> <ref>http://incarnateword.in/cwm/1408/desires-impulses-and26-selfdecember-control1956#p8p23</ref>
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<span style="background-color:transparent;color:#000000;">You must have a strong body and strong nerves.You must have a strong basis of equanimity in your external being..to be in such If you have this basis, you can contain a state world of purity emotion and beauty that you do yet not perceive ugliness and evil—it is like something that have to scream it out. This does not touch mean that you cannot express your emotion, but you because can express it does not exist in youa beautiful harmonious way. To weep or scream or dance about is always a proof of weakness, either of the vital or the mental or the physical nature; for on all these levels the activity is for self-satisfaction. One who dances and jumps and screams has the feeling that he is somehow very unusual in his excitement; and his vital nature takes great pleasure in that.</span> <ref>http://incarnateword.in/cwm/1003/aphorism14-april-491929#p5p24</ref>
<center>~</center>
<span style="background-color:transparent;color:#000000;">You can hear poor musiccarry with you, even music from which one would like to run awayaround you, and yet in you can, not for its outward self but because of the atmosphere created by your actions, and if what you do is behindbeautiful, enjoy it. You do not lose the distinction between good music and bad musicharmonious, but you pass through either into that which it expresses. For there your atmosphere is nothing in the world which has not its ultimate truth beautiful, good and support in harmonious; on the Divine. And other hand, if you are not stopped by the appearancelive in a sordid selfishness, physical or moral or aestheticunscrupulous self-interest, but get behind and are in touch with the Spirit, the Divine Soul in thingsruthless bad will, that is what you can reach beauty will breathe every moment of your life and delight even through what affects the ordinary sense only as something poorthat means misery, painful or discordantconstant uneasiness; it means ugliness that despairs of its own ugliness. <ref>http://incarnateword.(The Mother, 28 April 1929)in/cwm/03/conjugate-verses#p106</spanref>
<refcenter>http://incarnateword.in/cwm/03/28-april-1929#p18~</refcenter>
When the surroundings, circumstances, atmosphere, the way of living and above all the inner attitude are altogether of a low kind, vulgar, gross, egoistic, sordid, love is reluctant to come, that is, it always hesitates to manifest itself and generally does not stay long. A home of beauty must be given for Beauty to stay. I am not speaking of external things—a real house, real furniture and all that—I am speaking of an inner attitude, of something within which is beautiful, noble, harmonious, unselfish. There Love has a chance to come and stay. But when, as soon as it tries to manifest, it is immediately mixed with such low and ugly things, it does not remain, it goes away. This is what Sri Aurobindo says: it is "reluctant to be born"—it could be said that it immediately regrets being born. Men always complain that love does not stay with them but it is entirely their fault. They give this love such a sordid life, mixed with a heap of horrors and such vulgarity, things so base, so selfish, so dirty, that the poor thing cannot stay. If they don't succeed in killing it altogether, they make it utterly sick. So the only thing it can do is to take flight. People always complain that love is impermanent and passing. To tell the truth, they should be very grateful that it manifested in them in spite of the sordidness of the house they gave it. <ref>http://incarnateword.in/cwm/04/12-may-1951#p4</ref>
<span style="background-color:transparent;color:#000000;"center>...to be positively conscious of the supreme Good and supreme Beauty behind all things, which sustains all things and enables them to exist. When you see Him, you are able to ~</span><span style="background-color:transparent;color:#000000;">perceive Him behind this mask and this distortion; even this ugliness, this wickedness, this evil is a disguise of Something which is essentially beautiful or good, luminous, pure.</span><ref>http://incarnateword.in/cwm/10/aphorism-49#p9</refcenter>
And this vital, if you place it in a bad environment, it will imitate the bad environment and do bad things with violence and to an extreme degree. If you place it in the presence of something wonderfully beautiful, generous, great, noble, divine, it can be carried away with that also, forget everything else and give itself wholly. It will give itself more completely than any other part of the being, for it does not calculate. It follows its passion and enthusiasm. When it has desires, its desires are violent, arbitrary, and it does not at all take into account the good or bad of others; it doesn't care the least bit. But when it gives itself to something beautiful, it does not calculate either, it will give itself entirely without knowing whether it will do good or harm to it. It is a very precious instrument. <ref>http://incarnateword.in/cwm/05/9-september-1953#p22</ref>
<span style="background-color:transparent;color:#000000;"center>It is one of the greatest weapons of the Asura at work when you are taught to shun beauty. It has been the ruin of India. The Divine manifests in the psychic as love, in the mind as knowledge, in the vital as power and in the physical as beauty. If you discard beauty it means that you are depriving the Divine of this manifestation in the material and you hand over that part to the Asura.~</span><ref>http://incarnateword.in/cwm/13/india#p224</refcenter>
One believes he has his own way of thinking. Not at all. It depends totally upon the people one speaks with or the books he has read or on the mood he is in. It depends also on whether you have a good or bad digestion, it depends on whether you are shut up in a room without proper ventilation or whether you are in the open air; it depends on whether you have a beautiful landscape before you; it depends on whether there is sunshine or drain! You are not aware of it, but you think all kinds of things, completely different according to a heap of things which have nothing to do with you! <ref>http://incarnateword.in/cwm/06/28-july-1954#p51</ref>
<div style="color:#000000;"center>...a girl who had no education whatever; she was a dancer and danced tolerably well. After she took up Yoga, she danced only for friends; but her dancing attained a depth of expression and beauty which was not there before. And although she was not educated, she began to write wonderful things; for she had visions and expressed them in the most beautiful language. But there were ups and downs in her Yoga, and when she was in a good condition, she wrote beautifully, but otherwise was quite dull and stupid and uncreative. ~</divcenter>
<span style="background-colorAnd on the trust he has in what happens to him, on the absence of the mind's critical sense, and a simplicity of heart, and a youthful and active energy―it depends on all that―on a kind of inner vital generosity:transparent;colorone must not be too egoistic, one must not be too miserly, nor too practical, too utilitarian―indeed there are all sorts of things one should not be... like children. And then, one must have a lively power of imagination, for―I seem to be telling you stupid things, but it is quite true―there is a world in which you are the supreme maker of forms:#000000;">(The Motherthat is your own particular vital world. You are the supreme fashioner and you can make a marvel of your world if you know how to use it. If you have an artistic or poetic consciousness, if you love harmony, beauty, 28 July 1929)</span>you will build there something marvellous which will tend to spring up into the material manifestation. <ref>http://incarnateword.in/cwm/0308/2818-julyapril-19291956#p7p55</ref>
== Practices for Children ==
<div style="color:#000000;">...one must I have said that from a universal consciousness in order young age children should be taught to see respect good health, physical strength and recognise it [balance. The great importance of beauty]must also be emphasised. For instanceA young child should aspire for beauty, if your consciousness is limited to one placenot for the sake of pleasing others or winning their admiration, that is, it is a national consciousness (but for the consciousness love of any one country), what is beautiful beauty itself; for one country beauty is not beautiful for anotherthe ideal which all physical life must realise. The sense Every human being has the possibility of beauty is establishing harmony among the different. For example (I could make you laugh with a story), I knew parts of his body and in Paris the son various movements of the king body in action. Every human body that undergoes a rational method of Dahomey (he was a negro—the king culture from the very beginning of Dahomey was a negro) its existence can realise its own harmony and this boy had come thus become fit to Paris to study Lawmanifest beauty. He used to When we speak French like a Frenchman. But he had remained a negro, you understand. And he was asked (he used to tell us all kinds of stories about his life as a student), someone asked him in front the other aspects of me: "Wellan integral education, when you marry, whom will you marry?"—"Ah! a girl from my country, naturally, they alone we shall see what inner conditions are beautiful...." (Laughter) Now, for those who are not negroes, negro beauty is a little difficult to see! And yet, be fulfilled so that this was quite spontaneousbeauty can one day be manifested <ref>http://incarnateword. He was fully convinced it was impossible for anyone to think otherwise.... "Only the women of my country are beautiful!"in/cwm/12/physical-education#p12</divref>
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<span style="background-color:transparent;color:#000000;">Only those who have developed a little artistic taste, have travelled much To this general education of the senses and seen many things have widened their consciousness and they are no longer so sectarian. But it is very difficult to pull a person out of functioning there will be added, as early as possible, the specialised tastes cultivation of his race—I am not even speaking now discrimination and of the countryaesthetic sense, I am speaking of the race. It capacity to choose and adopt what is very difficultbeautiful and harmonious, simple, healthy and pure. It For there is a psychological health just as thereis a Physical health, you know, hidden right at a beauty and harmony of the bottom, in sensations as of the subconscious, body and it comes back without your even noticing it, quite spontaneously, quite naturallyits movements. Even on this very point: As the woman capacity of your race is always much more beautiful than understanding grows in the child, he should be taught, in the woman course of other races—spontaneouslyhis education, it is the spontaneous to add artistic tasteand refinement to power and precision. That's what I mean. SoHe should be shown, led to appreciate, you must rise above that. I am not even speaking of those who find everything that's outside their own family or caste very ugly and </span><span style="background-color:transparent;color:#000000;">bad. I am not speaking at all of these people. I am not even speaking of those for whom one country is much more taught to love beautiful than another. And yet, these people have already risen above the altogether ordinary way of thinking. I am not even speaking of a question of race.... It is very difficultlofty, one must go right downhealthy and noble things, right down within oneself into the subconscious—and even farther—to discover the root of these thingswhether in Nature or in human creation. ThereforeThis should be a true aesthetic culture, if you want to have the sense of beauty in itself which is quite independent of all these tastes, the taste of the race—will protect him from degrading influences. </spanref><span style="background-colorhttp:transparent;color:#000000;">'''you must have a universal consciousness'''</span><span style="background-color:transparent;color:#000000;">/incarnateword. Otherwise how can you have it? You will always have preferences. Even if these are not active and conscious preferences, they are subconscious preferences, instincts. <in/cwm/span><span style="background-color:transparent;color:#000000;">'''So, to know true beauty independent of all form, one must rise above all form'''<12/span><span style="backgroundvital-color:transparent;color:education#000000;">. And once you have known it beyond every form, you can recognise it in any form whatsoever, indifferently. And that becomes very interesting.(The Mother, 21 October 1953)p11</spanref>
<refcenter>http://incarnateword.in/cwm/05/21-october-1953#p61~</refcenter>
When a child is full of enthusiasm, never throw cold water on it, never tell him, "You know, life is not like that!" You should always encourage him, tell him, "Yes, at present things are not always like that, they seem ugly, but behind this there is a beauty that is trying to realise itself. This is what you should love and draw towards you, this is what you should make the object of your dreams, of your ambitions." <ref>http://incarnateword.in/cwm/09/31-july-1957#p8</ref>
<div style="color:#000000;"center>...the close and vivid discovery of soul or self, the straining towards that which is behind life and above mind, the passion for the Eternal or the Infinite, the hunger for a freedom and wideness of consciousness and existence not limited by the narrow moulds of intellect, character and the past life-aims of humanity, the thirst for union with the Divine or for the pure bliss and beauty of spiritual existence not tied down to mental and vital values must be dismissed as a superfluous dream for which there is neither place nor necessity here.~</divcenter>
When a child tells you a beautiful dream in which he had many powers and all things were very beautiful, be very careful never to tell him, "Oh! life is not like that", for you are doing something wrong. You must on the contrary tell him, "Life ought to be like that, and it will be like that!" <ref>http://incarnateword.in/cwsacwm/2809/morality31-andjuly-yoga1957#p20p17</ref>
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<span style="background-color:transparent;color:#000000;">That [feeling And so, when the Mother's Presencefirst experience comes, Lovewhich sometimes begins when one is very young, Joythe first contact with the inner joy, Beauty] is one part of the psychic experience—the other is a complete self-givinginner beauty, absence of demandthe inner light, a prominence of the psychic being by first contact with that, which all suddenly makes you feel, "Oh! that is falsewhat I want, wrong, egoistic" you must cultivate it, contrary to the Divine Truthnever forget it, Divine Willhold it constantly before you, Divine Purity and Light is showntell yourself, falls away"I have felt it once, cannot prevail in the natureso I can feel it again. With all that This has been real for me, even for the increase space of the psychic qualitiesa second, gratitude, obedience, unselfishness, fidelity and that is what I am going to the true perception, true impulse etcrevive in myself".... that comes from And encourage the Mother or leads body to the Mother. When this side growsseek it—to seek it, then with the other, the Presence, Loveconfidence that it carries that possibility within itself and that if it calls for it, Joyit will come back, Beauty, can develop and it will be permanently thererealised again.</span><ref>http://incarnateword.in/cwsacwm/3009/the-psychic-being-and31-its-role-injuly-sadhana1957#p5p11</ref>
== Practices for Artists ==
== Physical Practices ==...an artist should be capable of entering into communion with the Divine and of receiving inspiration about what form or forms ought to be used to express the divine beauty in matter. And thus, if it does that, art can be a means of realisation of beauty, and at the same time a teacher of what beauty ought to be, that is, art should be an element in the education of men's taste , of young and old, and it is the teaching of true beauty, that is, the essential beauty which expresses the divine truth. This is the raison d'être of art. Now, between this and what is done there is a great difference, but this is the true raison d'être of art. <ref>http://incarnateword.in/cwm/05/28-october-1953#p4</ref>
<div style="color:#000000;"center>All those who have been able to create something beautiful or useful have always been persons who have known how to discipline themselves.~</divcenter>
<span style="background-color:transparentArt is nothing less in its fundamental truth than the aspect of beauty of the Divine manifestation. Perhaps, looking from this standpoint, there will be found very few true artists; but still there are some and these can very well be considered as Yogis. For like a Yogi an artist goes into deep contemplation to await and receive his inspiration. To create something truly beautiful, he [Yogi] has first to see it within, to realise it as a whole in his inner consciousness;color:#000000only when so found, seen, held within, can he execute it outwardly;">(The Motherhe creates according to this greater inner vision. This too is a kind of yogic discipline, 23 June 1934)</span>for by it he enters into intimate communion with the inner worlds. <ref>http://incarnateword.in/cwm/1603/2328-junejuly-19341929#p3p19</ref>
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<div style="color:#000000;">The man In fact people who work in order to develop their taste, to refine it... is for the cultivation of genius may use anything at all and make something beautiful because he has genius; but give this genius their senses, which is a perfect instrument and he will make something wonderfulvery different thing. Take a great musician; wellIt is like the artist, you know, even with a wretched piano who trains his eyes to appreciate forms and missing notescolours, lines, the composition of things, the harmony found in physical nature; it is not at all through desire that he will produce something beautiful; but give him a good pianodoes this, it is through taste, well-tunedculture, the development of the sense of sight and he will do something still more beautifulthe appreciation of beauty. The consciousness is And usually artists who are real artists and love their art and live in the same sense of beauty, seeking beauty, are people who don't have many desires. They live in either case the sense of a growth not only visual, but for expression it needs of the appreciation of beauty. There is a good instrument—a body with mental, vital, psychic great difference between this and people who live by their impulses and physical capacitiesdesires. That's altogether something else. <ref>http://incarnateword.in/cwm/07/23-february-1955#p5</divref>
<span style="background-color:transparent;color:#000000;"center>(The Mother, 15 January 1951)~</span><ref>http://incarnateword.in/cwm/04/15-january-1951#p11</refcenter>
If you ask me, I believe that all those who produce something artistic are artists! A word depends upon the way it is used, upon what one puts into it. One may put into it all that one wants. For instance, in Japan there are gardeners who spend their time correcting the forms of trees so that in the landscape they make a beautiful picture. By all kinds of trimmings, props, etc. they adjust the forms of trees. They give them special forms so that each form may be just what is needed in the landscape. A tree is planted in a garden at the spot where it is needed and moreover, it is given the form that's required for it to go well with the whole set-up. And they succeed in doing wonderful things. You have but to take a photograph of the garden, it is a real picture, it is so good. Well, I certainly call the man an artist. One may call him a gardener but he is an artist.... All those who have a sure and developed sense of harmony in all its forms, and the harmony of all the forms among themselves, are necessarily artists, whatever may be the type of their production. <ref>http://incarnateword.in/cwm/05/21-october-1953#p26</ref>
<div style="color:#000000;"center>If you said to yourself, my children, "We want to be as perfect instruments as possible to express the divine Will in the world", then for this instrument to be perfect, it must be cultivated, educated, trained. It must not be left like a shapeless piece of stone. When you want to build with a stone you chisel it; when you want to make a formless block into a beautiful diamond, you chisel it. Well, it is the same thing. When with your brain and body you want to make a beautiful instrument for the Divine, you must cultivate it, sharpen it, refine it, complete what is missing, perfect what is there.~</divcenter>
<span style="background-color:transparent;color:#000000;">You have followed very little of this movement of art I am speaking about, which is related to European civilisation, it has not been felt much here—just a little but not deeply. Here, the majority of creations (The Motherthis is a very good example), the majority of works, I believe even almost all the beautiful works, are not signed. All those paintings in the caves, those statues in the temples—these are not signed. One does not know at all who created them. And all this was not done with the idea of making a name for oneself as at present. One happened to be a great sculptor, a great painter, a great architect, and then that was all, there was no question of putting one's name on everything and proclaiming it aloud in the newspapers so that no one might forget it! In those days the artist did what he had to do without caring whether his name would go down to posterity or not. All was done in a movement of aspiration to express a higher beauty, and above all with the idea of giving an appropriate abode to the godhead who was evoked. In the cathedrals of the Middle Ages, it was the same thing, and I don't think that there too the names of the artists who made them have remained. If any are there, 13 May 1953)</span>it is quite exceptional and it is only by chance that the name has been preserved. Whilst today, there is not a tiny little piece of canvas, painted or daubed, but on it is a signature to tell you: it is Mr. So-and-so who made this! <ref>http://incarnateword.in/cwm/05/1328-mayoctober-1953#p18p30</ref>
<center>~</center>
<span style="background-color:transparent;color:#000000;">There must be order and harmony in work. Even what is apparently Copy many beautiful things, but try even more to catch the most insignificant thing must be done with perfect perfectionemotion, with a sense the deeper life of cleanliness, beauty, harmony and orderthings.</span><ref>http://incarnateword.in/cwm/1412/progress-and-perfection-in-workarts#p26p38</ref>
<center>~</center>
<span style="background-color:transparent;color:#000000;">For Why do you want to do the work simply aspire for the Force details? That is not at all necessary. Painting is not done to copy Nature, but to use youexpress an impression, a feeling, put yourself inwardly in relation with an emotion that we experience on seeing the Mother when doing it beauty of Nature. It is this that is interesting and make it your aim is this that has to be the instrument for the expression of beauty without regard to personal fame or the praise and blame of othersexpressed..<ref>http://incarnateword.in/cwsacwm/3112/mental-development-and-sadhanaarts#p18p49</ref>
<div style="color:#000000;">Beautiful conduct—not politeness which is an outer thing, however valuable,—but beauty founded upon a spiritual realisation of unity and harmony projected into life, is certainly part of the perfect perfection.</div>Challenges =
<ref>http://incarnateword.in/cwsa/31/imperfections-and-periods-of-arrest#p12</ref>== Physical ==
Tamas brings into our emotional nature insensibility, indifference, want of sympathy and openness, the shut soul, the callous heart, the soon spent affection and languor of the feelings, into our aesthetic and sensational nature the dull aesthesis, the limited range of response, the insensibility to beauty, all that makes in man the coarse, heavy and vulgar spirit. <ref>http://incarnateword.in/cwsa/24/the-liberation-of-the-nature#p5</ref>
<div style="color:#000000;"center>To think constantly of the harmony of the body, of the beauty of the movements, of not doing anything that is ungraceful and awkward. You can obtain a rhythm of movement and gesture which is very exceptional.~</divcenter>
<span style="background-color:transparent;colorThe only thing in the world which still seems intolerable to me now, is all the physical deterioration, the physical suffering, the ugliness, the inability to express that capacity for beauty which is in every being. But that too will be conquered one day. There too the power will come one day to shift the needle a little. Only, we must rise higher in consciousness:#000000;">(The Mothethe deeper one wants to go down into matter, 17 July 1957)</span>the higher is it necessary to rise in consciousness. That will take time. <ref>http://incarnateword.in/cwm/09/1719-julyfebruary-19571958#p11p39</ref>
<center>~</center>
<div style="color:#000000;">One can always try little experiments. I have said that one must use a torch, a strong light; then one must take a round within one's being. If one It is the physical centre—sex is very attentive, only one can very easily find these ugly corners. Suppose you have a beautiful experience, that suddenly in answer to your aspiration a great light comes; you feel all flooded with joy, force, light, beauty, and have the impression that you are on the point of being transfiguredits movements... and thenNaturally, it passes away—it always passes away, doesn't it? especially at if the beginning—suddenly, it stops. Then you tell yourself, when you are not vigilant, "There, it came and it has gone! Poor me! It came and has gone, it just gave me a taste sex is active (instead of the thing and then let me fall." Well, that's foolish. What you should tell yourself is, "Look, I was not able giving place to keep it, Beauty and why was I not able to keep it?" So, you take your torch and go on a round within yourself trying to find a very close relation between the change of consciousness Ananda) and if the lower movements accompanying the cessation of the experience. And if you are veryactive, very attentive, and make your round very scrupulously, you will find that suddenly some part of it forms an obstacle to the vital or some part establishment of the mind or of the body, something has not kept up, in this sense that mentally, instead of being immobile and attentive, something has begun to ask, "Wait a minute, what is this experience? What does it mean?", begun to try to find an explanation (what it calls an "understanding")higher consciousness. Or maybe in But the vital something has begun to enjoy the experience: "How pleasant it ishigher can descend, how I would like it to grow, how good if it were constant, how...." Or something in the physical has said, "Oh! It there is a bit hard to endure that, how long am I going to be able to keep it?" It is perhaps not as obvious as at all thisan opening, but it is a wee bit hidden like this, somewhere. You will always find one of these three things or others analogous. Then, it is there even before the lantern is needed: where is the weak point? where is the egoism? where is the desire? where is that old dirt we do not want any longer? where is that thing which turns back upon itself instead of giving itself, opening itself, losing itself? which turns back upon itself, tries to take advantage of what lower movements have definitely gone—it has happened, wants then to appropriate to itself complete the fruit work of the experience? Or rather which is too weak, too hard, too rigid to be able to follow the movement?displacing them.<ref>http://incarnateword.. It is that, you are now on the track, you begin precisely to put the light you have just acquired upon it; it is that you must do, focus the light upon it, turn it in such a way that the thing cannot resist it./cwsa/31/sex#p102</divref>
<span style="background-color:transparent;color:#000000;"center>(The Mother, 26 April 1951)~</span><ref>http://incarnateword.in/cwm/04/26-april-1951#p29</refcenter>
If it [the vital] admires all beautiful things, not women only, without desire—then there would be no harm [in admiring women]. But specially applied to women, it is a relic of the "sex-appeal". <ref>http://incarnateword.in/cwsa/31/sex#p143</ref>
<div style="color:#000000;"center>One may seek within oneself, one may remember, may observe; one must notice what is going on, one must pay attention, that's all. Sometimes, when one sees a generous act, hears of something exceptional, when one witnesses heroism or generosity or greatness of soul, meets someone who shows a special talent or acts in an exceptional and beautiful way, there is a kind of enthusiasm or admiration or gratitude which suddenly awakens in the being and opens the door to a state, a new state of consciousness, a light, a warmth, a joy one did not know before. That too is a way of catching the guiding thread. There are a thousand ways, one has only to be awake and to watch.~</divcenter>
<span style="backgroundThe desires of the heart and the body which stand in the way of Brahmacharya give a glow to the vital and emotive nature and prevent it from being dry and shut to feeling. To keep the heart warm and open, not dried up or closed, and at the same time attain to spiritual purity the best way is to turn it towards that which is eternal, pure and ever true, behind and beyond these earthly emotions—the ever-color:transparent;color:#000000;">(The Motherliving Love, 26 December 1956)</span>Bliss and Beauty. <ref>http://incarnateword.in/cwmcwsa/0831/26-december-1956sex#p23p97</ref>
== Vital ==
<span style="background-colorIn a human being, there is the divine Presence and the psychic being—at the beginning embryonic, but in the end a being wholly formed, conscious, independent, individualised. That does not exist in the vital world. It is a special [https:transparent;color:#000000;">You must have a </span><span style="background-color:transparent;color:/ie.auroville.org.in/index.php/G#000000;">'''strong body Grace grace] given to human beings dwelling in matter and strong nerves'''</span><span style="background-color:transparent;color:#000000;">upon earth. You must have a strong basis And because of equanimity in your external this, there is no human being. If you have this basiswho cannot be converted, if he wants it; that is, you can contain there is a world possibility of emotion his wanting it and yet not have to scream the moment he wants it out. This does not mean that you cannot express your emotion, but you he can express do it in a beautiful harmonious way. To weep or scream or </span><span style="background-color:transparent;color:#000000;">dance about He is always a proof of weaknesssure to succeed the moment he wants it, either whereas those beings of the vital or do not have a psychic being in them, they do not have the direct divine Presence (naturally, at the mental or Origin, they descended directly from the physical nature; for on all these levels Divine, but that was at the activity Origin, that is for very far away). They are not in direct contact with the Divine within them, they have no psychic being. And if they were converted, there would remain nothing of them! For they are made up entirely of the opposite movement: they are entirely made up of personal self-satisfaction. One who dances assertion, despotic authority, separation from the Origin, and jumps , of a great disdain for all that is pure, beautiful and screams has noble. They do not have within them this psychic element which in man, even in the feeling that he most debased, makes him respect what is somehow very unusual beautiful and pure; even the basest man, in spite of himself, against his excitement; own will, respects what is pure, noble and his vital nature takes great pleasure beautiful. But those beings do not have that. They are wholly on the other side, totally on the other side. It disgusts them in every way. It is for them something which should not be touched, because it destroys; it is the thing thatmakes them disappear. Goodwill, sincerity, purity and beauty are things which make them disappear. So they hate these things.</span>
<span style="background-color:transparentNow I do not know on what grounds one could convert them [beings of the vital]. What would be the point of support? I do not find it. Even in the greatest. That is, some of these beings will not disappear until hatred disappears from the earth.... One might put it the other way round. One might say that hatred will disappear from the earth when those beings disappear;color:#000000;">(The Motherbut, for the reason I have just given, the power to make light spring forth in the place of darkness, beauty in the place of ugliness, goodness instead of evil, that power man possesses, the Asura does not. Therefore it is man who will do that work, it is he who will change, it is he who will transform his earth and it is he who will compel the Asura to flee into other worlds or to dissolve. After that, 14 April 1929)</span>all will be quiet. There you are. <ref>http://incarnateword.in/cwm/0305/1410-apriljune-19291953#p24p19</ref>
<center>~</center>
<span style="backgroundBut is the Divine then something so terrible, horrible or repellent that the idea of its entry into the physical, its divinising of the human should create this shrinking, refusal, revolt or fear? I can understand that the unregenerate vital attached to its own petty sufferings and pleasures, to the brief ignorant drama of life, should shrink from what will change it. But why should a God-color:transparent;color:#000000;">You carry with youlover, around youa God-seeker, a sadhak fear the divinisation of the consciousness! Why should he object to becoming one in younature with what he seeks, why should he recoil from sādṛśya-mukti? Behind this fear there are usually two causes: first, there is the feeling of the atmosphere created by your actionsvital that it will have to cease to be obscure, and if what you do is beautifulcrude, muddy, good and harmoniousegoistic, your atmosphere is beautifulunrefined (spiritually), good full of stimulating desires and small pleasures and harmoniousinteresting sufferings (for it shrinks even from the Ananda which will replace them); on next, there is some vague ignorant idea of the other handmind, if you live in a sordid selfishnessdue, unscrupulous self-interestI suppose, ruthless bad willto the ascetic tradition, that the divine nature is what you will breathe every moment something cold, bare, empty, austere, aloof, without the glorious riches of your the egoistic human vital life . As if there were not a divine vital and as if that means miserydivine vital is not itself and, constant uneasiness; when it gets the means ugliness that despairs to manifest, will not make the life on earth also infinitely more full of beauty, love, radiance, warmth, fire, intensity and divine passion and capacity for bliss than the present impotent, suffering, pettily and transiently excited and soon tired vitality of its own ugliness.</span>the still so imperfect human creation! <ref>http://incarnateword.in/cwmcwsa/0329/conjugatebhakti-yoga-and-versesvaishnavism#p106p36</ref>
<center>~</center>
<span style="background-color:transparent;color:#000000;">When the surroundings, circumstances, atmosphere, the way The danger of living and above all the inner attitude are altogether of a low kind, vulgar, gross, egoistic, sordid, love vital is reluctant to come, that is, it always hesitates to manifest itself and generally does not stay long. A home of beauty must be given for Beauty to stay. I am not speaking taking hold of external things—a real houselove, real furniture and all that—I am speaking of an inner attitudeAnanda, the sense of something within which is beautiful, noble, harmonious, unselfish. There Love has a chance to come Beauty and stay. But when, as soon as using it tries to manifestfor its own purposes, it is immediately mixed with such low and ugly things, it does not remain, it goes awayfor vital human relations or interchange or else some kind of mere enjoyment of its own. This is what Sri Aurobindo says<ref>http: it is "reluctant to be born"—it could be said that it immediately regrets being born//incarnateword. Men always complain that love does not stay with them but it is entirely their fault. They give this love such a sordid life, mixed with a heap of horrors and such vulgarity, things so base, so selfish, so dirty, that the poor thing cannot stay. If they don't succeed in killing it altogether, they make it utterly sick. So the only thing it can do is to take flight. People always complain that love is impermanent /cwsa/30/descent-and passing. To tell -the truth, they should be very grateful that it manifested in them in spite of the sordidness of the house they gave it.(The Mother, 12 May 1951)-lower-nature#p15</ref> <center>~</spancenter>
...when one sees something beautiful, instead of admiring, loving, being happy, wishing that it grows and progresses (which is the true divine movement), one feels a sort of anger, rage, one wants to destroy, one wants to damage. This is the movement of the adverse forces. Unfortunately, this is quite spontaneous in many people, and even in children... the instinct to destroy and spoil. Well, it is the presence of the adverse forces. And these are forces which come directly from the vital world and incarnate on earth in human consciousness, and at times also in animal consciousness. It is the hatred for things beautiful, for what is pure, what is good, what is true. It is the hatred of the divine Presence. And naturally, with this hatred, the will to destroy and damage, to spoil, mar, deform, disfigure. One step more and it is the will to inflict suffering. And all this is the influence of the adverse forces, which acts quite spontaneously in the inconscient, in the subconscient, in half-consciousness. It is only the pure and luminous consciousness which can oppose this and prevent it from acting. But the state of the world is such that this is a constant battle. Very few people can escape from this hold. Everyone generally has a tiny little corner in him—at times quite small, at times bigger, sometimes quite unconscious, sometimes a little conscious, sometimes superbly, completely conscious—which likes destroying, likes spoiling. And the state of the world is such that when one gives way to that, one is helped by an onrush of forces which lie waiting for the opportunity, waiting for the moment to be able to manifest, which need human collaboration to be able to manifest and seek it. As soon as the opportunity comes, they rush forth, throwing out a formidable amount of energy. And so one feels stronger as soon as one begins to do evil. That is why it is easier, whilst if one wants to react, refuses to become the instrument of these forces, one must fight hard, be very strong, very straight, very pure, very sincere, and above all, not egoistic. One must not turn round upon oneself, and must never be afraid. And this is not easy. That is, the world is in such a state that in order never to be moved by the adverse forces—the forces of darkness, destruction, wickedness, hatred—one must be a hero, a true hero, who is not afraid of blows and fears nothing, who never turns round upon himself and doesn't have that kind of self-pity which is so despicable a thing. That is why... in order not to do evil, think evil, wish evil, never, under any circumstances, one must be a hero It is not always easy to be a hero. The days one is tired, the days one wants to rest, not to make any effort, one slips, everything slips down. <ref>http://incarnateword.in/cwm/0405/1219-mayaugust-19511953#p4p32</ref>
<center>~</center>
<div style="color:#000000;">And this vitalThe unselfish movement, uncalculating, if you place it is one of the most beautiful forms of psychic consciousness in the world. But the higher one rises in a bad environmentthe scale of mental activity, the rarer it will imitate becomes. For with intelligence come all the bad environment skill and do bad things with violence cleverness, and to an extreme degreecorruption, calculation. If you place For instance, when a rose blossoms it in does so spontaneously, for the presence joy of something wonderfully being beautiful, generoussmelling sweet, greatexpressing all its joy of living, noble, divineand it does not calculate, it can be carried away with that alsohas nothing to gain out of it: it does so spontaneously, forget everything else and give itself wholly. It will give itself more completely than any other part in the joy of the being, for it does not calculate. It follows its passion and enthusiasmliving. When it has desiresTake a human being, its desires are violentwell, arbitraryapart from a very few exceptions, and it does not at all take into account the good or bad moment his mind is active he tries to get some advantage out of othershis beauty and cleverness; he wants it doesn't care the least bit. But when it gives itself to bring him something beautiful, it does not calculate either, it will give itself entirely without knowing whether it will do good men's admiration or harm to iteven much more sordid gains yet. It Consequently, from the psychic point of view, the rose is a very precious instrumentbetter than human beings. <ref>http://incarnateword.in/cwm/05/26-august-1953#p34</divref>
<span style="background-color:transparent;color:#000000;"center>(The Mother, 9 September 1953)<ref>http://incarnateword.in/cwm/05/9-september-1953#p22~</refcenter>
Take for instance... you see something which is—which seems to you or is—very beautiful, very harmonious, very pleasant; if you have the true consciousness, you experience this joy of seeing, of being in a conscious contact with something very beautiful, very harmonious, and then that's all. It stops there. You have the joy of it—that such a thing exists, you see. And this is quite common among artists who have a sense of beauty. For example, an artist may see a beautiful creature and have the joy of observing the beauty, grace, harmony of movement and all that, and that's all. It stops there. He is perfectly happy, perfectly satisfied, because he has seen something beautiful. An ordinary consciousness, altogether ordinary, dull like all ordinary consciousness—as soon as it sees something beautiful, whether it be an object or a person, hop! "I want it!" It is deplorable, you know. And into the bargain it doesn't even have the joy of the beauty, because it has the anguish of desire. It misses that and has nothing in exchange, because there is nothing pleasant in desiring anything. It only puts you in an unpleasant state, that's all. <ref>http://incarnateword.in/cwm/07/9-february-1955#p7</ref>
<div style="color:#000000;"center>One believes he has his own way of thinking. Not at all. It depends totally upon the people one speaks with or the books he has read or on the mood he is in. It depends also on whether you have a good or bad digestion, it depends on whether you are shut up in a room without proper ventilation or whether you are in the open air; it depends on whether you have a beautiful landscape before you; it depends on whether there is sunshine or drain! You are not aware of it, but you think all kinds of things, completely different according to a heap of things which have nothing to do with you!~</divcenter>
<span style="backgroundThis world is a chaos in which darkness and light, false-color:transparent;color:#000000;">(The Motherhood and truth, death and life, ugliness and beauty, hate and love are so closely intertwined that it is almost impossible to distinguish one from the other, still more impossible to disentangle them and put an end to an embrace which has the horror of a pitiless struggle, all the more keen because veiled, especially in human consciousness where the conflict changes into an anguish for knowledge, for power, for conquest,—a combat obscure and painful, all the more atrocious because it seems to be without issue, but capable of a solution on a level above the sensations and feelings and ideas, 28 July 1954)beyond the domain of the mind—in the Divine Consciousness. <ref>http://incarnateword.in/cwm/0615/28the-divine-working-in-julythe-1954universe#p51p9</ref>
= Understanding of Beauty in Yoga=
<div style="color:#000000;">And on the trust he has in what happens to him, on the absence of the mind's critical sense, and a simplicity of heart, and a youthful and active energy―it depends on all that―on a kind of inner vital generosity: one must not be too egoistic, one must not be too miserly, nor too practical, too utilitarian―indeed there are all sorts of things one should not be... like children. And then, one must have a lively power of imagination, for―I seem to be telling you stupid things, but it = What is quite true―there is a world in which you are the supreme maker of forms: that is your own particular vital world. You are the supreme fashioner and you can make a marvel of your world if you know how to use it. If you have an artistic or poetic consciousness, if you love harmony, beauty, you will build there something marvellous which will tend to spring up into the material manifestation.</div>Beauty? ==
<span style="backgroundFor all joy, beauty, love, peace, delight are out-color:transparent;color:#000000;">(The Motherflowings from the Ananda Brahman,—all delight of the spirit, the intellect, the imagination, aesthetic sense, ethical aspiration and satisfaction, action, life, 18 April 1956)</span>the body. And through all ways of our being the Divine can touch us and make use of them to awaken and liberate the spirit. <ref>http://incarnateword.in/cwmcwsa/0824/18the-aprilananda-1956brahman#p55p4</ref>
== For Children == <center>~</center>
<span style="background-color:transparent;color:#000000;">I have said that from a young age children should be taught to respect good healthThe master and Mover of our works is the One, the Universal and Supreme, physical strength the Eternal and balanceInfinite. The great importance He is the transcendent unknown or unknowable Absolute, the unexpressed and unmanifested Ineffable above us; but he is also the Self of beauty must also be emphasised. </span><span style="background-color:transparent;color:#000000;">'''A young child should aspire for beautyall beings, not for the sake Master of pleasing others or winning their admirationall worlds, transcending all worlds, the Light and the Guide, the All-Beautiful and All-Blissful, but for the love of beauty itself'''</span><span style="backgroundBeloved and the Lover. He is the Cosmic Spirit and all-color:transparentcreating Energy around us;color:#000000;"><nowiki>; for beauty he is the Immanent within us. All that is is he, and he is the ideal which More than all physical life must realise. Every human that is, and we ourselves, though we know it not, are being of his being has the possibility , force of establishing harmony among the different parts his force, conscious with a consciousness derived from his; even our mortal existence is made out of his body substance and in the various movements of the body in action. Every human body there is an immortal within us that undergoes is a rational method spark of culture from the very beginning of its existence can realise its own harmony Light and thus Bliss that are for ever. No matter whether by knowledge, works, love or any other means, to become fit to manifest beauty. When we speak aware of the other aspects this truth of an integral educationour being, to realise it, we shall see what inner conditions are to be fulfilled so that this beauty can one day be manifestedmake it effective here or elsewhere is the object of all Yoga.</nowiki></span><ref>http://incarnateword.in/cwmcwsa/1223/physicalthe-master-of-the-educationwork#p12p1</ref>
<center>~</center>
<span style="background-color:transparent;color:#000000;">To this general education of the senses and their functioning ... that there will be addedis nothing but That—something we cannot name, as early as possiblecannot define, the cultivation of discrimination and of the aesthetic sensecannot describe, the capacity to choose but something we can feel and adopt what is beautiful can more and harmonious, simple, healthy and puremore become. For there A Something that is a psychological health just as there is a Physical health more perfect than all the perfections, a beauty and harmony of more beautiful than all the sensations as of the body and its movements. As beauties , more marvellous than all the capacity of understanding grows in </span><span style="background-color:transparent;color:#000000;">the childmarvels, he should be taught, in so that even the course totality of his education, to add artistic taste and refinement to power and precisionall that exists cannot express it. He should be shown, led to appreciate, taught to love beautiful, lofty, healthy and noble things, whether in Nature or in human creationAnd there is nothing but That. This should be And it is not a true aesthetic culture, which will protect him from degrading influencesSomething floating in nothingness: there is nothing but That.</span><ref>http://incarnateword.in/cwm/1216/vital8-october-education1966#p11p7</ref>
=== Beauty in Psychic ===
<div style="color:#000000;">When On this ignorant surface we become dimly aware of something that can be called a child is full of enthusiasmsoul as distinct from mind, never throw cold water on life or body; we feel itnot only as our mental idea or vague instinct of ourselves, never tell him, "You know, but as a sensible influence in our life and character and action. A certain sensitive feeling for all that is not like that!" You should always encourage himtrue and good and beautiful, tell himfine and pure and noble, "Yesa response to it, at present things are not always like thata demand for it, they seem ugly, but behind this there is a beauty that is trying pressure on mind and life to realise itself. This accept and formulate it in our thought, feelings, conduct, character is what you should love the most usually recognised, the most general and draw towards youcharacteristic, this is what you should make though not the object sole sign of your dreams, this influence of your ambitionsthe psyche."<ref>http://incarnateword.in/cwsa/22/the-triple-transformation#p5</divref>
<span style="background-color:transparent;color:#000000;"center>(The Mother, 31 July 1957)~</span><ref>http://incarnateword.in/cwm/09/31-july-1957#p8</refcenter>
What is meant in the terminology of the Yoga by the psychic is the soul element in the nature, the pure psyche or divine nucleus which stands behind mind, life and body (it is not the ego) but of which we are only dimly aware. It is a portion of the Divine and permanent from life to life, taking the experience of life through its outer instruments. As this experience grows it manifests a developing psychic personality which insisting always on the good, true and beautiful, finally becomes ready and strong enough to turn the nature towards the Divine. It can then come entirely forward, breaking through the mental, vital and physical screen, govern the instincts and transform the nature. Nature no longer imposes itself on the soul, but the soul, the Purusha, imposes its dictates on the nature. <ref>http://incarnateword.in/cwsa/30/the-psychic-being-and-its-role-in-sadhana#p1</ref>
<div style="color:#000000;"center>When a child tells you a beautiful dream in which he had many powers and all things were very beautiful, be very careful never to tell him, "Oh! life is not like that", for you are doing something wrong. You must on the contrary tell him, "Life ought to be like that, and it will be like that!"~</divcenter>
<span style="background...the psychic entity in us persists and is fundamentally the same always: it contains all essential possibilities of our manifestation but is not constituted by them; it is not limited by what it manifests, not contained by the incomplete forms of the manifestation, not tarnished by the imperfections and impurities, the defects and depravations of the surface being. It is an ever-color:transparentpure flame of the divinity in things and nothing that comes to it, nothing that enters into our experience can pollute its purity or extinguish the flame. This spiritual stuff is immaculate and luminous and, because it is perfectly luminous, it is immediately, intimately, directly aware of truth of being and truth of nature;color:#000000it is deeply conscious of truth and good and beauty because truth and good and beauty are akin to its own native character, forms of something that is inherent in its own substance. It is aware also of all that contradicts these things, of all that deviates from its own native character, of falsehood and evil and the ugly and the unseemly;">(The Motherbut it does not become these things nor is it touched or changed by these opposites of itself which so powerfully affect its outer instrumentation of mind, life and body. For the soul, the permanent being in us, puts forth and uses mind, life and body as its instruments, undergoes the envelopment of their conditions, 31 July 1957)</span>but it is other and greater than its members. <ref>http://incarnateword.in/cwmcwsa/0922/31the-julytriple-1957transformation#p17p3</ref>
<center>~</center>
<span style="background-color:transparent;color:#000000;">And so...the discovery of the soul, when not the first experience comes, which sometimes begins when one is very youngouter soul of thought and emotion and desire, but the first contact with the inner joysecret psychic entity, the inner beauty, divine element within us. When that becomes dominant over the inner lightnature, when we are consciously the first contact with thatsoul and when mind, which suddenly makes you feellife and body take their true place as its instruments, "Oh! we are aware of a guide within that is what I wantknows the truth," you must cultivate itthe good, never forget itthe true delight and beauty of existence, hold it constantly before you, tell yourself, "I have felt it once, so I can feel it againcontrols heart and intellect by its luminous law and leads our life and being towards spiritual completeness. This has been real for me, even for Even within the space obscure workings of the Ignorance we have then a witness who discerns, a secondliving light that illumines, and a will that is what I am going refuses to revive in myself".... And encourage be misled and separates the mind's truth from its error, the body heart's intimate response from its vibrations to seek it—to seek a wrong call and wrong demand upon it, with the confidence that it carries that possibility within itself life's true ardour and plenitude of movement from vital passion and the turbid falsehoods of our vital nature and that if it calls for itits dark self seekings. This is the first step of self-realisation, it will come backto enthrone the soul, it will be realised againthe divine psychic individual in the place of the ego. <ref>http://incarnateword.(The Mother, 31 July 1957)in/cwsa/21/the-origin-and-remedy-of-falsehood-error-wrong-and-evil#p36</spanref>
<refcenter>http://incarnateword.in/cwm/09/31-july-1957#p11~</refcenter>
== In Art ==A first condition of the soul's complete emergence is a direct contact in the surface being with the spiritual Reality. Because it comes from that, the psychic element in us turns always towards whatever in phenomenal Nature seems to belong to a higher Reality and can be accepted as its sign and character. At first, it seeks this Reality through the good, the true, the beautiful, through all that is pure and fine and high and noble: but although this touch through outer signs and characters can modify and prepare the nature, it cannot entirely or most inwardly and profoundly change it. For such an inmost change the direct contact with the Reality itself is indispensable since nothing else can so deeply touch the foundations of our being and stir it or cast the nature by its stir into a ferment of transmutation. Mental representations, emotional and dynamic figures have their use and value; Truth, Good and Beauty are in themselves primary and potent figures of the Reality, and even in their forms as seen by the mind, as felt by the heart, as realised in the life can be lines of an ascent: but it is in a spiritual substance and being of them and of itself that That which they represent has to come into our experience.
<span style="background-color:transparentThe soul may attempt to achieve this contact mainly through the thinking mind as intermediary and instrument;color:#000000it puts a psychic impression on the intellect and the larger mind of insight and intuitional intelligence and turns them in that direction. At its highest the thinking mind is drawn always towards the impersonal;">Art is nothing less in its fundamental truth search it becomes conscious of a spiritual essence, an impersonal Reality which expresses itself in all these outward signs and characters but is more than the aspect of beauty any formation or manifesting figure. It feels something of which it becomes intimately and invisibly aware,—a supreme Truth, a supreme Good, a supreme Beauty, a supreme Purity, a supreme Bliss; it bears the Divine manifestation. Perhapsincreasing touch, less and less impalpable and abstract, more and more spiritually real and concrete, looking from the touch and pressure of an Eternity and Infinity which is all this standpoint, there will be found very few true artists; but still there are some that is and these can very well be considered as Yogismore. For like There is a Yogi an artist goes pressure from this Impersonality that seeks to mould the whole mind into deep contemplation to await a form of itself; at the same time the impersonal secret and law of things becomes more and receive his inspirationmore visible. To </span><span style="background-color:transparent;color:#000000;">'''create something truly beautifulThe mind develops into the mind of the sage, he [Yogi] has at first to see it withinthe high mental thinker, then the spiritual sage who has gone beyond the abstractions of thought to realise it as the beginnings of a direct experience. As a whole in his inner consciousnessresult the mind becomes pure, large, tranquil, impersonal;'''</span><span style="background-colorthere is a similar tranquillising influence on the parts of life:transparentbut otherwise the result may remain incomplete;color:#000000;"> </span><span style="background-color:transparent;color:#000000;">only when so foundfor the mental change leads more naturally towards an inner status and an outer quietude, seenbut, held withinpoised in this purifying quietism, can he execute it outwardly; he creates according to this greater inner vision. This too is not drawn like the vital parts towards a kind discovery of yogic disciplinenew life-energies, does not press for by it he enters into intimate communion with a full dynamic effect on the inner worldsnature. <ref>http://incarnateword.in/cwsa/22/the-triple-transformation#p12</spanref>
<span style="background-color:transparent;color:#000000;"center>(The Mother, 28 July 1929)~</span><ref>http://incarnateword.in/cwm/03/28-july-1929#p19</refcenter>
A second approach made by the soul to the direct contact is through the heart: this is its own more close and rapid way because its occult seat is there, just behind in the heart-centre, in close contact with the emotional being in us; it is consequently through the emotions that it can act best at the beginning with its native power, with its living force of concrete experience. It is through a love and adoration of the All-beautiful and All-blissful, the All-Good, the True, the spiritual Reality of love, that the approach is made; the aesthetic and emotional parts join together to offer the soul, the life, the whole nature to that which they worship. This approach through adoration can get its full power and impetus only when the mind goes beyond impersonality to the awareness of a supreme Personal Being: then all becomes intense, vivid, concrete; the heart's emotion, feeling, spiritualised sense reach their absolute; an entire self-giving becomes possible, imperative. The nascent spiritual man makes his appearance in the emotional nature as the devotee, the bhakta; if, in addition, he becomes directly aware of his soul and its dictates, unites his emotional with his psychic personality and changes his life and vital parts by purity, God-ecstasy, the love of God and men and all creatures into a thing of spiritual beauty, full of divine light and good, he develops into the saint and reaches the highest inner experience and most considerable change of nature proper to this way of approach to the Divine Being. But for the purpose of an integral transformation this too is not enough; there must be a transmutation of the thinking mind and all the vital and physical parts of consciousness in their own character. <ref>http://incarnateword.in/cwsa/22/the-triple-transformation#p15</ref>
<div style="color:#000000;"center>In fact people who work in order to develop their taste, to refine it... is for the cultivation of their senses, which is a very different thing. It is like the artist, you know, who trains his eyes to appreciate forms and colours, lines, the composition of things, the harmony found in physical nature; it is not at all through desire that he does this, it is through taste, culture, the development of the sense of sight and the appreciation of beauty. And usually artists who are real artists and love their art and live in the sense of beauty, seeking beauty, are people who don't have many desires. They live in the sense of a growth not only visual, but of the appreciation of beauty. There is a great difference between this and people who live by their impulses and desires. That's altogether something else.~</divcenter>
<span div style="background-color:transparent;color:#000000;">(The Mother...in love for the Divine or for one whom one feels to be divine, the Bhakta feels an intense reverence for the Loved, a sense of something of immense greatness, beauty or value and for himself a strong impression of his own comparative unworthiness and a passionate desire to grow into likeness with that which one adores. What does come very often with the inrush of Love is an exaltation, a feeling of a greatening within, of new powers and high or beautiful possibilities in one's nature or of an intensification of the nature; but that is not exactly self-reverence. There is a deeper self reverence possible, a true emotion, a sense of the value and even the sacredness of the soul, even the mind, life, 23 February 1955)</span>body as an offering or itself the temple for the inner presence of the Beloved.<ref>http://incarnateword.in/cwmcwsa/0728/23philosophical-februarythought-1955and-yoga#p5p31</ref> </div>
== Why is Beauty Important? ==
<div style="color:#000000;">If you ask me, I believe that all those who produce something artistic are artists! A word depends upon And what will be the way bliss nature when it is used, upon what manifests in a new supramental race? The fully evolved soul will be one puts into it. One may put into it with all that one wantsbeings in the status and dynamic effects of experience of a bliss-consciousness intense and illimitable. For instance, in Japan there are gardeners who spend their time correcting And since love is the forms effective power and soul-symbol of trees so that in bliss-oneness he will approach and enter into this oneness by the landscape they make gate of universal love, a beautiful picture. By all kinds sublimation of trimmingshuman love at first, propsa divine love afterwards, etc. they adjust the forms at its summits a thing of treesbeauty, sweetness and splendour now to us inconceivable. They give them special forms so that each form may He will be just what is needed one in bliss-consciousness with all the landscape. A tree is planted in a garden at world-play and its powers and happenings and there will be banished for ever the spot where it is needed sorrow and moreoverfear, it is given the form hunger and pain of our poor and darkened mental and vital and physical existence. He will get that's required for it to go well with power of the whole setbliss-up. And they succeed freedom in which all the conflicting principles of our being shall be unified in doing wonderful thingstheir absolute values. You have but to All evil shall perforce change itself into good; the universal beauty of the All-beautiful will take possession of its fallen kingdoms; every darkness will be converted into a photograph pregnant glory of light and the garden, it is a real picture, it is so good. Well, I certainly call discords which the man an artist. One may call him a gardener but he is an artist.... All those who have a sure mind creates between Truth and Good and developed sense of harmony in all its formsBeauty, Power and Love and Knowledge will disappear on the harmony of all eternal summit, in the forms among themselves, infinite extensions where they are necessarily artists, whatever may be the type of their productionalways one.</div>
<span style="backgroundIn the free infinity of the self-color:transparent;color:#000000;">(The Motherdelight of Sachchidananda there is a play of the divine Child, 21 October 1953)a rāsa līlā of the infinite Lover and its mystic soul-symbols repeat themselves in characters of beauty and movements and harmonies of delight in a timeless forever. <ref>http://incarnateword.in/cwmcwsa/0523/21gnosis-octoberand-1953ananda#p26p18</ref>
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<div style="color:#000000;">You have followed very little The general power of this movement of art I am speaking about, Delight is love and the special mould which is related to European civilisation, it has not been felt much here—just a little but not deeply. Here, the majority joy of creations (this love takes is a very good example), the majority vision of works, I believe even almost all the beautiful works, are not signedbeauty. All those paintings in The God-lover is the caves, those statues in universal lover and he embraces the temples—these are not signedAll-blissful and All-beautiful. One does not know at all who created them. And all this was not done with the idea of making a name for oneself as at present. One happened to be a great sculptorWhen universal love has seized on his heart, a great painter, a great architect, and then that was all, there was no question of putting one's name on everything and proclaiming it aloud in is the newspapers so decisive sign that no one might forget it! In those days the artist did what he had to do without caring whether his name would go down to posterity or not. All was done in a movement Divine has taken possession of aspiration to express a higher beauty, him; and above all with when he has the idea vision of giving an appropriate abode to the godhead who was evoked. In All-beautiful everywhere and can feel at all times the cathedrals bliss of the Middle Ageshis embrace, it was that is the same thing, and I don't think decisive sign that there too the names he has taken possession of the artists who made them have remainedDivine. If any are thereUnion is the consummation of love, but it is quite exceptional this mutual possession that gives it at once the acme and it is only by chance that the name has been preservedlargest reach of its intensity. Whilst today, there It is not a tiny little piece the foundation of canvas, painted or daubed, but on it is a signature to tell youoneness in ecstasy. <ref>http: it is Mr//incarnateword. Soin/cwsa/24/the-delight-of-andthe-so who made this!divine#p8</divref>
<span style="background-color:transparent;color:#000000;"center>(The Mother, 28 October 1953)~</span><ref>http://incarnateword.in/cwm/05/28-october-1953#p30</refcenter>
Love is a passion and it seeks for two things, eternity and intensity, and in the relation of the Lover and Beloved the seeking for eternity and for intensity is instinctive and self-born. Love is a seeking for mutual possession, and it is here that the demand for mutual possession becomes absolute. Passing beyond desire of possession which means a difference, it is a seeking for oneness, and it is here that the idea of oneness, of two souls merging into each other and becoming one finds the acme of its longing and the utterness of its satisfaction. Love, too, is a yearning for beauty, and it is here that the yearning is eternally satisfied in the vision and the touch and the joy of the All-beautiful. Love is a child and a seeker of Delight, and it is here that it finds the highest possible ecstasy both of the heart-consciousness and of every fibre of the being. Moreover, this relation is that which as between human being and human being demands the most and, even while reaching the greatest intensities, is still the least satisfied, because only in the Divine can it find its real and its utter satisfaction. Therefore it is here most that the turning of human emotion God-wards finds its full meaning and discovers all the truth of which love is the human symbol, all its essential instincts divinised, raised, satisfied in the bliss from which our life was born and towards which by oneness it returns in the Ananda of the divine existence where love is absolute, eternal and unalloyed.
<ref>http://incarnateword.in/cwsa/24/the-godward-emotions#p14</ref>
<span style="background-color:transparent;color:#000000;"center>Copy many beautiful things, but try even more to catch the emotion, the deeper life of things.<ref>http://incarnateword.in/cwm/12/arts#p38~</refcenter>
<span style="background-color:transparent;color:#000000;">Why do you want to do To come into contact with the details? That higher mind consciousness is not at all necessary. Painting enough, it is not done to copy Nature, but to express only an impressionindispensable stage. There must be a descent of the Divine Force from yet loftier and more powerful reaches. A transformation of the higher consciousness into a supramental light and power, a feelingtransformation of the vital and its life-force into a pure, an emotion that we experience on seeing wide, calm, intense and powerful instrument of the Divine Energy, a transformation of the physical itself into a form of divine light, divine action, strength, beauty of Natureand joy are impossible without this descending Force from the now invisible summits. It That is why in this that is interesting and Yoga the ascent to the Divine which it has in common with other paths of Yoga is this that has not enough; there must be too a descent of the Divine to be expressedtransform all the energies of the mind, life and body...</span><ref>http://incarnateword.in/cwmcwsa/1231/artsthe-vital-and-other-levels-of-being#p49p8</ref>
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= Challenges = == Evolutionary == <span style="background-color:transparent;color:#000000;">An evolution from the Inconscient need not be At a painful one if there is no resistance; it can be a deliberately slow and beautiful efflorescence of the Divine. One ought to be able to see how beautiful outward Nature can be and usually is, although it is itself apparently "inconscient". Why should the growth of consciousness certain stage in inward Nature be attended by so much ugliness and evil spoiling the beauty of Yoga when the outward creation? Because of a perversity born from the Ignorance, which came in with Life mind is sufficiently quieted and increased in Mind—that is no longer supports itself at every step on the Falsehood, the Evil that was born because sufficiency of the starkness of the Inconscient's sleep separating its action from mental certitudes, when the luminosity of the secret Conscient that was all the time within it. But it need not have vital has been so except for the overriding Will of the Supreme which meant that the possibility of Perversion by inconscience steadied and subdued and ignorance should be manifested in order to be eliminated through being given their chance, since all possibility has to manifest somewhere: once it is eliminated, the Divine Manifestation in Matter will be greater than it otherwise could be because it no longer constantly insistent on its own rash will gather all the possibilities involved in this difficult creation and not some of them as in an easier and less strenuous creation might naturally be.</span><ref>http://incarnateword.in/cwsa/28/spiritual-evolution-and-the-supramental#p33</ref>  <div style="color:#000000;">"Ours is the most material world, but it is not necessarily 'low down', at least, not for that reason; if it is low down, it is because it is obscure demand and ignorantdesire, not because it is material. It is a mistake to make 'matter' a synonym for obscurity and ignorance. And when the material world too is physical has been sufficiently altered not the only world in which we live: it is rather one of many in which we exist simultaneously, and in one way the most important of them all. For this world of matter is the point of concentration of all the worlds; it is the field of concretisation of all the worlds; it is the place where all the worlds will have to manifest. At present it is disharmonious and obscure; but that is only an accident, a false start. One day it will become beautiful, rhythmic, full of light; for that is bury altogether the consummation for which it was made."</div> <span style="background-color:transparent;color:#000000;">(The Mother, 7 April 1951)</span><ref>http://incarnateword.in/cwm/04/7-april-1951#p16</ref>  <span style="background-color:transparent;color:#000000;">Certainly, inner flame under the supramental manifestation does not bring peace, purity, force, power mass of knowledge only; these give the necessary conditions for the final realisationits outwardness, are part of itobscurity or inertia, but Lovean inmost being, Beauty long hidden within and Ananda are the essence of felt only in its fulfilment. And although the supreme Ananda comes with the supreme fulfilmentrare influences, there is no real reason why there should not be able to come forward and illumine the love rest and Ananda and beauty take up the lead of the way also. Some have found that even at an early stage before there was any other experienceSadhana. But the secret of it Its character is in the heart, not the mind—the heart that opens its inner door and through it the radiance of the soul looks out in a blaze of trust and selfone-giving. Before that inner fire pointed orientation towards the debates of the mind and its difficulties wither away and the path however long Divine or arduous becomes a sunlit road not only towards but through love and Ananda.<ref>http://incarnateword.in/cwsa/31/theHighest, one-difficulties-of-yoga#p11</ref> == Traditional == <span style="background-color:transparent;color:#000000;">I have objected pointed and yet plastic in the past to vairagya of the ascetic kind action and the tamasic kind—and by the tamasic kind I mean that spirit which comes defeated from life, not because movement; it is really disgusted with life but because it could does not cope with it or conquer its prizes; for it comes to Yoga as create a kind rigidity of asylum for direction like the maimed one-pointed intellect or weak and to the Divine as a consolation prize for the failed boys in the world-class. The vairagya bigotry of one who has tasted the world's gifts or prizes but found them insufficient or, finally, tasteless and turns away towards a higher and more beautiful ideal regnant idea or impulse like the vairagya of one who has done his part in life's battles but seen that something greater -pointed vital force; it is demanded of the soul, is perfectly helpful at every moment and with a good gate to the Yoga. Also the sattwic vairagya which has learned what life is and turns to what is above and behind life. By the ascetic vairagya I mean supple sureness that which denies life and world altogether and wants to disappear into the Indefinite—and I object to it for those who come to this Yoga because it is incompatible with my aim which is to bring points the Divine into life. But if one is satisfied with life as it is, then there is no reason to seek way to bring the Divine into lifeTruth,—so vairagya in automatically distinguishes the sense of dissatisfaction with life as it is is perfectly admissible and even in a certain sense indispensable for my Yoga.</span><ref>http://incarnateword.in/cwsa/29/asceticism-and-right step from the-integral-yoga#p31</ref> == Physical == <span style="background-color:transparent;color:#000000;">Tamas brings into our emotional nature insensibility, indifference, want of sympathy and opennessfalse, extricates the shut soul, the callous heart, the soon spent affection and languor of the feelings, into our aesthetic and sensational nature the dull aesthesis, divine or Godward movement from the limited range clinging mixture of response, the insensibility to beauty, all that makes in man the coarse, heavy and vulgar </span><span style="background-color:transparent;color:#000000;">spiritundivine.</span><ref>http://incarnateword.in/cwsa/24/the-liberation-of-the-nature#p5</ref>  <div style="color:#000000;">The only thing in the world which still seems intolerable to me now, Its action is like a searchlight showing up all the physical deterioration, the physical suffering, the ugliness, the inability that has to express that capacity for beauty which is in every being. But that too will be conquered one day. There too the power will come one day to shift the needle a little. Only, we must rise higher changed in consciousness: the deeper one wants to go down into matter, the higher is nature; it necessary to rise has in consciousness. That it a flame of will take time.</div> <span style="background-color:transparent;color:#000000;">(The Motherinsistent on perfection, 19 February 1958)</span><ref>http://incarnateword.in/cwm/09/19-february-1958#p39</ref>  <span style="background-color:transparent;color:#000000;">It is the physical centre—sex is only one of its movements. Naturally, if the sex is active (instead of giving place to Beauty and Ananda) and if the lower movements are active, it forms on an obstacle to the establishment alchemic transmutation of the higher consciousness. But the higher can descend, if there is at all an opening, even before the lower movements have definitely gone—it has then to complete the work of displacing theminner and outer existence.</span><ref>http://incarnateword.in/cwsa/31/sex#p102</ref>  <span style="background-color:transparent;color:#000000;">If it [It sees the vital] admires all beautiful things, not women only, without desire—then there would be no harm [in admiring women]. But specially applied to women, it is a relic of divine essence everywhere but rejects the "sex-appeal".</span><ref>http://incarnateword.in/cwsa/31/sex#p143</ref>  <span style="background-color:transparent;color:#000000;">The desires of the heart mere mask and the body which stand in the way of Brahmacharya give a glow to the vital and emotive nature and prevent it from being dry and shut to feelingdisguising figure. To keep the heart warm and open, not dried up or closedIt insists on Truth, on will and at the same time attain to spiritual purity the best way is to turn it towards that which is eternal, pure strength and ever truemastery, behind on Joy and beyond these earthly emotions—the ever-living Love, Bliss and Beauty.</span><ref>http://incarnateword.in/cwsa/31/sex#p97</ref> == Vital == <div style="color:#000000;">In , but on a human being, there is Truth of abiding Knowledge that surpasses the divine Presence and mere practical momentary truth of the psychic being—at the beginning embryonicIgnorance, but in the end a being wholly formed, conscious, independent, individualised. That does on an inward joy and not exist in the on mere vital world. It is a special grace given to human beings dwelling in matter and upon earth. And because of this, there is no human being who cannot be convertedpleasure, if he wants —for it; that is, there is prefers rather a possibility of his wanting it purifying suffering and the moment he wants itsorrow to degrading satisfactions, he can do it. He is sure —on love winged upward and not tied to succeed the moment he wants it, whereas those beings stake of the vital do not have a psychic being egoistic craving or with its feet sunk in them, they do not have the direct divine Presence (naturallymire, at the Origin, they descended directly from the Divine, but that was at the Origin, that is very far away). They are not in direct contact with the Divine within them, they have no psychic being. And if they were converted, there would remain nothing on beauty restored to its priesthood of them! For they are made up entirely interpretation of the opposite movement: they are entirely made up of personal self-assertion, despotic authority, separation from the OriginEternal, on strength and, of a great disdain for all that is pure, beautiful will and noble. They do mastery as instruments not have within them this psychic element which in man, even in of the most debased, makes him respect what is beautiful and pure; even ego but of the basest man, in spite of himself, against his own Spirit. Its will, respects what is pure, noble and beautiful. But those beings do not have that. They are wholly on for the other sidedivinisation of life, totally on the other side. It disgusts them in every way. It is for them something which should not be touchedexpression through it of a higher Truth, because it destroys; it is its dedication to the thing that makes them disappear. Goodwill, sincerity, purity Divine and beauty are things which make them disappear. So they hate these thingsthe Eternal.</divref>  <div style="colorhttp:#000000;">Now I do not know on what grounds one could convert them [beings of the vital]. What would be the point of support? I do not find it//incarnateword. Even in /cwsa/23/the greatest. That is, some -ascent-of these beings will not disappear until hatred disappears from -the earth.... One might put it the other way round. One might say that hatred will disappear from the earth when those beings disappear; but, for the reason I have just given, the power to make light spring forth in the place of darkness, beauty in the place of ugliness, goodness instead of evil, that power man possesses, the Asura does not. Therefore it is man who will do that work, it is he who will change, it is he who will transform his earth and it is he who will compel the Asura to flee into other worlds or to dissolve. After that, all will be quiet. There you are.-sacrifice-i#p22</divref>
<span style="background-color:transparent;color:#000000;">(The Mother, 10 June 1953)</span><ref>http://incarnateword.in/cwm/05/10-june-1953#p19</ref>= How to Cultivate Beauty? ==
When the spirit in us is free, then what was behind this soul-force comes out in all its light, beauty and greatness, the Spirit, the Godhead who makes the nature and soul of man his foundation and living representative in cosmic being and mind, action and life. <ref>http://incarnateword.in/cwsa/24/soul-force-and-the-fourfold-personality#p2</ref>
<div style="color:#000000;"center>But is the Divine then something so terrible, horrible or repellent that the idea of its entry into the physical, its divinising of the human should create this shrinking, refusal, revolt or fear? I can understand that the unregenerate vital attached to its own petty sufferings and pleasures, to the brief ignorant drama of life, should shrink from what will change it. But why should a God-lover, a God-seeker, a sadhak fear the divinisation of the consciousness! Why should he object to becoming one in nature with what he seeks, why should he recoil from sādṛśya-mukti? Behind this fear there are usually two causes: first, there is the feeling of the vital that it will have to cease to be obscure, crude, muddy, egoistic, unrefined (spiritually), full of stimulating desires and small pleasures and interesting sufferings (for it shrinks even from the Ananda which will replace them); next, there is some vague ignorant idea of the mind, due, I suppose, to the ascetic tradition, that the divine nature is something cold, bare, empty, austere, aloof, without the glorious riches of the egoistic human vital life. As if there were not a divine vital and as if that divine vital is not itself and, when it gets the means to manifest, will not make the life on earth also infinitely more full of beauty, love, radiance, warmth, fire, intensity and divine passion and capacity for bliss than the present impotent, suffering, pettily and transiently excited and soon tired vitality of the still so imperfect human creation!~</divcenter>
It is, then, in the highest mind of thought and light and will or it is in the inner heart of deepest feeling and emotion that we must first centre our consciousness, — in either of them or, if we are capable, in both together,—and use that as our leverage to lift the nature wholly towards the Divine. The concentration of an enlightened thought, will and heart turned in unison towards one vast goal of our knowledge, one luminous and infinite source of our action, one imperishable object of our emotion is the starting-point of the Yoga. And the object of our seeking must be the very fount of the Light which is growing in us, the very origin of the Force which we are calling to move our members. Our one objective must be the Divine himself to whom, knowingly or unknowingly, something always aspires in our secret nature. There must be a large, many-sided yet single concentration of the thought on the idea, the perception, the vision, the awakening touch, the soul's realisation of the one Divine. There must be a flaming concentration of the heart on the seeking of the All and Eternal and, when once we have found him, a deep plunging and immersion in the possession and ecstasy of the All-Beautiful. There must be a strong and immovable concentration of the will on the attainment and fulfilment of all that the Divine is and a free and plastic opening of it to all that he intends to manifest in us. This is the triple way of the Yoga. <ref>http://incarnateword.in/cwsa/2923/bhakti-yoga-andself-vaishnavismconsecration#p36p18</ref>
== Challenges ==
<div style=An evolution from the Inconscient need not be a painful one if there is no resistance; it can be a deliberately slow and beautiful efflorescence of the Divine. One ought to be able to see how beautiful outward Nature can be and usually is, although it is itself apparently "color:#000000;inconscient">The danger . Why should the growth of consciousness in inward Nature be attended by so much ugliness and evil spoiling the beauty of the outward creation? Because of a perversity born from the vital Ignorance, which came in with Life and increased in Mind—that is the Falsehood, the Evil that was born because of taking hold the starkness of the Inconscient's sleep separating its action from the luminosity of the secret Conscient that was all the time within it. But it need not have been so except for the overriding Will of love, Ananda, the sense Supreme which meant that the possibility of Beauty Perversion by inconscience and using ignorance should be manifested in order to be eliminated through being given their chance, since all possibility has to manifest somewhere: once it for its own purposesis eliminated, for vital human relations or interchange or else the Divine Manifestation in Matter will be greater than it otherwise could be because it will gather all the possibilities involved in this difficult creation and not some kind of mere enjoyment of its ownthem as in an easier and less strenuous creation might naturally be. <ref>http://incarnateword.in/cwsa/28/spiritual-evolution-and-the-supramental#p33</divref>
<refcenter>http://incarnateword.in/cwsa/30/descent-and-the-lower-nature#p15~</refcenter>
<div style="color:#000000;">...when one sees something beautifulOurs is the most material world, instead of admiringbut it is not necessarily 'low down', lovingat least, being happy, wishing not for that reason; if it grows and progresses (which is the true divine movement)low down, one feels a sort of anger, rage, one wants to destroy, one wants to damage. This it is the movement of the adverse forces. Unfortunately, this because it is quite spontaneous in many people, obscure and even in children... the instinct to destroy and spoil. Wellignorant, not because it is the presence of the adverse forces. And these are forces which come directly from the vital world and incarnate on earth in human consciousness, and at times also in animal consciousnessmaterial. It is the hatred a mistake to make 'matter' a synonym for things beautiful, for what is pure, what is good, what is true. It is the hatred of the divine Presenceobscurity and ignorance. And naturally, with this hatred, the will to destroy and damage, to spoil, mar, deform, disfigure. One step more and it material world too is not the will to inflict suffering. And all this only world in which we live: it is the influence rather one of the adverse forces, many in which acts quite spontaneously in the inconscientwe exist simultaneously, and in one way the subconscient, in half-consciousnessmost important of them all. It For this world of matter is only the pure and luminous consciousness which can oppose this and prevent it from acting. But the state point of concentration of all the world worlds; it is such that this is a constant battle. Very few people can escape from this hold. Everyone generally has a tiny little corner in him—at times quite small, at times bigger, sometimes quite unconscious, sometimes a little conscious, sometimes superbly, completely conscious—which likes destroying, likes spoiling. And the state field of concretisation of all the world is such that when one gives way to that, one worlds; it is helped by an onrush of forces which lie waiting for the opportunity, waiting for place where all the moment to be able to manifest, which need human collaboration to be able worlds will have to manifest and seek it. As soon as the opportunity comes, they rush forth, throwing out a formidable amount of energy. And so one feels stronger as soon as one begins to do evil. That is why At present it is easier, whilst if one wants to react, refuses to become the instrument of these forces, one must fight hard, be very strong, very straight, very pure, very sincere, disharmonious and above allobscure; but that is only an accident, not egoistica false start. One must not turn round upon oneself, and must never be afraid. And this is not easy. That is, the world is in such a state that in order never to be moved by the adverse forces—the forces of darkness, destruction, wickedness, hatred—one must be a heroday it will become beautiful, a true herorhythmic, who is not afraid full of blows and fears nothing, who never turns round upon himself and doesn't have light; for that kind of self-pity is the consummation for which is so despicable a thing. That is why.it was made." <ref>http://incarnateword. in order not to do evil, think evil, wish evil, never, under any circumstances, one must be a hero It is not always easy to be a hero. The days one is tired, the days one wants to rest, not to make any effort, one slips, everything slips down./cwm/04/7-april-1951#p16</divref>
<span style="background-color:transparent;color:#000000;"center>(The Mother, 19 August 1953)~</span><ref>http://incarnateword.in/cwm/05/19-august-1953#p32</refcenter>
Certainly, the supramental manifestation does not bring peace, purity, force, power of knowledge only; these give the necessary conditions for the final realisation, are part of it, but Love, Beauty and Ananda are the essence of its fulfilment. And although the supreme Ananda comes with the supreme fulfilment, there is no real reason why there should not be the love and Ananda and beauty of the way also. Some have found that even at an early stage before there was any other experience. But the secret of it is in the heart, not the mind—the heart that opens its inner door and through it the radiance of the soul looks out in a blaze of trust and self-giving. Before that inner fire the debates of the mind and its difficulties wither away and the path however long or arduous becomes a sunlit road not only towards but through love and Ananda. <ref>http://incarnateword.in/cwsa/31/the-difficulties-of-yoga#p11</ref>
<div style="color:#000000;">The unselfish movement, uncalculating, is one of the most beautiful forms of psychic consciousness in the world. But the higher one rises in the scale of mental activity, the rarer it becomes. For with intelligence come all the skill and cleverness, and corruption, calculation. For instance, when a rose blossoms it does so spontaneously, for the joy of being beautiful, smelling sweet, expressing all its joy of living, and it does not calculate, it has nothing to gain out of it: it does so spontaneously, in the joy of being and living. Take a human being, well, apart from a very few exceptions, the moment his mind is active he tries to get some advantage out of his beauty and cleverness; he wants it to bring him something, either men's admiration or even much more sordid gains yet. Consequently, from the psychic point of view, the rose is better than human beings.</div>
<span style="background-color:transparent;color:#000000;">(The Mother, 26 August 1953)</span><ref>http://incarnateword.in/cwm/05/26-august-1953#p34</ref>'''Content Curated by Siddharth Jain'''
<div {|class="wikitable" style="background-color:#000000EFEFFF; width: 100%;">Take for instance... you see something which is—which seems to you or is—very beautiful, very harmonious, very pleasant; if you have the true consciousness, you experience this joy |Read Summary of seeing, of being in a conscious contact with something very beautiful, very harmonious, and then that's all. It stops there. You have the joy of it—that such a thing exists, you see. And this is quite common among artists who have a sense of beauty. For example, an artist may see a beautiful creature and have the joy of observing the beauty, grace, harmony of movement and all that, and that's all. It stops there. He is perfectly happy, perfectly satisfied, because he has seen something beautiful. An ordinary consciousness, altogether ordinary, dull like all ordinary consciousness—as soon as it sees something beautiful, whether it be an object or a person, hop! "I want it!" It is deplorable, you know. And into the bargain it doesn't even have the joy of the beauty, because it has the anguish of desire. It misses that and has nothing in exchange, because there is nothing pleasant in desiring anything. It only puts you in an unpleasant state, that[[Beauty Summary|Beauty]]'''s all.</div>
<span style="background-color:transparent;color:#000000;">(The MotherDear reader, 9 February 1955)</span><ref>http://incarnatewordif you notice any error in the paragraph numbers in the hyperlinks, please let us know by dropping an email at integral.edu.in/cwm/07/9-february-1955#p7</ref>@gmail.com|}
{{#related:Psychic Education}}
{{#related:Beauty Summary}}
<span style="background-color:transparent;color:#000000;">This world is a chaos in which darkness and light, false-hood and truth, death and life, ugliness and beauty, hate and love are so closely intertwined that it is almost impossible to distinguish one from the other, still more impossible to disentangle them and put an end to an embrace which has the horror of a pitiless struggle, all the more keen because veiled, especially in human consciousness where the conflict changes into an anguish for knowledge, for power, for conquest,—a combat obscure and painful, all the more atrocious because it seems to be without issue, but capable of a solution on a level above the sensations and feelings and ideas, beyond the domain of the mind—in the Divine Consciousness.</span><ref>http://incarnateword.in/cwm/15/the-divine-working-in-the-universe#p9</ref>References =